2486 lines
133 KiB
HTML
2486 lines
133 KiB
HTML
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<HEAD>
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biblioteca carriônica
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<LINK rel="shortcut icon" href="img/bibicon.png">
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<META http-equiv="Content-Type" content="text/html; charset=utf-8">
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/* Sortable tables*/
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table.sortable thead {background-color:#000000; color:#ffffff; font-weight: bold; cursor: default;}
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div.titlebar a, div.titlebar h3 {display:inline; margin:0 0.1em;text-decoration: none; color:white;}
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<BODY BGCOLOR=#FFFFFF TEXT=#000000 LINK=#000000 VLINK=#000000 STYLE="width:70%; text-align:justify; margin-left:14%; margin-top: 5%; margin-bottom: 1%; font-family: times; font-size: 16px;">
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<DIV STYLE="width:100%; height:230px;"><IMG SRC="img/biblogo.png" STYLE="HEIGHT:230px; FLOAT:RIGHT;"></DIV>
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<H1> biblioteca carriônica</H1>
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Este é o acervo digital da minha biblioteca, criado apenas para minha própria organização, mas disponível para consulta. Para buscar por uma informação específica, use o buscador do seu navegador. A tabela abaixo pode ser reorganizada em ordem crescente/decrescente para cada um dos 11 itens, clicando no nome da coluna que se deseja usar como parâmetro.
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<BR>
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<BR>
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<div style="overflow-x:auto;">
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<table border="0" width="95%" class="sortable">
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<tr>
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<th width="3%" align="center">ID</th> <!-- AUTCDD.num -->
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<th width="7%" align="center">IMAGEM</th>
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<th width="26%" align="center">TÍTULO</th>
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<th width="9%" align="center">AUTOR</th>
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<th width="9%" align="center">IMPRENTA</th> <!-- Editora, Cidade (Ano) -->
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<th width="9%" align="center">FORMATO</th> <!-- Livro ou HQ ou Dicionário ou Enciclopédia,
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Revista ou Espiral ou Brochura ou Capa Dura -->
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<th width="9%" align="center">IDIOMA</th>
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<th width="3%" align="center">PÁG.</th>
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<th width="13%" align="center">LEITURA</th> <!-- An.Me.Di -->
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<th width="9%" align="center">SITUAÇÃO</th> <!-- Estante, Em leitura, Emprestado (Fulano)
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-->
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<th width="3%" align="center">RNK</th> <!-- [1-5] -->
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</tr>
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<tr>
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<td width="3%" align="center">ASS86.001</td>
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<td width="7%" align="center"><a href="img/ASS86.001.jpg"><img src="img/ASS86.001.jpg" height="70px"></a></td>
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<td width="26%" align="center">Memórias Póstumas de Brás Cubas</td>
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<td width="9%" align="center">Machado de Assis</td>
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<td width="11%" align="center">Minha (1988)</td>
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<td width="9%" align="center">Livro, Brochura</td>
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<td width="7%" align="center">Português</td>
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<td width="3%" align="center">125</td>
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<td width="13%" align="center">2015</td>
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<td width="9%" align="center">Estante</td>
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<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
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height="30px"></td>
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</tr>
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<tr>
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<td width="3%" align="center">SHA82.002</td>
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<td width="7%" align="center"><a href="img/SHA82.002.jpg"><img src="img/SHA82.002.jpg" height="70px"></a></td>
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<td width="26%" align="center">Romeu e Julieta</td>
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<td width="9%" align="center">William Shakespeare</td>
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<td width="11%" align="center">Minha (1988)</td>
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<td width="9%" align="center">Livro, Brochura</td>
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<td width="7%" align="center">Português</td>
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<td width="3%" align="center">96</td>
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<td width="13%" align="center">2015</td>
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<td width="9%" align="center">Estante</td>
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<td width="3%" align="center"><span class="hidden">2</span><img src="img/rnk2.png"
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height="30px"></td>
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</tr>
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<tr>
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<td width="3%" align="center">POE81.003</td>
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<td width="7%" align="center"><a href="img/POE81.003.jpg"><img src="img/POE81.003.jpg" height="70px"></a></td>
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<td width="26%" align="center">Histórias Extraordinárias</td>
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<td width="9%" align="center">Edgar Allan Poe</td>
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<td width="11%" align="center">Minha (1988)</td>
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<td width="9%" align="center">Livro, Brochura</td>
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<td width="7%" align="center">Português</td>
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<td width="3%" align="center">96</td>
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<td width="13%" align="center"> </td>
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<td width="9%" align="center">Estante</td>
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<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
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height="30px"></td>
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</tr>
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<tr>
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<td width="3%" align="center">GUI86.004</td>
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<td width="7%" align="center"><a href="img/GUI86.004.jpg"><img src="img/GUI86.004.jpg" height="70px"></a></td>
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<td width="26%" align="center">A Escrava Isaura</td>
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<td width="9%" align="center">Bernardo Guimarães</td>
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<td width="11%" align="center">Minha (1988)</td>
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<td width="9%" align="center">Livro, Brochura</td>
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<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">93</td>
|
|
<td width="13%" align="center"> </td>
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<td width="9%" align="center">Estante</td>
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<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
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height="30px"></td>
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</tr>
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<tr>
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<td width="3%" align="center">DOS83.005</td>
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<td width="7%" align="center"><a href="img/DOS83.005.jpg"><img src="img/DOS83.005.jpg" height="70px"></a></td>
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<td width="26%" align="center">Noites Brancas</td>
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<td width="9%" align="center">Fiódor Dostoievski</td>
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<td width="11%" align="center">Minha (1988)</td>
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<td width="9%" align="center">Livro, Brochura</td>
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<td width="7%" align="center">Português</td>
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<td width="3%" align="center">92</td>
|
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<td width="13%" align="center">2014</td>
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<td width="9%" align="center">Estante</td>
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<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
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height="30px"></td>
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</tr>
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<tr>
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<td width="3%" align="center">AZE86.006</td>
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<td width="7%" align="center"><a href="img/AZE86.006.jpg"><img src="img/AZE86.006.jpg" height="70px"></a></td>
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<td width="26%" align="center">O Cortiço</td>
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<td width="9%" align="center">Aluísio Azevedo</td>
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<td width="11%" align="center">Minha (1988)</td>
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<td width="9%" align="center">Livro (2 Tomos), Brochura</td>
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<td width="7%" align="center">Português</td>
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<td width="3%" align="center">96/95</td>
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<td width="13%" align="center">2011</td>
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<td width="9%" align="center">Estante</td>
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<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
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height="30px"></td>
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</tr>
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<tr>
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<td width="3%" align="center">KAF83.007</td>
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<td width="7%" align="center"><a href="img/KAF83.007.jpg"><img src="img/KAF83.007.jpg" height="70px"></a></td>
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<td width="26%" align="center">A Metamorfose</td>
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<td width="9%" align="center">Franz Kafka</td>
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<td width="11%" align="center">Minha (1988)</td>
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<td width="9%" align="center">Livro, Brochura</td>
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<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">95</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
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|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
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height="30px"></td>
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</tr>
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<tr>
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<td width="3%" align="center">SOF88.008</td>
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<td width="7%" align="center"><a href="img/SOF88.008.jpg"><img src="img/SOF88.008.jpg" height="70px"></a></td>
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<td width="26%" align="center">Édipo Rei</td>
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<td width="9%" align="center">Sófocles</td>
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<td width="11%" align="center">Minha (1988)</td>
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<td width="9%" align="center">Livro, Brochura</td>
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<td width="7%" align="center">Português</td>
|
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<td width="3%" align="center">95</td>
|
|
<td width="13%" align="center"> </td>
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<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
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height="30px"></td>
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</tr>
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<tr>
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<td width="3%" align="center">QUE86.009</td>
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<td width="7%" align="center"><a href="img/QUE86.009.jpg"><img src="img/QUE86.009.jpg" height="70px"></a></td>
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<td width="26%" align="center">O Primo Basílio</td>
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|
<td width="9%" align="center">Eça de Queiroz</td>
|
|
<td width="11%" align="center">Minha (1988)</td>
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<td width="9%" align="center">Livro (2 Tomos), Brochura</td>
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<td width="7%" align="center">Português</td>
|
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<td width="3%" align="center">94/96</td>
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<td width="13%" align="center"> </td>
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<td width="9%" align="center">Estante</td>
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|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
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height="30px"></td>
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</tr>
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<tr>
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<td width="3%" align="center">DIC82.010</td>
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<td width="7%" align="center"><a href="img/DIC82.010.jpg"><img src="img/DIC82.010.jpg" height="70px"></a></td>
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<td width="26%" align="center">Conto de Natal</td>
|
|
<td width="9%" align="center">Charles Dickens</td>
|
|
<td width="11%" align="center">Minha (1988)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">95</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
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|
</tr>
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<tr>
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<td width="3%" align="center">TOL83.011</td>
|
|
<td width="7%" align="center"><a href="img/TOL83.011.jpg"><img src="img/TOL83.011.jpg" height="70px"></a></td>
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|
<td width="26%" align="center">A Manhã de um Senhor</td>
|
|
<td width="9%" align="center">Lev Tolstoi</td>
|
|
<td width="11%" align="center">Minha (1988)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">95</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
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<tr>
|
|
<td width="3%" align="center">MOL84.012</td>
|
|
<td width="7%" align="center"><a href="img/MOL84.012.jpg"><img src="img/MOL84.012.jpg" height="70px"></a></td>
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|
<td width="26%" align="center">Escola de Mulheres</td>
|
|
<td width="9%" align="center">Jean-Baptiste Molière</td>
|
|
<td width="11%" align="center">Minha (1988)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">95</td>
|
|
<td width="13%" align="center"> </td>
|
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<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
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|
height="30px"></td>
|
|
</tr>
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<tr>
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|
<td width="3%" align="center">DIN86.013</td>
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|
<td width="7%" align="center"><a href="img/DIN86.013.jpg"><img src="img/DIN86.013.jpg" height="70px"></a></td>
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<td width="26%" align="center">As Pupilas do Senhor Reitor</td>
|
|
<td width="9%" align="center">Júlio Dinis</td>
|
|
<td width="11%" align="center">Minha (1988)</td>
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|
<td width="9%" align="center">Livro (2 Tomos), Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">96/96</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
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|
height="30px"></td>
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|
</tr>
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<tr>
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<td width="3%" align="center">WIL82.014</td>
|
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<td width="7%" align="center"><a href="img/WIL82.014.jpg"><img src="img/WIL82.014.jpg" height="70px"></a></td>
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<td width="26%" align="center">Contos</td>
|
|
<td width="9%" align="center">Oscar Wilde</td>
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<td width="11%" align="center">Minha (1988)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">95</td>
|
|
<td width="13%" align="center"> </td>
|
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<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
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height="30px"></td>
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</tr>
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<tr>
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<td width="3%" align="center">GAR86.015</td>
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<td width="7%" align="center"><a href="img/GAR86.015.jpg"><img src="img/GAR86.015.jpg" height="70px"></a></td>
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<td width="26%" align="center">A Casa de Bernarda Alba</td>
|
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<td width="9%" align="center">Federico García Lorca</td>
|
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<td width="11%" align="center">Minha (1988)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">96</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
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height="30px"></td>
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</tr>
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<tr>
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<td width="3%" align="center">DUM84.016</td>
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<td width="7%" align="center"><a href="img/DUM84.016.jpg"><img src="img/DUM84.016.jpg" height="70px"></a></td>
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<td width="26%" align="center">A Dama das Camélias</td>
|
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<td width="9%" align="center">Federico García Lorca</td>
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<td width="11%" align="center">Minha (1988)</td>
|
|
<td width="9%" align="center">Livro (2 Tomos), Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">93/96</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
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|
height="30px"></td>
|
|
</tr>
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<tr>
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<td width="3%" align="center">GIB89.017</td>
|
|
<td width="7%" align="center"><a href="img/GIB89.017.jpg"><img src="img/GIB89.017.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O Profeta</td>
|
|
<td width="9%" align="center">Khalil Gibran</td>
|
|
<td width="11%" align="center">L&PM, Porto Alegre (2010)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">128</td>
|
|
<td width="13%" align="center">2015</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
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|
height="30px"></td>
|
|
</tr>
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<tr>
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<td width="3%" align="center">CON82.018</td>
|
|
<td width="7%" align="center"><a href="img/CON82.018.jpg"><img src="img/CON82.018.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O Solteirão Nobre e outras histórias</td>
|
|
<td width="9%" align="center">Arthur Conan Doyle</td>
|
|
<td width="11%" align="center">L&PM, Porto Alegre (2000)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">210</td>
|
|
<td width="13%" align="center">2014</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">CON82.019</td>
|
|
<td width="7%" align="center"><a href="img/CON82.019.jpg"><img src="img/CON82.019.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A ciclista solitária e outras histórias</td>
|
|
<td width="9%" align="center">Arthur Conan Doyle</td>
|
|
<td width="11%" align="center">L&PM, Porto Alegre (1999)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">256</td>
|
|
<td width="13%" align="center">2015</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">CON82.020</td>
|
|
<td width="7%" align="center"><a href="img/CON82.020.jpg"><img src="img/CON82.020.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O Vampiro de Sussex e outras histórias</td>
|
|
<td width="9%" align="center">Arthur Conan Doyle</td>
|
|
<td width="11%" align="center">L&PM, Porto Alegre (2005)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">184</td>
|
|
<td width="13%" align="center">2014</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
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<tr>
|
|
<td width="3%" align="center">CON82.021</td>
|
|
<td width="7%" align="center"><a href="img/CON82.021.jpg"><img src="img/CON82.021.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Um estudo em vermelho</td>
|
|
<td width="9%" align="center">Arthur Conan Doyle</td>
|
|
<td width="11%" align="center">L&PM, Porto Alegre (2014)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">192</td>
|
|
<td width="13%" align="center">2014</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">5</span><img src="img/rnk5.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ASS86.022</td>
|
|
<td width="7%" align="center"><a href="img/ASS86.022.jpg"><img src="img/ASS86.022.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A Mão e a Luva</td>
|
|
<td width="9%" align="center">Machado de Assis</td>
|
|
<td width="11%" align="center">L&PM, Porto Alegre (2007)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">144</td>
|
|
<td width="13%" align="center">2010</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">WIL82.023</td>
|
|
<td width="7%" align="center"><a href="img/WIL82.023.jpg"><img src="img/WIL82.023.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O Retrato de Dorian Gray</td>
|
|
<td width="9%" align="center">Oscar Wilde</td>
|
|
<td width="11%" align="center">Martin Claret, São Paulo (2009)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">225</td>
|
|
<td width="13%" align="center">2010</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">LEI11.024</td>
|
|
<td width="7%" align="center"><a href="img/LEI11.024.jpg"><img src="img/LEI11.024.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Discurso de Metafísica</td>
|
|
<td width="9%" align="center">Gottfried Leibniz</td>
|
|
<td width="11%" align="center">Martin Claret, São Paulo (2009)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">268</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">PAS83.025</td>
|
|
<td width="7%" align="center"><a href="img/PAS83.025.jpg"><img src="img/PAS83.025.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Doctor Zhivago</td>
|
|
<td width="9%" align="center">Boris Pasternak</td>
|
|
<td width="11%" align="center">Collins English Library, Glasgow (1978)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">120</td>
|
|
<td width="13%" align="center">2014</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">2</span><img src="img/rnk2.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ORW82.026</td>
|
|
<td width="7%" align="center"><a href="img/ORW82.026.jpg"><img src="img/ORW82.026.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A Revolução dos Bichos</td>
|
|
<td width="9%" align="center">George Orwell</td>
|
|
<td width="11%" align="center">Globo, São Paulo (1993)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">100</td>
|
|
<td width="13%" align="center">2013</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">QUE86.027</td>
|
|
<td width="7%" align="center"><a href="img/QUE86.027.jpg"><img src="img/QUE86.027.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O crime do Padre Amaro</td>
|
|
<td width="9%" align="center">Eça de Queiroz</td>
|
|
<td width="11%" align="center">Edições de Ouro, Rio de Janeiro (1969)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">416</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">VER84.028</td>
|
|
<td width="7%" align="center"><a href="img/VER84.028.jpg"><img src="img/VER84.028.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A volta ao mundo em oitenta dias</td>
|
|
<td width="9%" align="center">Jules Verne</td>
|
|
<td width="11%" align="center">Ática, São Paulo (1996)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">248</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">5</span><img src="img/rnk5.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">VER84.029</td>
|
|
<td width="7%" align="center"><a href="img/VER84.029.jpg"><img src="img/VER84.029.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Viaje al centro de la Tierra</td>
|
|
<td width="9%" align="center">Jules Verne</td>
|
|
<td width="11%" align="center">Alba, Madrid (1999)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Espanhol</td>
|
|
<td width="3%" align="center">192</td>
|
|
<td width="13%" align="center">2012</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">VER84.030</td>
|
|
<td width="7%" align="center"><a href="img/VER84.030.jpg"><img src="img/VER84.030.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">5 semanas em globo</td>
|
|
<td width="9%" align="center">Jules Verne</td>
|
|
<td width="11%" align="center">Alba, Madrid (1999)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Espanhol</td>
|
|
<td width="3%" align="center">176</td>
|
|
<td width="13%" align="center">2014</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">TSU17.031</td>
|
|
<td width="7%" align="center"><a href="img/TSU17.031.jpg"><img src="img/TSU17.031.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Hagakure: o livro do samurai</td>
|
|
<td width="9%" align="center">Yamamoto Tsunotomo</td>
|
|
<td width="11%" align="center">Conrad, São Paulo (2005)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">237</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">TZU35.032</td>
|
|
<td width="7%" align="center"><a href="img/TZU35.032.jpg"><img src="img/TZU35.032.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A arte da guerra</td>
|
|
<td width="9%" align="center">Sun Tzu</td>
|
|
<td width="11%" align="center">Jardim dos Livros, São Paulo (2006)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">154</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">RIC81.033</td>
|
|
<td width="7%" align="center"><a href="img/RIC81.033.jpg"><img src="img/RIC81.033.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Entrevista com o vampiro</td>
|
|
<td width="9%" align="center">Anne Rice</td>
|
|
<td width="11%" align="center">Rocco, Rio de Janeiro (1992)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">334</td>
|
|
<td width="13%" align="center">2012</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">RIC81.034</td>
|
|
<td width="7%" align="center"><a href="img/RIC81.034.jpg"><img src="img/RIC81.034.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O vampiro Lestat</td>
|
|
<td width="9%" align="center">Anne Rice</td>
|
|
<td width="11%" align="center">Rocco, Rio de Janeiro (1999)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">467</td>
|
|
<td width="13%" align="center">2012</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">2</span><img src="img/rnk2.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">RIC81.035</td>
|
|
<td width="7%" align="center"><a href="img/RIC81.035.jpg"><img src="img/RIC81.035.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A rainha dos condenados</td>
|
|
<td width="9%" align="center">Anne Rice</td>
|
|
<td width="11%" align="center">Rocco, Rio de Janeiro (1990)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">586</td>
|
|
<td width="13%" align="center">2013</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">2</span><img src="img/rnk2.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">SCO81.036</td>
|
|
<td width="7%" align="center"><a href="img/SCO81.036.jpg"><img src="img/SCO81.036.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O grande Gatsby</td>
|
|
<td width="9%" align="center">Francis Scott Fitzgerald</td>
|
|
<td width="11%" align="center">Landmark, São Paulo (2013)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Inglês/Português</td>
|
|
<td width="3%" align="center">223</td>
|
|
<td width="13%" align="center">2015</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">PUZ81.037</td>
|
|
<td width="7%" align="center"><a href="img/PUZ81.037.jpg"><img src="img/PUZ81.037.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O poderoso chefão</td>
|
|
<td width="9%" align="center">Mario Puzo</td>
|
|
<td width="11%" align="center">Best Bolso, Rio de Janeiro (2008)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">996</td>
|
|
<td width="13%" align="center">2013</td>
|
|
<td width="9%" align="center" bgcolor="red">Suellen</td>
|
|
<td width="3%" align="center"><span class="hidden">5</span><img src="img/rnk5.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">FOR82.038</td>
|
|
<td width="7%" align="center"><a href="img/FOR82.038.jpg"><img src="img/FOR82.038.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O dossiê Odessa</td>
|
|
<td width="9%" align="center">Frederick Forsyth</td>
|
|
<td width="11%" align="center">Edibolso, São Paulo (1972)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">360</td>
|
|
<td width="13%" align="center">2013</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">FOR82.039</td>
|
|
<td width="7%" align="center"><a href="img/FOR82.039.jpg"><img src="img/FOR82.039.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">The day of the Jackal</td>
|
|
<td width="9%" align="center">Frederick Forsyth</td>
|
|
<td width="11%" align="center">Bantam Books, New York (1995)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">376</td>
|
|
<td width="13%" align="center">2014</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">HAR81.040</td>
|
|
<td width="7%" align="center"><a href="img/HAR81.040.jpg"><img src="img/HAR81.040.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Red dragon</td>
|
|
<td width="9%" align="center">Thomas Harris</td>
|
|
<td width="11%" align="center">Bantam Dell, New York (2005)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">466</td>
|
|
<td width="13%" align="center">2013</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">HAR81.041</td>
|
|
<td width="7%" align="center"><a href="img/HAR81.041.jpg"><img src="img/HAR81.041.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">The silence of the lambs</td>
|
|
<td width="9%" align="center">Thomas Harris</td>
|
|
<td width="11%" align="center">Mandarin, London (1995)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">353</td>
|
|
<td width="13%" align="center">2013</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">HAR81.042</td>
|
|
<td width="7%" align="center"><a href="img/HAR81.042.jpg"><img src="img/HAR81.042.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Hannibal</td>
|
|
<td width="9%" align="center">Thomas Harris</td>
|
|
<td width="11%" align="center">Bantam Dell, New York (2005)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">547</td>
|
|
<td width="13%" align="center">2014</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">CAR15.043</td>
|
|
<td width="7%" align="center"><a href="img/CAR15.043.jpg"><img src="img/CAR15.043.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Como fazer amigos e influenciar pessoas</td>
|
|
<td width="9%" align="center">Dale Carnegie</td>
|
|
<td width="11%" align="center">Companhia Editora Nacional, São Paulo (2003)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">319</td>
|
|
<td width="13%" align="center">2014</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">2</span><img src="img/rnk2.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">WEI15.044</td>
|
|
<td width="7%" align="center"><a href="img/WEI15.044.jpg"><img src="img/WEI15.044.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O corpo fala</td>
|
|
<td width="9%" align="center">Pierre Weil e Roland Tompakow</td>
|
|
<td width="11%" align="center">Editora Vozes, Petrópolis (2010)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">288</td>
|
|
<td width="13%" align="center">2010</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">2</span><img src="img/rnk2.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">JAC79.045</td>
|
|
<td width="7%" align="center"><a href="img/JAC79.045.jpg"><img src="img/JAC79.045.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">GURPS: módulo básico</td>
|
|
<td width="9%" align="center">Steve Jackson</td>
|
|
<td width="11%" align="center">Devir, São Paulo (1994)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">260</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center" bgcolor="red">Vinícius</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ACH79.046</td>
|
|
<td width="7%" align="center"><a href="img/ACH79.046.jpg"><img src="img/ACH79.046.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Vampiro: a máscara</td>
|
|
<td width="9%" align="center">Justin Achilli</td>
|
|
<td width="11%" align="center">Devir, São Paulo (1999)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">312</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ASI81.047</td>
|
|
<td width="7%" align="center"><a href="img/ASI81.047.jpg"><img src="img/ASI81.047.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Fundação</td>
|
|
<td width="9%" align="center">Isaac Asimov</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2009)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">239</td>
|
|
<td width="13%" align="center">2015</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ASI81.048</td>
|
|
<td width="7%" align="center"><a href="img/ASI81.048.jpg"><img src="img/ASI81.048.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Fundação e Império</td>
|
|
<td width="9%" align="center">Isaac Asimov</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2009)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">244</td>
|
|
<td width="13%" align="center">2015</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ASI81.049</td>
|
|
<td width="7%" align="center"><a href="img/ASI81.049.jpg"><img src="img/ASI81.049.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Segunda Fundação</td>
|
|
<td width="9%" align="center">Isaac Asimov</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2009)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">235</td>
|
|
<td width="13%" align="center">2015</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ASI81.050</td>
|
|
<td width="7%" align="center"><a href="img/ASI81.050.jpg"><img src="img/ASI81.050.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Limites da Fundação</td>
|
|
<td width="9%" align="center">Isaac Asimov</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2012)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">407</td>
|
|
<td width="13%" align="center">2015</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ASI81.051</td>
|
|
<td width="7%" align="center"><a href="img/ASI81.051.jpg"><img src="img/ASI81.051.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Fundação e Terra</td>
|
|
<td width="9%" align="center">Isaac Asimov</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2013)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">461</td>
|
|
<td width="13%" align="center">2015</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ASI81.052</td>
|
|
<td width="7%" align="center"><a href="img/ASI81.052.jpg"><img src="img/ASI81.052.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Prelúdio à Fundação</td>
|
|
<td width="9%" align="center">Isaac Asimov</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2013)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">452</td>
|
|
<td width="13%" align="center">2015</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ASI81.053</td>
|
|
<td width="7%" align="center"><a href="img/ASI81.053.jpg"><img src="img/ASI81.053.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Origens da Fundação</td>
|
|
<td width="9%" align="center">Isaac Asimov</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2014)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">399</td>
|
|
<td width="13%" align="center">2015</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">CLA82.054</td>
|
|
<td width="7%" align="center"><a href="img/CLA82.054.jpg"><img src="img/CLA82.054.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">2001 Uma odisseia no espaço</td>
|
|
<td width="9%" align="center">Arthur C. Clarke</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2013)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">330</td>
|
|
<td width="13%" align="center">2015</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">BUR82.055</td>
|
|
<td width="7%" align="center"><a href="img/BUR82.055.jpg"><img src="img/BUR82.055.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Laranja Mecânica</td>
|
|
<td width="9%" align="center">Anthony Burguess</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2004)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">199</td>
|
|
<td width="13%" align="center">2014</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">MOO74.056</td>
|
|
<td width="7%" align="center"><a href="img/MOO74.056.jpg"><img src="img/MOO74.056.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">V de vingança</td>
|
|
<td width="9%" align="center">Alan Moore e David Lloyd</td>
|
|
<td width="11%" align="center">Panini Books, Barueri (2004)</td>
|
|
<td width="9%" align="center">HQ, Revista</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">306</td>
|
|
<td width="13%" align="center">2016</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">VAU74.057</td>
|
|
<td width="7%" align="center"><a href="img/VAU74.057.jpg"><img src="img/VAU74.057.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Os leões de Bagdá</td>
|
|
<td width="9%" align="center">Brian K. Vaughan e Niko Henrichon</td>
|
|
<td width="11%" align="center">Panini Books, Barueri (2008)</td>
|
|
<td width="9%" align="center">HQ, Revista</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">138</td>
|
|
<td width="13%" align="center">2016</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">2</span><img src="img/rnk2.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">CLA74.058</td>
|
|
<td width="7%" align="center"><a href="img/CLA74.058.jpg"><img src="img/CLA74.058.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">X-Men: Rubicão</td>
|
|
<td width="9%" align="center">Chris Claremont e Jim Lee</td>
|
|
<td width="11%" align="center">Abril Jovem, São Paulo (1995)</td>
|
|
<td width="9%" align="center">HQ, Revista</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">42</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">CLA74.059</td>
|
|
<td width="7%" align="center"><a href="img/CLA74.059.jpg"><img src="img/CLA74.059.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">X-Men: Tempestade de fogo</td>
|
|
<td width="9%" align="center">Chris Claremont e Jim Lee</td>
|
|
<td width="11%" align="center">Abril Jovem, São Paulo (1995)</td>
|
|
<td width="9%" align="center">HQ, Revista</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">30</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">CLA74.060</td>
|
|
<td width="7%" align="center"><a href="img/CLA74.060.jpg"><img src="img/CLA74.060.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">X-Men: A queda dos mártires</td>
|
|
<td width="9%" align="center">Chris Claremont e Jim Lee</td>
|
|
<td width="11%" align="center">Abril Jovem, São Paulo (1995)</td>
|
|
<td width="9%" align="center">HQ, Revista</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">30</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">TOL82.061</td>
|
|
<td width="7%" align="center"><a href="img/TOL82.061.jpg"><img src="img/TOL82.061.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O Silmarillion</td>
|
|
<td width="9%" align="center">John R. R. Tolkien</td>
|
|
<td width="11%" align="center">WMF Martins Fontes, São Paulo (2009)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">468</td>
|
|
<td width="13%" align="center">2009</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">TOL82.062</td>
|
|
<td width="7%" align="center"><a href="img/TOL82.062.jpg"><img src="img/TOL82.062.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O Hobbit</td>
|
|
<td width="9%" align="center">John R. R. Tolkien</td>
|
|
<td width="11%" align="center">WMF Martins Fontes, São Paulo (20??)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center" bgcolor="red">???</td>
|
|
<td width="13%" align="center">2010</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">TOL82.063</td>
|
|
<td width="7%" align="center"><a href="img/TOL82.063.jpg"><img src="img/TOL82.063.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O senhor dos anéis: A sociedade do anel</td>
|
|
<td width="9%" align="center">John R. R. Tolkien</td>
|
|
<td width="11%" align="center">WMF Martins Fontes, São Paulo (2000)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">445</td>
|
|
<td width="13%" align="center">2010</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">TOL82.064</td>
|
|
<td width="7%" align="center"><a href="img/TOL82.064.jpg"><img src="img/TOL82.064.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O senhor dos anéis: As duas torres</td>
|
|
<td width="9%" align="center">John R. R. Tolkien</td>
|
|
<td width="11%" align="center">WMF Martins Fontes, São Paulo (2002)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">445</td>
|
|
<td width="13%" align="center">2010</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">TOL82.065</td>
|
|
<td width="7%" align="center"><a href="img/TOL82.065.jpg"><img src="img/TOL82.065.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O senhor dos anéis: O retorno do rei</td>
|
|
<td width="9%" align="center">John R. R. Tolkien</td>
|
|
<td width="11%" align="center">WMF Martins Fontes, São Paulo (2000)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">441</td>
|
|
<td width="13%" align="center">2012</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">GIB81.066</td>
|
|
<td width="7%" align="center"><a href="img/GIB81.066.jpg"><img src="img/GIB81.066.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Neuromancer</td>
|
|
<td width="9%" align="center">William Gibson</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2008)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">319</td>
|
|
<td width="13%" align="center">2013</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">5</span><img src="img/rnk5.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">GIB81.067</td>
|
|
<td width="7%" align="center"><a href="img/GIB81.067.jpg"><img src="img/GIB81.067.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Count Zero</td>
|
|
<td width="9%" align="center">William Gibson</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2008)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">311</td>
|
|
<td width="13%" align="center">2014</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">GIB81.068</td>
|
|
<td width="7%" align="center"><a href="img/GIB81.068.jpg"><img src="img/GIB81.068.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Mona Lisa Overdrive</td>
|
|
<td width="9%" align="center">William Gibson</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2008)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">319</td>
|
|
<td width="13%" align="center">2014</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">MAN85.069</td>
|
|
<td width="7%" align="center"><a href="img/MAN85.069.jpg"><img src="img/MAN85.069.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Aléxandros: O sonho de Olympias</td>
|
|
<td width="9%" align="center">Valerio M. Manfredi</td>
|
|
<td width="11%" align="center">Rocco, Rio de Janeiro (1999)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">310</td>
|
|
<td width="13%" align="center">2013</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">MAN85.070</td>
|
|
<td width="7%" align="center"><a href="img/MAN85.070.jpg"><img src="img/MAN85.070.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Aléxandros: As areias de Amon</td>
|
|
<td width="9%" align="center">Valerio M. Manfredi</td>
|
|
<td width="11%" align="center">Rocco, Rio de Janeiro (1999)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">350</td>
|
|
<td width="13%" align="center">2013</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">MAN85.071</td>
|
|
<td width="7%" align="center"><a href="img/MAN85.071.jpg"><img src="img/MAN85.071.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Aléxandros: Os confins do mundo</td>
|
|
<td width="9%" align="center">Valerio M. Manfredi</td>
|
|
<td width="11%" align="center">Rocco, Rio de Janeiro (2000)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">409</td>
|
|
<td width="13%" align="center">2013</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">DES50.072</td>
|
|
<td width="7%" align="center"><a href="img/DES50.072.jpg"><img src="img/DES50.072.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Discurso do método</td>
|
|
<td width="9%" align="center">René Descartes</td>
|
|
<td width="11%" align="center">Nova Fronteira (Saraiva de bolso), Rio de Janeiro (2011)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">96</td>
|
|
<td width="13%" align="center">2015</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">MOR30.073</td>
|
|
<td width="7%" align="center"><a href="img/MOR30.073.jpg"><img src="img/MOR30.073.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A Utopia</td>
|
|
<td width="9%" align="center">Thomas Morus</td>
|
|
<td width="11%" align="center">Nova Fronteira (Saraiva de bolso), Rio de Janeiro (2011)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">152</td>
|
|
<td width="13%" align="center">2016</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">POM86.074</td>
|
|
<td width="7%" align="center"><a href="img/POM86.074.jpg"><img src="img/POM86.074.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O Ateneu</td>
|
|
<td width="9%" align="center">Raul Pompeia</td>
|
|
<td width="11%" align="center">Nova Fronteira (Saraiva de bolso), Rio de Janeiro (2011)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">238</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">HOM88.075</td>
|
|
<td width="7%" align="center"><a href="img/HOM88.075.jpg"><img src="img/HOM88.075.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Ilíada</td>
|
|
<td width="9%" align="center">Homero</td>
|
|
<td width="11%" align="center">Nova Fronteira (Saraiva de bolso), Rio de Janeiro (2011)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">603</td>
|
|
<td width="13%" align="center">2017</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">HOM88.076</td>
|
|
<td width="7%" align="center"><a href="img/HOM88.076.jpg"><img src="img/HOM88.076.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Odisseia</td>
|
|
<td width="9%" align="center">Homero</td>
|
|
<td width="11%" align="center">Nova Fronteira (Saraiva de bolso), Rio de Janeiro (2011)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">477</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">STE82.077</td>
|
|
<td width="7%" align="center"><a href="img/STE82.077.jpg"><img src="img/STE82.077.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O médico e o monstro</td>
|
|
<td width="9%" align="center">Robert Louis Stevenson</td>
|
|
<td width="11%" align="center">Nova Fronteira (Saraiva de bolso), Rio de Janeiro (2011)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">87</td>
|
|
<td width="13%" align="center">2016</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">NIE19.078</td>
|
|
<td width="7%" align="center"><a href="img/NIE19.078.jpg"><img src="img/NIE19.078.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Assim falava Zaratustra</td>
|
|
<td width="9%" align="center">Friedrich Nietzsche</td>
|
|
<td width="11%" align="center">Nova Fronteira (Saraiva de bolso), Rio de Janeiro (2012)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">340</td>
|
|
<td width="13%" align="center">2017</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">2</span><img src="img/rnk2.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ENC03.079</td>
|
|
<td width="7%" align="center"><a href="img/ENC03.079.jpg"><img src="img/ENC03.079.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Grande enciclopédia Delta Larousse</td>
|
|
<td width="9%" align="center">(Vários)</td>
|
|
<td width="11%" align="center">Delta, Rio de Janeiro (1977)</td>
|
|
<td width="9%" align="center">Livro (15 tomos), Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">7178</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">SPL</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ENC03.080</td>
|
|
<td width="7%" align="center"><a href="img/ENC03.080.jpg"><img src="img/ENC03.080.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Anuário Delta Larousse</td>
|
|
<td width="9%" align="center">(Vários)</td>
|
|
<td width="11%" align="center">Delta, Rio de Janeiro (1977)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">320</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">SPL</td>
|
|
<td width="3%" align="center"><span class="hidden">2</span><img src="img/rnk2.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ENC03.081</td>
|
|
<td width="7%" align="center"><a href="img/ENC03.081.jpg"><img src="img/ENC03.081.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Grande enciclopédia Larousse Cultural</td>
|
|
<td width="9%" align="center">(Vários)</td>
|
|
<td width="11%" align="center">Nova Cultural, São Paulo (1998)</td>
|
|
<td width="9%" align="center">Livro (24 tomos), Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">6112</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">SPL</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ENC75.082</td>
|
|
<td width="7%" align="center"><a href="img/ENC75.082.jpg"><img src="img/ENC75.082.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Galeria Delta da Pintura Universal</td>
|
|
<td width="9%" align="center">(Vários)</td>
|
|
<td width="11%" align="center">Delta, Rio de Janeiro (1972)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">496</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">SHA82.083</td>
|
|
<td width="7%" align="center"><a href="img/SHA82.083.jpg"><img src="img/SHA82.083.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A profissão da senhora Warren</td>
|
|
<td width="9%" align="center">Bernard Shaw</td>
|
|
<td width="11%" align="center">Peixoto Neto, São Paulo (2004)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">170</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">2</span><img src="img/rnk2.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">VER86.084</td>
|
|
<td width="7%" align="center"><a href="img/VER86.084.jpg"><img src="img/VER86.084.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O nariz e outras crônicas</td>
|
|
<td width="9%" align="center">Luís Fernando Veríssimo</td>
|
|
<td width="11%" align="center">Ática, São Paulo (2000)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">88</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">VER86.085</td>
|
|
<td width="7%" align="center"><a href="img/VER86.085.jpg"><img src="img/VER86.085.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Comédias para se ler na escola</td>
|
|
<td width="9%" align="center">Luís Fernando Veríssimo</td>
|
|
<td width="11%" align="center">Objetiva, Rio de Janeiro (2001)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">145</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">GUI86.086</td>
|
|
<td width="7%" align="center"><a href="img/GUI86.086.jpg"><img src="img/GUI86.086.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Primeiras Estórias</td>
|
|
<td width="9%" align="center">João Guimarães Rosa</td>
|
|
<td width="11%" align="center">Nova Fronteira, Rio de Janeiro (1988)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">160</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">FAR86.087</td>
|
|
<td width="7%" align="center"><a href="img/FAR86.087.jpg"><img src="img/FAR86.087.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A friagem</td>
|
|
<td width="9%" align="center">Augusta Faro</td>
|
|
<td width="11%" align="center">Ateliê Editorial, Cotia (1999)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">152</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">SOU64.088</td>
|
|
<td width="7%" align="center"><a href="img/SOU64.088.jpg"><img src="img/SOU64.088.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Vinho tinto - o prazer é todo seu</td>
|
|
<td width="9%" align="center">Sérgio Inglez de Sousa</td>
|
|
<td width="11%" align="center">Marco Zero, São Paulo (2006)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">168</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">SOU64.089</td>
|
|
<td width="7%" align="center"><a href="img/SOU64.089.jpg"><img src="img/SOU64.089.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Vinho branco - o prazer é todo seu</td>
|
|
<td width="9%" align="center">Sérgio Inglez de Sousa</td>
|
|
<td width="11%" align="center">Marco Zero, São Paulo (2006)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">175</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">LEW82.090 (a,b,c,d,e,f,g)</td>
|
|
<td width="7%" align="center"><a href="img/LEW82.090 (a,b,c,d,e,f,g).jpg"><img src="img/LEW82.090 (a,b,c,d,e,f,g).jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">As crônicas de Nárnia ("O sobrinho do mago", "O leão, a
|
|
feiticeira e o guarda-roupa", "O cavalo e seu menino", "Príncipe Caspian", "A viagem do Pelegrino
|
|
da Alvorada", "A cadeira de prata", "A última batalha")</td>
|
|
<td width="9%" align="center">Clive Staples Lewis</td>
|
|
<td width="11%" align="center">Martins Fontes, São Paulo (2009)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">750</td>
|
|
<td width="13%" align="center">2010 2010 2010 2012 2012 2010 2013 2013</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ENC75.091</td>
|
|
<td width="7%" align="center"><a href="img/ENC75.091.jpg"><img src="img/ENC75.091.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Como fazer quase tudo</td>
|
|
<td width="9%" align="center">(Vários)</td>
|
|
<td width="11%" align="center">Reader's Digest, Rio de Janeiro (1997)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">471</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">DES82.092</td>
|
|
<td width="7%" align="center"><a href="img/DES82.092.jpg"><img src="img/DES82.092.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Os cavaleiros da távola redonda</td>
|
|
<td width="9%" align="center">(Desconhecido)</td>
|
|
<td width="11%" align="center">Vecchi, Rio de Janeiro (1958)</td>
|
|
<td width="9%" align="center">Livro, Espiral</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">199</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">HOU84.093</td>
|
|
<td width="7%" align="center"><a href="img/HOU84.093.jpg"><img src="img/HOU84.093.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Submissão</td>
|
|
<td width="9%" align="center">Michel Houellebecq</td>
|
|
<td width="11%" align="center">Objetiva, Rio de Janeiro (2015)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">253</td>
|
|
<td width="13%" align="center">2016</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">2</span><img src="img/rnk2.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">CRI81.094</td>
|
|
<td width="7%" align="center"><a href="img/CRI81.094.jpg"><img src="img/CRI81.094.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Jurassic Park</td>
|
|
<td width="9%" align="center">Michael Crichton</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2015)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">525</td>
|
|
<td width="13%" align="center">2017</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">BOU84.095</td>
|
|
<td width="7%" align="center"><a href="img/BOU84.095.jpg"><img src="img/BOU84.095.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O planeta dos macacos</td>
|
|
<td width="9%" align="center">Pierre Boulle</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2015)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">209</td>
|
|
<td width="13%" align="center">2016</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">DIC81.096</td>
|
|
<td width="7%" align="center"><a href="img/DIC81.096.jpg"><img src="img/DIC81.096.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Andróides sonham com ovelhas elétricas?</td>
|
|
<td width="9%" align="center">Philip K. Dick</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2014)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">269</td>
|
|
<td width="13%" align="center">2016</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">GAR89.097</td>
|
|
<td width="7%" align="center"><a href="img/GAR89.097.jpg"><img src="img/GAR89.097.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Relato de un náufrago</td>
|
|
<td width="9%" align="center">Gabriel García Márquez</td>
|
|
<td width="11%" align="center">Contenporánea, Barcelona (2014)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Espanhol</td>
|
|
<td width="3%" align="center">170</td>
|
|
<td width="13%" align="center">2016</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">MEL81.098</td>
|
|
<td width="7%" align="center"><a href="img/MEL81.098.jpg"><img src="img/MEL81.098.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Moby Dick (ou A baleia)</td>
|
|
<td width="9%" align="center">Herman Melville</td>
|
|
<td width="11%" align="center">Cosac Naify, São Paulo (2008)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">656</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">DOS83.099</td>
|
|
<td width="7%" align="center"><a href="img/DOS83.099.jpg"><img src="img/DOS83.099.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Os irmãos Karamázov</td>
|
|
<td width="9%" align="center">Fiódor Dostoievski</td>
|
|
<td width="11%" align="center">Martin Claret, São Paulo (2013)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">911</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">BRA34.100</td>
|
|
<td width="7%" align="center"><a href="img/BRA34.100.jpg"><img src="img/BRA34.100.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Constituição</td>
|
|
<td width="9%" align="center">República Federativa do Brasil</td>
|
|
<td width="11%" align="center">Senado Federal, Brasília (1988)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">292</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">BRA34.101</td>
|
|
<td width="7%" align="center"><a href="img/BRA34.101.jpg"><img src="img/BRA34.101.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Estatuto da criança e do adolescente</td>
|
|
<td width="9%" align="center">República Federativa do Brasil</td>
|
|
<td width="11%" align="center">Conselho estadual dos direitos da criança e do adolescente,
|
|
Goiânia (1996)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">167</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">GAR34.102</td>
|
|
<td width="7%" align="center"><a href="img/GAR34.102.jpg"></a></td>
|
|
<td width="26%" align="center">Código de trânsito brasileiro</td>
|
|
<td width="9%" align="center">Ismar Estulano Garcia e Maurício Luzia de Oliveira</td>
|
|
<td width="11%" align="center">AB, Goiânia (1997)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">178</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">BIB22.103</td>
|
|
<td width="7%" align="center"><a href="img/BIB22.103.jpg"><img src="img/BIB22.103.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A Bíblia sagrada - antigo e novo testamento</td>
|
|
<td width="9%" align="center">(Vários)</td>
|
|
<td width="11%" align="center">Sociedade Bíblica do Brasil, Brasília (1982)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">1238</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">BIB22.104</td>
|
|
<td width="7%" align="center"><a href="img/BIB22.104.jpg"><img src="img/BIB22.104.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O Novo testamento</td>
|
|
<td width="9%" align="center">(Vários)</td>
|
|
<td width="11%" align="center">Os Gideões Internacionais no Brasil, Campinas (1995)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">694</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">MOR28.105</td>
|
|
<td width="7%" align="center"><a href="img/MOR28.105.jpg"><img src="img/MOR28.105.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O livro de Mórmon - outro testamento de Jesus Cristo</td>
|
|
<td width="9%" align="center">Mórmon</td>
|
|
<td width="11%" align="center">Igreja de Jesus Cristo dos santos dos últimos dias, Salt
|
|
Lake City (1997)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">221</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center" bgcolor="red">Mamãe</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">TOR23.106</td>
|
|
<td width="7%" align="center"><a href="img/TOR23.106.jpg"><img src="img/TOR23.106.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Minutos de sabedoria</td>
|
|
<td width="9%" align="center">Carlos Torres Pastorino</td>
|
|
<td width="11%" align="center">Vozes, Petrópolis (1991)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">288</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">MAC28.107</td>
|
|
<td width="7%" align="center"><a href="img/MAC28.107.jpg"><img src="img/MAC28.107.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Somos todos filhos de Deus?</td>
|
|
<td width="9%" align="center">Edir Macedo</td>
|
|
<td width="11%" align="center">Unipro, Rio de Janeiro (2007)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">174</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">DIC46.108</td>
|
|
<td width="7%" align="center"><a href="img/DIC46.108.jpg"><img src="img/DIC46.108.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Minidicionário Saraiva Espanhol-Português,
|
|
Português-Espanhol</td>
|
|
<td width="9%" align="center">(Vários)</td>
|
|
<td width="11%" align="center">Saraiva, São Paulo (2000)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português/Espanhol</td>
|
|
<td width="3%" align="center">315</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">SAN46.109</td>
|
|
<td width="7%" align="center"><a href="img/SAN46.109.jpg"><img src="img/SAN46.109.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Cumbre - Nivel Elemental</td>
|
|
<td width="9%" align="center">Aquilino Sánchez, Maria Teresa Espinet e Pascual Cantos</td>
|
|
<td width="11%" align="center">Sociedad General Española de Librería, Madrid (1995)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Espanhol</td>
|
|
<td width="3%" align="center">208</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">SAN46.110</td>
|
|
<td width="7%" align="center"><a href="img/SAN46.110.jpg"><img src="img/SAN46.110.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Cumbre - Nivel Medio</td>
|
|
<td width="9%" align="center">Aquilino Sánchez, Maria Teresa Espinet e Pascual Cantos</td>
|
|
<td width="11%" align="center">Sociedad General Española de Librería, Madrid (1996)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Espanhol</td>
|
|
<td width="3%" align="center">191</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">SAN46.111</td>
|
|
<td width="7%" align="center"><a href="img/SAN46.111.jpg"><img src="img/SAN46.111.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Cumbre - Cuaderno de Ejercicios</td>
|
|
<td width="9%" align="center">Aquilino Sánchez, Maria Teresa Espinet e Pascual Cantos</td>
|
|
<td width="11%" align="center">Sociedad General Española de Librería, Madrid (1996)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Espanhol</td>
|
|
<td width="3%" align="center">63</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ASI03.112</td>
|
|
<td width="7%" align="center"><a href="img/ASI03.112.jpg"><img src="img/ASI03.112.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Biographical encyclopedia of science & technology</td>
|
|
<td width="9%" align="center">Isaac Asimov</td>
|
|
<td width="11%" align="center">Avon, New York (1976)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">805</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">SAG50.113</td>
|
|
<td width="7%" align="center"><a href="img/SAG50.113.jpg"><img src="img/SAG50.113.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O mundo assombrado pelos demônios</td>
|
|
<td width="9%" align="center">Carl Sagan</td>
|
|
<td width="11%" align="center">Companhia das letras, São Paulo (2006)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">508</td>
|
|
<td width="13%" align="center">2012</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">DEB53.114</td>
|
|
<td width="7%" align="center"><a href="img/DEB53.114.jpg"><img src="img/DEB53.114.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Matter and light</td>
|
|
<td width="9%" align="center">Louis De Broglie</td>
|
|
<td width="11%" align="center">Dover, New York (1939?)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">300</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">GRE50.115</td>
|
|
<td width="7%" align="center"><a href="img/GRE50.115.jpg"><img src="img/GRE50.115.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Inventing Reality</td>
|
|
<td width="9%" align="center">Bruce Gregory</td>
|
|
<td width="11%" align="center">Wiley, New York (1990)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">230</td>
|
|
<td width="13%" align="center">2012</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">DAR57.116</td>
|
|
<td width="7%" align="center"><a href="img/DAR57.116.jpg"><img src="img/DAR57.116.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">On the origin of species</td>
|
|
<td width="9%" align="center">Charles Darwin</td>
|
|
<td width="11%" align="center">Dover, New York (2006)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">321</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">HEI53.117</td>
|
|
<td width="7%" align="center"><a href="img/HEI53.117.jpg"><img src="img/HEI53.117.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">The physical principles of the quantum theory</td>
|
|
<td width="9%" align="center">Werner Heisenberg</td>
|
|
<td width="11%" align="center">Dover, New York (1949?)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">184</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">EIN53.118</td>
|
|
<td width="7%" align="center"><a href="img/EIN53.118.jpg"><img src="img/EIN53.118.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">The principle of relativity</td>
|
|
<td width="9%" align="center">Albert Einstein, Hendrik Lorentz, Hermann Minkowski e
|
|
Hermann Weyl</td>
|
|
<td width="11%" align="center">Dover, New York (1952?)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">216</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">EIN53.119</td>
|
|
<td width="7%" align="center"><a href="img/EIN53.119.jpg"><img src="img/EIN53.119.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Investigations on the theory of the Brownian movement</td>
|
|
<td width="9%" align="center">Albert Einstein</td>
|
|
<td width="11%" align="center">Dover, New York (1956?)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">125</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">DIR53.120</td>
|
|
<td width="7%" align="center"><a href="img/DIR53.120.jpg"><img src="img/DIR53.120.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Lectures on quantum mechanics</td>
|
|
<td width="9%" align="center">Paul A. M. Dirac</td>
|
|
<td width="11%" align="center">Dover, New York (2001?)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">87</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">FER53.121</td>
|
|
<td width="7%" align="center"><a href="img/FER53.121.jpg"><img src="img/FER53.121.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Thermodynamics</td>
|
|
<td width="9%" align="center">Enrico Fermi</td>
|
|
<td width="11%" align="center">Dover, New York (1956?)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">160</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">SCH53.122</td>
|
|
<td width="7%" align="center"><a href="img/SCH53.122.jpg"><img src="img/SCH53.122.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Statistical thermodynamics</td>
|
|
<td width="9%" align="center">Erwin Schrödinger</td>
|
|
<td width="11%" align="center">Dover, New York (1989?)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">95</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">PLA53.123</td>
|
|
<td width="7%" align="center"><a href="img/PLA53.123.jpg"><img src="img/PLA53.123.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Eight lectures on theoretical physics</td>
|
|
<td width="9%" align="center">Max Plack</td>
|
|
<td width="11%" align="center">Dover, New York (1998)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">145</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ZAN53.124</td>
|
|
<td width="7%" align="center"><a href="img/ZAN53.124.jpg"><img src="img/ZAN53.124.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Introdução à microscopia de força atômica</td>
|
|
<td width="9%" align="center">Susana I. Zanette</td>
|
|
<td width="11%" align="center">Livraria da Física, São Paulo (2010)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">101</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">FAR53.125</td>
|
|
<td width="7%" align="center"><a href="img/FAR53.125.jpg"><img src="img/FAR53.125.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Uma introdução à microscopia eletrônica de transmissão</td>
|
|
<td width="9%" align="center">Marcos Farina</td>
|
|
<td width="11%" align="center">Livraria da Física, São Paulo (2010)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">161</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">NUS53.126</td>
|
|
<td width="7%" align="center"><a href="img/NUS53.126.jpg"><img src="img/NUS53.126.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Curso de Física Básica 1</td>
|
|
<td width="9%" align="center">Herch Moysés Nussenzveig</td>
|
|
<td width="11%" align="center">Edgard Blücher, São Paulo (2002)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">328</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">NUS53.127</td>
|
|
<td width="7%" align="center"><a href="img/NUS53.127.jpg"><img src="img/NUS53.127.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Curso de Física Básica 2</td>
|
|
<td width="9%" align="center">Herch Moysés Nussenzveig</td>
|
|
<td width="11%" align="center">Edgard Blücher, São Paulo (2004)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">314</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">NUS53.128</td>
|
|
<td width="7%" align="center"><a href="img/NUS53.128.jpg"><img src="img/NUS53.128.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Curso de Física Básica 3</td>
|
|
<td width="9%" align="center">Herch Moysés Nussenzveig</td>
|
|
<td width="11%" align="center">Edgard Blücher, São Paulo (1997)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">323</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">NUS53.129</td>
|
|
<td width="7%" align="center"><a href="img/NUS53.129.jpg"><img src="img/NUS53.129.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Curso de Física Básica 4</td>
|
|
<td width="9%" align="center">Herch Moysés Nussenzveig</td>
|
|
<td width="11%" align="center">Edgard Blücher, São Paulo (1998)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">437</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">BAZ53.130</td>
|
|
<td width="7%" align="center"><a href="img/BAZ53.130.jpg"><img src="img/BAZ53.130.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Thermodynamics</td>
|
|
<td width="9%" align="center">Ivan Pavlovich Bazarov</td>
|
|
<td width="11%" align="center">The Macmillian Company, New York (1964)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">287</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">5</span><img src="img/rnk5.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">KOM53.131</td>
|
|
<td width="7%" align="center"><a href="img/KOM53.131.jpg"><img src="img/KOM53.131.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A course of theoretical physics 1</td>
|
|
<td width="9%" align="center">Alexander Solomonovich Kompaneyets</td>
|
|
<td width="11%" align="center">Mir, Moscou (1978)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">564</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">KOM53.132</td>
|
|
<td width="7%" align="center"><a href="img/KOM53.132.jpg"><img src="img/KOM53.132.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A course of theoretical physics 2</td>
|
|
<td width="9%" align="center">Alexander Solomonovich Kompaneyets</td>
|
|
<td width="11%" align="center">Mir, Moscow (1978)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">508</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">EIS53.133</td>
|
|
<td width="7%" align="center"><a href="img/EIS53.133.jpg"><img src="img/EIS53.133.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Quantum physics</td>
|
|
<td width="9%" align="center">Robert Eisberg e Robert Resnick</td>
|
|
<td width="11%" align="center">Wiley and Sons, New York (1985)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">820</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">MOR53.134</td>
|
|
<td width="7%" align="center"><a href="img/MOR53.134.jpg"><img src="img/MOR53.134.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">The physical principles of magnetism</td>
|
|
<td width="9%" align="center">Allan H. Morrish</td>
|
|
<td width="11%" align="center">Wiley and Sons, New York (1965)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">680</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">5</span><img src="img/rnk5.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">JAC53.135</td>
|
|
<td width="7%" align="center"><a href="img/JAC53.135.jpg"><img src="img/JAC53.135.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Classical eletrodynamics</td>
|
|
<td width="9%" align="center">John David Jackson</td>
|
|
<td width="11%" align="center">Wiley and Sons, New York (1998)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">808</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">5</span><img src="img/rnk5.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">FOS81.136</td>
|
|
<td width="7%" align="center"><a href="img/FOS81.136.jpg"><img src="img/FOS81.136.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Alien</td>
|
|
<td width="9%" align="center">Alan Dean Foster</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2015)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">325</td>
|
|
<td width="13%" align="center">2017</td>
|
|
<td width="9%" align="center" bgcolor="red">Suellen</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">POR65.137</td>
|
|
<td width="7%" align="center"><a href="img/POR65.137.jpg"><img src="img/POR65.137.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Gerenciamento de projetos para leigos</td>
|
|
<td width="9%" align="center">Stanley E. Portny</td>
|
|
<td width="11%" align="center">Alta Books, Rio de Janeiro (2015)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">264</td>
|
|
<td width="13%" align="center">2017</td>
|
|
<td width="9%" align="center" bgcolor="red"> Pedro</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ASI81.138</td>
|
|
<td width="7%" align="center"><a href="img/ASI81.138.jpg"><img src="img/ASI81.138.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Eu, robô</td>
|
|
<td width="9%" align="center">Isaac Asimov</td>
|
|
<td width="11%" align="center">Editora Aleph, São Paulo (2014)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">315</td>
|
|
<td width="13%" align="center">2017</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">COR15.139</td>
|
|
<td width="7%" align="center"><a href="img/COR15.139.jpg"><img src="img/COR15.139.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Viver em paz para morrem em paz</td>
|
|
<td width="9%" align="center">Mario Sergio Cortella</td>
|
|
<td width="11%" align="center">Editora Planeta, São Paulo (2017)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">175</td>
|
|
<td width="13%" align="center">2017</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">2</span><img src="img/rnk2.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">COR65.140</td>
|
|
<td width="7%" align="center"><a href="img/COR65.140.jpg"><img src="img/COR65.140.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Por que fazemos o que fazemos?</td>
|
|
<td width="9%" align="center">Mario Sergio Cortella</td>
|
|
<td width="11%" align="center">Editora Planeta, São Paulo (2017)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">174</td>
|
|
<td width="13%" align="center">2018</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">2</span><img src="img/rnk2.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">DIC81.141</td>
|
|
<td width="7%" align="center"><a href="img/DIC81.141.jpg"><img src="img/DIC81.141.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O homem do castelo alto</td>
|
|
<td width="9%" align="center">Philip K. Dick</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2009)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">300</td>
|
|
<td width="13%" align="center">2018</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">FOR82.142</td>
|
|
<td width="7%" align="center"><a href="img/FOR82.142.jpg"><img src="img/FOR82.142.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O negociador</td>
|
|
<td width="9%" align="center">Frederick Forsyth</td>
|
|
<td width="11%" align="center">BestBolso, Rio de Janeiro (2008)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">587</td>
|
|
<td width="13%" align="center">2018</td>
|
|
<td width="9%" align="center" >Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">PLA32.143</td>
|
|
<td width="7%" align="center"><a href="img/PLA32.143.jpg"><img src="img/PLA32.143.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A república</td>
|
|
<td width="9%" align="center">Platão</td>
|
|
<td width="11%" align="center">Nova Fronteira, Rio de Janeiro (2016)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">431</td>
|
|
<td width="13%" align="center">2018</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ARI32.144</td>
|
|
<td width="7%" align="center"><a href="img/ARI32.144.jpg"><img src="img/ARI32.144.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A política</td>
|
|
<td width="9%" align="center">Aristóteles</td>
|
|
<td width="11%" align="center">Nova Fronteira, Rio de Janeiro (2016)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">346</td>
|
|
<td width="13%" align="center">2020</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">MAQ32.145</td>
|
|
<td width="7%" align="center"><a href="img/MAQ32.145.jpg"><img src="img/MAQ32.145.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O príncipe</td>
|
|
<td width="9%" align="center">Nicolau Maquiavel</td>
|
|
<td width="11%" align="center">Nova Fronteira, Rio de Janeiro (2016)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">121</td>
|
|
<td width="13%" align="center">2018</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ROU32.146</td>
|
|
<td width="7%" align="center"><a href="img/ROU32.146.jpg"><img src="img/ROU32.146.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Do contrato social</td>
|
|
<td width="9%" align="center">Jean-Jacques Rousseau</td>
|
|
<td width="11%" align="center">Nova Fronteira, Rio de Janeiro (2016)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">160</td>
|
|
<td width="13%" align="center">2019</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">SPI32.147</td>
|
|
<td width="7%" align="center"><a href="img/SPI32.147.jpg"><img src="img/SPI32.147.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Tratado político</td>
|
|
<td width="9%" align="center">Baruch Spinoza</td>
|
|
<td width="11%" align="center">Nova Fronteira, Rio de Janeiro (2016)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">152</td>
|
|
<td width="13%" align="center">2019</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">STE82.148</td>
|
|
<td width="7%" align="center"><a href="img/STE82.148.jpg"><img src="img/STE82.148.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A ilha do tesouro</td>
|
|
<td width="9%" align="center">Robert Louis Stevenson</td>
|
|
<td width="11%" align="center">L&PM, Porto Alegre (2017)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">256</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">LON81.149</td>
|
|
<td width="7%" align="center"><a href="img/LON81.149.jpg"><img src="img/LON81.149.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Caninos brancos</td>
|
|
<td width="9%" align="center">Jack London</td>
|
|
<td width="11%" align="center">Martin Claret, São Paulo (2012)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">217</td>
|
|
<td width="13%" align="center">2018</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">LAB32.150</td>
|
|
<td width="7%" align="center"><a href="img/LAB32.150.jpg"><img src="img/LAB32.150.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Discurso da servidão voluntária</td>
|
|
<td width="9%" align="center">Étienne de La Boétie</td>
|
|
<td width="11%" align="center">Martin Claret, São Paulo (2009)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">74</td>
|
|
<td width="13%" align="center">2018</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">GRO81.151</td>
|
|
<td width="7%" align="center"><a href="img/GRO81.151.jpg"><img src="img/GRO81.151.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Forrest Gump</td>
|
|
<td width="9%" align="center">Winston Groom</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2016)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">392</td>
|
|
<td width="13%" align="center">2019</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">VOG80.152</td>
|
|
<td width="7%" align="center"><a href="img/VOG80.152.jpg"><img src="img/VOG80.152.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A jornada do escritor</td>
|
|
<td width="9%" align="center">Christopher Vogler</td>
|
|
<td width="9%" align="center">Aleph, São Paulo (2015)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="9%" align="center">Português</td>
|
|
<td width="3%" align="center">484</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td> <!-- [1-5] -->
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">GIB81.153</td>
|
|
<td width="7%" align="center"><a href="img/GIB81.153.jpg"><img src="img/GIB81.153.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A máquina diferencial</td>
|
|
<td width="9%" align="center">William Gibson e Bruce Sterling</td>
|
|
<td width="9%" align="center">Aleph, São Paulo (2015)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="9%" align="center">Português</td>
|
|
<td width="3%" align="center">451</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td> <!-- [1-5] -->
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">CRI81.154</td>
|
|
<td width="7%" align="center"><a href="img/CRI81.154.jpg"><img src="img/CRI81.154.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O mundo perdido</td>
|
|
<td width="9%" align="center">Michael Crichton</td>
|
|
<td width="9%" align="center">Aleph, São Paulo (2016)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="9%" align="center">Português</td>
|
|
<td width="3%" align="center">473</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td> <!-- [1-5] -->
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">NER86.155</td>
|
|
<td width="7%" align="center"><a href="img/NER86.155.jpg"><img src="img/NER86.155.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Cem sonetos de amor</td>
|
|
<td width="9%" align="center">Pablo Neruda</td>
|
|
<td width="9%" align="center">L&PM, Porto Alegre (1998)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="9%" align="center">Português</td>
|
|
<td width="3%" align="center">128</td>
|
|
<td width="13%" align="center">2019</td>
|
|
<td width="9%" align="center">Estantes</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td> <!-- [1-5] -->
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">NER86.156</td>
|
|
<td width="7%" align="center"><a href="img/NER86.156.jpg"><img src="img/NER86.156.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Últimos poemas</td>
|
|
<td width="9%" align="center">Pablo Neruda</td>
|
|
<td width="9%" align="center">L&PM, Porto Alegre (1997)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="9%" align="center">Português/Espanhol</td>
|
|
<td width="3%" align="center">144</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td> <!-- [1-5] -->
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">MON34.157</td>
|
|
<td width="7%" align="center"><a href="img/MON34.157.jpg"><img src="img/MON34.157.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Do espírito das leis</td>
|
|
<td width="9%" align="center">Barão de Montesquieu</td>
|
|
<td width="9%" align="center">Martin Claret, São Paulo (2010)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="9%" align="center">Português</td>
|
|
<td width="3%" align="center">709</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td> <!-- [1-5] -->
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">ROT19.158</td>
|
|
<td width="7%" align="center"><a href="img/ROT19.158.jpg"><img src="img/ROT19.158.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Elogio da Loucura</td>
|
|
<td width="9%" align="center">Erasmo de Roterdã</td>
|
|
<td width="9%" align="center">Vozes de bolso, Petrópolis (2015)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="9%" align="center">Português</td>
|
|
<td width="3%" align="center">121</td>
|
|
<td width="13%" align="center">2019</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td> <!-- [1-5] -->
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">DOS83.159</td>
|
|
<td width="7%" align="center"><a href="img/DOS83.159.jpg"><img src="img/DOS83.159.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O jogador</td>
|
|
<td width="9%" align="center">Fiódor Dostoievski</td>
|
|
<td width="9%" align="center">Martin Claret, São Paulo (2013)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="9%" align="center">Português</td>
|
|
<td width="3%" align="center">185</td>
|
|
<td width="13%" align="center">2019</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td> <!-- [1-5] -->
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">YOS89.160</td>
|
|
<td width="7%" align="center"><a href="img/YOS89.160.jpg"><img src="img/YOS89.160.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Musashi</td>
|
|
<td width="9%" align="center">Eiji Yoshikawa</td>
|
|
<td width="9%" align="center">Kodansha USA, New York (2012)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="9%" align="center">Inglês</td>
|
|
<td width="3%" align="center">970</td>
|
|
<td width="13%" align="center">2019</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td> <!-- [1-5] -->
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">SAR86.161</td>
|
|
<td width="7%" align="center"><a href="img/SAR86.161.jpg"><img src="img/SAR86.161.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">O evangelho segundo Jesus Cristo</td>
|
|
<td width="9%" align="center">José Saramago</td>
|
|
<td width="9%" align="center">Companhia das letras, São Paulo (2017)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="9%" align="center">Português</td>
|
|
<td width="3%" align="center">443</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center" bgcolor="green">Em leitura</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td> <!-- [1-5] -->
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">CON82.162</td>
|
|
<td width="7%" align="center"><a href="img/CON82.162.jpg"><img src="img/CON82.162.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Sherlock Holmes - Obra completa - vol. 1 ("Um estudo em vermelho", "O sinal dos quatro", "As aventuras de Sherlock Holmes")</td>
|
|
<td width="9%" align="center">Arthur Conan Doyle</td>
|
|
<td width="11%" align="center">Harper Collins, Rio de Janeiro (2017)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">512</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">CON82.163</td>
|
|
<td width="7%" align="center"><a href="img/CON82.163.jpg"><img src="img/CON82.163.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Sherlock Holmes - Obra completa - vol. 2 ("Memórias de Sherlock Holmes", "O cão dos Baskerville")</td>
|
|
<td width="9%" align="center">Arthur Conan Doyle</td>
|
|
<td width="11%" align="center">Harper Collins, Rio de Janeiro (2017)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">400</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">CON82.164</td>
|
|
<td width="7%" align="center"><a href="img/CON82.164.jpg"><img src="img/CON82.164.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Sherlock Holmes - Obra completa - vol. 3 ("A volta de Sherlock Holmes", "O vale do medo")</td>
|
|
<td width="9%" align="center">Arthur Conan Doyle</td>
|
|
<td width="11%" align="center">Harper Collins, Rio de Janeiro (2017)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">472</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">CON82.165</td>
|
|
<td width="7%" align="center"><a href="img/CON82.165.jpg"><img src="img/CON82.165.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Sherlock Holmes - Obra completa - vol. 4 ("Os últimos casos de Sherlock Holmes", "Histórias de Sherlock Holmes")</td>
|
|
<td width="9%" align="center">Arthur Conan Doyle</td>
|
|
<td width="11%" align="center">Harper Collins, Rio de Janeiro (2017)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">424</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">VER84.166</td>
|
|
<td width="7%" align="center"><a href="img/VER84.166.jpg"><img src="img/VER84.166.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A volta ao mundo em oitenta dias</td>
|
|
<td width="9%" align="center">Jules Verne</td>
|
|
<td width="11%" align="center">Zahar, Rio de Janeiro (2017)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">231</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">5</span><img src="img/rnk5.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">VER84.167</td>
|
|
<td width="7%" align="center"><a href="img/VER84.167.jpg"><img src="img/VER84.167.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Viagem ao centro da Terra</td>
|
|
<td width="9%" align="center">Jules Verne</td>
|
|
<td width="11%" align="center">Zahar, Rio de Janeiro (2016)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">231</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" bgcolor="red" align="center">Kelly</td>
|
|
<td width="3%" align="center"><span class="hidden">4</span><img src="img/rnk4.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">VER84.168</td>
|
|
<td width="7%" align="center"><a href="img/VER84.168.jpg"><img src="img/VER84.168.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">A ilha misteriosa</td>
|
|
<td width="9%" align="center">Jules Verne</td>
|
|
<td width="11%" align="center">Zahar, Rio de Janeiro (2015)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">537</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">VER84.169</td>
|
|
<td width="7%" align="center"><a href="img/VER84.169.jpg"><img src="img/VER84.169.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">20 mil léguas submarinas</td>
|
|
<td width="9%" align="center">Jules Verne</td>
|
|
<td width="11%" align="center">Zahar, Rio de Janeiro (2012)</td>
|
|
<td width="9%" align="center">Livro, Capa Dura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">441</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">MIL81.170</td>
|
|
<td width="7%" align="center"><a href="img/MIL81.170.jpg"><img src="img/MIL81.170.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Um cântico para Leibowitz</td>
|
|
<td width="9%" align="center">Walter Miller Jr.</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (20??)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">400</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center" bgcolor="red">Lindasony</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">REI53.171</td>
|
|
<td width="7%" align="center"><a href="img/REI53.171.jpg"><img src="img/REI53.171.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Methods of Thermodynamics</td>
|
|
<td width="9%" align="center">Howard Reiss</td>
|
|
<td width="11%" align="center">Dover, Mineola (1965)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Inglês</td>
|
|
<td width="3%" align="center">217</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
<tr>
|
|
<td width="3%" align="center">MIL81.172</td>
|
|
<td width="7%" align="center"><a href="img/MIL81.172.jpg"><img src="img/MIL81.172.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Kenobi</td>
|
|
<td width="9%" align="center">John Jackson Miller</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2015)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">521</td>
|
|
<td width="13%" align="center">2020</td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">3</span><img src="img/rnk3.png"
|
|
height="30px"></td>
|
|
<tr>
|
|
<td width="3%" align="center">WEN81.173</td>
|
|
<td width="7%" align="center"><a href="img/WEN81.173.jpg"><img src="img/WEN81.173.jpg" height="70px"></a></td>
|
|
<td width="26%" align="center">Marcas da Guerra</td>
|
|
<td width="9%" align="center">Chuck Wendig</td>
|
|
<td width="11%" align="center">Aleph, São Paulo (2015)</td>
|
|
<td width="9%" align="center">Livro, Brochura</td>
|
|
<td width="7%" align="center">Português</td>
|
|
<td width="3%" align="center">403</td>
|
|
<td width="13%" align="center"> </td>
|
|
<td width="9%" align="center">Estante</td>
|
|
<td width="3%" align="center"><span class="hidden">9</span><img src="img/rnk9.png"
|
|
height="30px"></td>
|
|
</tr>
|
|
|
|
</table>
|
|
</div>
|
|
<br>
|
|
<br>
|
|
<br><a HREF="cdd.html"><b>Nota sobre os códigos de classificação.</b></a>
|
|
<br>
|
|
<br>
|
|
<i>"Si hortum in bibliotheca habes, nihil deerit"</i><br>
|
|
<b>--Marcus Tullius Cicero</b>
|
|
<BR>
|
|
<BR>
|
|
<DIV STYLE="font-size:10px; text-align:center;">desenvolvido por <A HREF="https://carriunix.tildeteam.org" STYLE="text-decoration:none;"><B>carriunix</B></A></DIV>
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|
<BR>
|
|
</center>
|
|
</body>
|
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</html>
|