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*** TRANSLATOR: ES-EN ACTIVATED ***
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Patria Grande Military
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----------------------
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Heavy Cruiser Cochabamba
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Crew: 600
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CO: Captain Yolanda Trueba
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CC BY-NC-ND 4.0 (share with attribution, no commercial, no remix)
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v. a URI or hyperlink to the Licensed Material to the
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extent reasonably practicable;
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b. indicate if You modified the Licensed Material and
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c. indicate the Licensed Material is licensed under this
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hyperlink to, this Public License.
|
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For the avoidance of doubt, You do not have permission under
|
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this Public License to Share Adapted Material.
|
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|
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2. You may satisfy the conditions in Section 3(a)(1) in any
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reasonable manner based on the medium, means, and context in
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reasonable to satisfy the conditions by providing a URI or
|
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|
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|
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reasonably practicable.
|
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|
||||||
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|
||||||
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Section 4 -- Sui Generis Database Rights.
|
||||||
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|
||||||
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Where the Licensed Rights include Sui Generis Database Rights that
|
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apply to Your use of the Licensed Material:
|
||||||
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|
||||||
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a. for the avoidance of doubt, Section 2(a)(1) grants You the right
|
||||||
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to extract, reuse, reproduce, and Share all or a substantial
|
||||||
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portion of the contents of the database for NonCommercial purposes
|
||||||
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only and provided You do not Share Adapted Material;
|
||||||
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|
||||||
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b. if You include all or a substantial portion of the database
|
||||||
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contents in a database in which You have Sui Generis Database
|
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Rights, then the database in which You have Sui Generis Database
|
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Rights (but not its individual contents) is Adapted Material; and
|
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|
||||||
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c. You must comply with the conditions in Section 3(a) if You Share
|
||||||
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all or a substantial portion of the contents of the database.
|
||||||
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|
||||||
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For the avoidance of doubt, this Section 4 supplements and does not
|
||||||
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replace Your obligations under this Public License where the Licensed
|
||||||
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Rights include other Copyright and Similar Rights.
|
||||||
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|
||||||
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|
||||||
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Section 5 -- Disclaimer of Warranties and Limitation of Liability.
|
||||||
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|
||||||
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a. UNLESS OTHERWISE SEPARATELY UNDERTAKEN BY THE LICENSOR, TO THE
|
||||||
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EXTENT POSSIBLE, THE LICENSOR OFFERS THE LICENSED MATERIAL AS-IS
|
||||||
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AND AS-AVAILABLE, AND MAKES NO REPRESENTATIONS OR WARRANTIES OF
|
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ANY KIND CONCERNING THE LICENSED MATERIAL, WHETHER EXPRESS,
|
||||||
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IMPLIED, STATUTORY, OR OTHER. THIS INCLUDES, WITHOUT LIMITATION,
|
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WARRANTIES OF TITLE, MERCHANTABILITY, FITNESS FOR A PARTICULAR
|
||||||
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PURPOSE, NON-INFRINGEMENT, ABSENCE OF LATENT OR OTHER DEFECTS,
|
||||||
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ACCURACY, OR THE PRESENCE OR ABSENCE OF ERRORS, WHETHER OR NOT
|
||||||
|
KNOWN OR DISCOVERABLE. WHERE DISCLAIMERS OF WARRANTIES ARE NOT
|
||||||
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ALLOWED IN FULL OR IN PART, THIS DISCLAIMER MAY NOT APPLY TO YOU.
|
||||||
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|
||||||
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b. TO THE EXTENT POSSIBLE, IN NO EVENT WILL THE LICENSOR BE LIABLE
|
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TO YOU ON ANY LEGAL THEORY (INCLUDING, WITHOUT LIMITATION,
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||||||
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NEGLIGENCE) OR OTHERWISE FOR ANY DIRECT, SPECIAL, INDIRECT,
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||||||
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INCIDENTAL, CONSEQUENTIAL, PUNITIVE, EXEMPLARY, OR OTHER LOSSES,
|
||||||
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COSTS, EXPENSES, OR DAMAGES ARISING OUT OF THIS PUBLIC LICENSE OR
|
||||||
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USE OF THE LICENSED MATERIAL, EVEN IF THE LICENSOR HAS BEEN
|
||||||
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ADVISED OF THE POSSIBILITY OF SUCH LOSSES, COSTS, EXPENSES, OR
|
||||||
|
DAMAGES. WHERE A LIMITATION OF LIABILITY IS NOT ALLOWED IN FULL OR
|
||||||
|
IN PART, THIS LIMITATION MAY NOT APPLY TO YOU.
|
||||||
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|
||||||
|
c. The disclaimer of warranties and limitation of liability provided
|
||||||
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above shall be interpreted in a manner that, to the extent
|
||||||
|
possible, most closely approximates an absolute disclaimer and
|
||||||
|
waiver of all liability.
|
||||||
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|
||||||
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|
||||||
|
Section 6 -- Term and Termination.
|
||||||
|
|
||||||
|
a. This Public License applies for the term of the Copyright and
|
||||||
|
Similar Rights licensed here. However, if You fail to comply with
|
||||||
|
this Public License, then Your rights under this Public License
|
||||||
|
terminate automatically.
|
||||||
|
|
||||||
|
b. Where Your right to use the Licensed Material has terminated under
|
||||||
|
Section 6(a), it reinstates:
|
||||||
|
|
||||||
|
1. automatically as of the date the violation is cured, provided
|
||||||
|
it is cured within 30 days of Your discovery of the
|
||||||
|
violation; or
|
||||||
|
|
||||||
|
2. upon express reinstatement by the Licensor.
|
||||||
|
|
||||||
|
For the avoidance of doubt, this Section 6(b) does not affect any
|
||||||
|
right the Licensor may have to seek remedies for Your violations
|
||||||
|
of this Public License.
|
||||||
|
|
||||||
|
c. For the avoidance of doubt, the Licensor may also offer the
|
||||||
|
Licensed Material under separate terms or conditions or stop
|
||||||
|
distributing the Licensed Material at any time; however, doing so
|
||||||
|
will not terminate this Public License.
|
||||||
|
|
||||||
|
d. Sections 1, 5, 6, 7, and 8 survive termination of this Public
|
||||||
|
License.
|
||||||
|
|
||||||
|
|
||||||
|
Section 7 -- Other Terms and Conditions.
|
||||||
|
|
||||||
|
a. The Licensor shall not be bound by any additional or different
|
||||||
|
terms or conditions communicated by You unless expressly agreed.
|
||||||
|
|
||||||
|
b. Any arrangements, understandings, or agreements regarding the
|
||||||
|
Licensed Material not stated herein are separate from and
|
||||||
|
independent of the terms and conditions of this Public License.
|
||||||
|
|
||||||
|
|
||||||
|
Section 8 -- Interpretation.
|
||||||
|
|
||||||
|
a. For the avoidance of doubt, this Public License does not, and
|
||||||
|
shall not be interpreted to, reduce, limit, restrict, or impose
|
||||||
|
conditions on any use of the Licensed Material that could lawfully
|
||||||
|
be made without permission under this Public License.
|
||||||
|
|
||||||
|
b. To the extent possible, if any provision of this Public License is
|
||||||
|
deemed unenforceable, it shall be automatically reformed to the
|
||||||
|
minimum extent necessary to make it enforceable. If the provision
|
||||||
|
cannot be reformed, it shall be severed from this Public License
|
||||||
|
without affecting the enforceability of the remaining terms and
|
||||||
|
conditions.
|
||||||
|
|
||||||
|
c. No term or condition of this Public License will be waived and no
|
||||||
|
failure to comply consented to unless expressly agreed to by the
|
||||||
|
Licensor.
|
||||||
|
|
||||||
|
d. Nothing in this Public License constitutes or may be interpreted
|
||||||
|
as a limitation upon, or waiver of, any privileges and immunities
|
||||||
|
that apply to the Licensor or You, including from the legal
|
||||||
|
processes of any jurisdiction or authority.
|
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|
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|
|
||||||
|
Creative Commons is not a party to its public
|
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|
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|
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Creative Commons may be contacted at creativecommons.org.
|
|
@ -0,0 +1,45 @@
|
||||||
|
*** TRANSLATOR: ES-EN ACTIVATED ***
|
||||||
|
|
||||||
|
Deck 1 Autolog:
|
||||||
|
Bridge
|
||||||
|
Heavy Cruiser Cochabamba
|
||||||
|
------------------------
|
||||||
|
|
||||||
|
"Captain, we got mermaids incoming!"
|
||||||
|
"Tactical, shields up. Ready countermeasures."
|
||||||
|
"Raising shields, weapons hot."
|
||||||
|
"Science, can you tell us what's going on? what are they doing so far out?"
|
||||||
|
"They're escaping, Captain."
|
||||||
|
"What do you mean escaping? From what?"
|
||||||
|
"From that. On viewer now."
|
||||||
|
"Full reverse! Red Alert!"
|
||||||
|
*** ATTENTION ALL HANDS. RED ALERT. RED ALERT. ***
|
||||||
|
"Captain... what IS that?"
|
||||||
|
"A class 12 Juggernaut, helm. Turn us around, now!"
|
||||||
|
"Course?"
|
||||||
|
"Away from here! Engineering, where's our hyperdrive?"
|
||||||
|
"Priming... Primed."
|
||||||
|
"Helm, punch it!"
|
||||||
|
|
||||||
|
*** FTL DRIVE ENGAGED. JUMPING. ***
|
||||||
|
|
||||||
|
"Nothing on our six, Captain. We're clear."
|
||||||
|
"Good. Stand down red alert."
|
||||||
|
*** ATTENTION ALL HANDS. RED ALERT CANCELLED. ***
|
||||||
|
"Status report."
|
||||||
|
"We're coming up on a Freeport, 3 million kilometers away."
|
||||||
|
"We got sideswiped by a mermaid during retreat. Nothing serious, about 2 hours
|
||||||
|
work to repair it."
|
||||||
|
"Sensors managed to pick up info on the mermaids and the Juggernaut."
|
||||||
|
"Good. Helm, slow us down when we're in comm range of that station. Engineering,
|
||||||
|
how soon can you start? Science, I want a full report on those scans."
|
||||||
|
"Aye Aye."
|
||||||
|
"Aye Captain."
|
||||||
|
"We can get started on the repairs as soon as we're out of hyperdrive, Captain."
|
||||||
|
"Tell your team to start getting ready."
|
||||||
|
"Captain, we're in range. Taking us out of hyperspeed."
|
||||||
|
|
||||||
|
*** FTL DRIVE DISENGAGED ***
|
||||||
|
|
||||||
|
"Comm, open a channel."
|
||||||
|
"Yes ma'am."
|
|
@ -5,3 +5,10 @@ Model: Spacebus Deluxe II
|
||||||
Credentials: IGSS-SRR297ar74.25
|
Credentials: IGSS-SRR297ar74.25
|
||||||
Dispatch: Intergalactic Space Station SIERRA
|
Dispatch: Intergalactic Space Station SIERRA
|
||||||
Location: Shaskall Nebula
|
Location: Shaskall Nebula
|
||||||
|
Crew:
|
||||||
|
Operator: Phthalo Pureume
|
||||||
|
Heritage: Gaian
|
||||||
|
|
||||||
|
Onboard: "Serpentine"
|
||||||
|
Type: Integrated/Embedded
|
||||||
|
Cycles: 400+
|
||||||
|
|
|
@ -1,4 +0,0 @@
|
||||||
_____
|
|
||||||
|\ M /|
|
|
||||||
| \_/ |
|
|
||||||
|/___\|
|
|
|
@ -0,0 +1,82 @@
|
||||||
|
>>> BEGIN TRANSMISSION <<<
|
||||||
|
>>> /\/\/-\||_/\/\/-\|\| <<<
|
||||||
|
v.1.0.3 // node(RS001::IGIN{};
|
||||||
|
#SOL#V645CENTAURI#BD+38°4344
|
||||||
|
).tun(μ){76HSKGV-S2-84G772}
|
||||||
|
|
||||||
|
---/ DSAC@SOL[[31.532.21.43:312]]IGST
|
||||||
|
+phthalo::buenaventura#IGSS_SIERRA
|
||||||
|
-indigo::T%822::toyon#SISKIYOU
|
||||||
|
SUBJECT: Re: here's those tracks
|
||||||
|
|
||||||
|
Indigo,
|
||||||
|
|
||||||
|
Thanks for sending the tunes. They sure help make the repetition of
|
||||||
|
this job feel less monotonous. It's not so bad, it's just that it's
|
||||||
|
basically the same route over and over, hundreds of times a shift
|
||||||
|
even. And it's not like it's very scenic. You don't get that simple
|
||||||
|
joy of watching the scenery change or looking forward to what's
|
||||||
|
around the bend like you would flying terrestrial. Anyway, having
|
||||||
|
something good to listen to has given the void of deep space some
|
||||||
|
texture.
|
||||||
|
|
||||||
|
> Must be lonsome just stowing away on your ship all the time.
|
||||||
|
> Don't you get restless being cooped up by yourself?
|
||||||
|
|
||||||
|
Well, I have been making it onto the SS a little more lately.
|
||||||
|
Mostly just for supplies. But occasionally I'll stop by a few Inns
|
||||||
|
here and there. Trivia night is kind of fun. It is nice hearing
|
||||||
|
stories from some of the old timers, guys who know their way to the
|
||||||
|
outpost by memory. It sounds pretty rough, actually. It puts in
|
||||||
|
perspective why there's so much money behind all this--it's a
|
||||||
|
gamble, every time. All these barflies I've been talking to have
|
||||||
|
outlived most of their comrades and crew. It's scary out there, but
|
||||||
|
the way they talk about it...I'm not gonna lie, I really want a
|
||||||
|
taste myself. I think I mentioned about maybe getting a charter out
|
||||||
|
there someday. But I'm not so sure now, at least after the
|
||||||
|
incident.
|
||||||
|
|
||||||
|
Yeah...so I've been going to these Inns like I said, and well...the
|
||||||
|
thing is you get to drinking and you don't really want to just
|
||||||
|
sleep in some capsule, not once you've gotten used to having a
|
||||||
|
whole damn ship to yourself! It's not a big deal, I guess. I've
|
||||||
|
slept in plenty of capsules. But it's not exactly where you want to
|
||||||
|
take a hot date... (You see where this is going?)
|
||||||
|
|
||||||
|
This girl was hot dude...I mean, maybe that was the glug in me, but
|
||||||
|
damn. She was like fantasy pretty, you know??? WAY out of my
|
||||||
|
league. So like, a capsule was out of the question! haha I have
|
||||||
|
this whole ship to myself (well apart from the onboard. Oh yeah,
|
||||||
|
did I mention I have an onboard? He's called Serpentine...anyway!).
|
||||||
|
It would have been fine if we had just stayed moored for the night,
|
||||||
|
but come on...what's sexier than space?
|
||||||
|
|
||||||
|
Anyway, I pulled out of the slip too soon and mangled one of the
|
||||||
|
stays. It's a dumb mistake to make, but really, shit like this
|
||||||
|
happens a lot around here. But it's a mistake a pilot shouldn't
|
||||||
|
make, so I got a good swat on the nose for it. So yeah, the outpost
|
||||||
|
will probably just be something to bullshit about on trivia night
|
||||||
|
for me, at least for the foreseeable future. Oh well...
|
||||||
|
|
||||||
|
This girl's been ghosting me ever since. We had a good night,
|
||||||
|
like...a really good night. But she was gone in the morning. I
|
||||||
|
never figured out how she got back to the SS. I don't remember
|
||||||
|
giving her a lift, and Serpentine just snickers about it when I ask
|
||||||
|
him, so who knows. It's too bad. She was something else...
|
||||||
|
|
||||||
|
So yeah, that's what's been going on here. I'm gonna get some shut
|
||||||
|
eye if I can. There's another wave coming in from across the void
|
||||||
|
tomorrow, so I'll probably be pulling a double shift. Better sleep
|
||||||
|
while I can.
|
||||||
|
|
||||||
|
Take care, Dig.
|
||||||
|
|
||||||
|
- Phthalo
|
||||||
|
|
||||||
|
P.S. I'm working on getting my own transmitter setup here, so we
|
||||||
|
won't need to mess around with this god damn Mailman business. I'm
|
||||||
|
getting close to my quota, so pretty soon they'll start showing ads
|
||||||
|
I guess.
|
||||||
|
|
||||||
|
/---
|
||||||
|
>>> END TRANSMISSION <<<
|
|
@ -0,0 +1,9 @@
|
||||||
|
*** TRANSLATOR: ES-EN ACTIVATED ***
|
||||||
|
|
||||||
|
Patria Grande Penitentiary System
|
||||||
|
---------------------------------
|
||||||
|
|
||||||
|
Prison ship "San Marcos"
|
||||||
|
Crew: 164
|
||||||
|
Inmates: 2856
|
||||||
|
CO: Captain Enrique Da Silva
|
|
@ -0,0 +1,404 @@
|
||||||
|
CC BY-NC-ND 4.0 (share with attribution, no commercial, no remix)
|
||||||
|
|
||||||
|
Attribution-NonCommercial-NoDerivatives 4.0 International
|
||||||
|
|
||||||
|
=======================================================================
|
||||||
|
|
||||||
|
Creative Commons Corporation ("Creative Commons") is not a law firm and
|
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|
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||||||
|
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|
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=======================================================================
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By exercising the Licensed Rights (defined below), You accept and agree
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g. Licensor means the individual(s) or entity(ies) granting rights
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h. NonCommercial means not primarily intended for or directed towards
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i. Share means to provide material to the public by any means or
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j. Sui Generis Database Rights means rights other than copyright
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k. You means the individual or entity exercising the Licensed Rights
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||||||
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Section 2 -- Scope.
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||||||
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|
||||||
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a. License grant.
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||||||
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|
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1. Subject to the terms and conditions of this Public License,
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the Licensor hereby grants You a worldwide, royalty-free,
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Licensed Rights by any recipient of the Licensed
|
||||||
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|
||||||
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|
||||||
|
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|
||||||
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|
||||||
|
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|
||||||
|
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|
||||||
|
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|
||||||
|
provided in Section 3(a)(1)(A)(i).
|
||||||
|
|
||||||
|
b. Other rights.
|
||||||
|
|
||||||
|
1. Moral rights, such as the right of integrity, are not
|
||||||
|
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|
||||||
|
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||||||
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|
||||||
|
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|
||||||
|
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|
||||||
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|
||||||
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|
||||||
|
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|
||||||
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|
||||||
|
|
||||||
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|
||||||
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|
||||||
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|
||||||
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|
||||||
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|
||||||
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||||||
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|
||||||
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|
||||||
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|
||||||
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|
||||||
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Section 3 -- License Conditions.
|
||||||
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|
||||||
|
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|
||||||
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|
||||||
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|
||||||
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|
||||||
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|
||||||
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|
||||||
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|
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|
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||||||
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|
||||||
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|
||||||
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|
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|
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|
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|
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|
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|
||||||
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|
||||||
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|
||||||
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|
||||||
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|
||||||
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||||||
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|
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|
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|
||||||
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|
||||||
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|
||||||
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|
||||||
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Section 4 -- Sui Generis Database Rights.
|
||||||
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|
||||||
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|
||||||
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|
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|
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|
||||||
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|
||||||
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|
||||||
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|
||||||
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|
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|
||||||
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|
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|
||||||
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|
||||||
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|
||||||
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For the avoidance of doubt, this Section 4 supplements and does not
|
||||||
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|
||||||
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|
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|
||||||
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|
||||||
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Section 5 -- Disclaimer of Warranties and Limitation of Liability.
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||||||
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|
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|
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|
||||||
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|
||||||
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|
||||||
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c. The disclaimer of warranties and limitation of liability provided
|
||||||
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|
||||||
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|
||||||
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||||||
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|
||||||
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|
||||||
|
Section 6 -- Term and Termination.
|
||||||
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|
||||||
|
a. This Public License applies for the term of the Copyright and
|
||||||
|
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|
||||||
|
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|
||||||
|
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|
||||||
|
|
||||||
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|
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|
||||||
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|
||||||
|
1. automatically as of the date the violation is cured, provided
|
||||||
|
it is cured within 30 days of Your discovery of the
|
||||||
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violation; or
|
||||||
|
|
||||||
|
2. upon express reinstatement by the Licensor.
|
||||||
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|
||||||
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For the avoidance of doubt, this Section 6(b) does not affect any
|
||||||
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right the Licensor may have to seek remedies for Your violations
|
||||||
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of this Public License.
|
||||||
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|
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c. For the avoidance of doubt, the Licensor may also offer the
|
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|
||||||
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|
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|
||||||
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|
||||||
|
d. Sections 1, 5, 6, 7, and 8 survive termination of this Public
|
||||||
|
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|
||||||
|
|
||||||
|
|
||||||
|
Section 7 -- Other Terms and Conditions.
|
||||||
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|
||||||
|
a. The Licensor shall not be bound by any additional or different
|
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|
||||||
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|
||||||
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|
||||||
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|
||||||
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|
||||||
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|
||||||
|
|
||||||
|
Section 8 -- Interpretation.
|
||||||
|
|
||||||
|
a. For the avoidance of doubt, this Public License does not, and
|
||||||
|
shall not be interpreted to, reduce, limit, restrict, or impose
|
||||||
|
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|
||||||
|
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|
||||||
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|
||||||
|
b. To the extent possible, if any provision of this Public License is
|
||||||
|
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|
||||||
|
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|
||||||
|
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|
||||||
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|
||||||
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|
||||||
|
|
||||||
|
c. No term or condition of this Public License will be waived and no
|
||||||
|
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|
||||||
|
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|
||||||
|
|
||||||
|
d. Nothing in this Public License constitutes or may be interpreted
|
||||||
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|
||||||
|
that apply to the Licensor or You, including from the legal
|
||||||
|
processes of any jurisdiction or authority.
|
||||||
|
|
||||||
|
=======================================================================
|
||||||
|
|
||||||
|
Creative Commons is not a party to its public
|
||||||
|
licenses. Notwithstanding, Creative Commons may elect to apply one of
|
||||||
|
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|
||||||
|
will be considered the “Licensor.” The text of the Creative Commons
|
||||||
|
public licenses is dedicated to the public domain under the CC0 Public
|
||||||
|
Domain Dedication. Except for the limited purpose of indicating that
|
||||||
|
material is shared under a Creative Commons public license or as
|
||||||
|
otherwise permitted by the Creative Commons policies published at
|
||||||
|
creativecommons.org/policies, Creative Commons does not authorize the
|
||||||
|
use of the trademark "Creative Commons" or any other trademark or logo
|
||||||
|
of Creative Commons without its prior written consent including,
|
||||||
|
without limitation, in connection with any unauthorized modifications
|
||||||
|
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|
||||||
|
understandings, or agreements concerning use of licensed material. For
|
||||||
|
the avoidance of doubt, this paragraph does not form part of the
|
||||||
|
public licenses.
|
||||||
|
|
||||||
|
Creative Commons may be contacted at creativecommons.org.
|
|
@ -0,0 +1,31 @@
|
||||||
|
*** TRANSLATOR ES-EN ACTIVATED ***
|
||||||
|
|
||||||
|
Personal log:
|
||||||
|
Cpl. Miguel Ordóñez
|
||||||
|
Prison ship San Marcos
|
||||||
|
----------------------
|
||||||
|
|
||||||
|
Today just keeps getting weirder. That chunk of rock that showed up on long
|
||||||
|
range scanners like 2 weeks ago is practically at our front door now. What's so
|
||||||
|
special about it? We could have just blasted it to bits with the autocannons but
|
||||||
|
Samuel tells me the boys at astrometrics have been keeping tabs on it all this
|
||||||
|
time.
|
||||||
|
|
||||||
|
Are we getting turned into a science vessel? I sure hope not, I really cannot
|
||||||
|
stand to lose another job. Please don't let me lose another job, especially not
|
||||||
|
this one! Not that I particularly like it, but I suppose I don't hate it either.
|
||||||
|
And if I hadn't been stationed here I wouldn't have met Ramiro either, and I
|
||||||
|
know they'd keep him around which means we'd never see each other anymore...
|
||||||
|
|
||||||
|
I'm rambling, as usual. But it just bugs me, I can't help but feel like there's
|
||||||
|
something off here. We're a prison ship, we pick up people not random space
|
||||||
|
rocks that just happened to float by us.
|
||||||
|
And I know this didn't come from high up or anything like that, I may be an
|
||||||
|
afterthought to the rest of the crew, but regulations demand even I be kept on
|
||||||
|
the loop about new orders and I haven't been told anything, so there.
|
||||||
|
|
||||||
|
Oh, they're calling me to the cargo bay. I guess we're hauling that thing in
|
||||||
|
now.
|
||||||
|
Back to work...
|
||||||
|
|
||||||
|
*** EOF ***
|
|
@ -1,3 +1,6 @@
|
||||||
|
0APG Cochabamba - Mission Log: Tour of system PN785 /APG Cochabamba/mission-log-system-pn785.txt
|
||||||
|
0SPPG San Marcos - Personal log: Cpl M. Ordonez /SPPG San Marcos/personal-log-ordonez-46252.txt
|
||||||
|
0Buenaventura - Re: here's those tracks /Buenaventura/002-heres_those_tracks.txt
|
||||||
0Garuda - Mapping out the Earth Planet /Garuda/002.txt
|
0Garuda - Mapping out the Earth Planet /Garuda/002.txt
|
||||||
0Garuda - Preparing For The Journey /Garuda/Garuda.txt
|
0Garuda - Preparing For The Journey /Garuda/Garuda.txt
|
||||||
0Melchizedek - To all Earth vessels /Melchizedek/033.txt
|
0Melchizedek - To all Earth vessels /Melchizedek/033.txt
|
||||||
|
|
185
gopher/rss.xml
185
gopher/rss.xml
|
@ -2,6 +2,191 @@
|
||||||
<title>Cosmic Voyage</title>
|
<title>Cosmic Voyage</title>
|
||||||
<link>gopher://cosmic.voyage</link>
|
<link>gopher://cosmic.voyage</link>
|
||||||
<description>Messages from the human stellar diaspora</description>
|
<description>Messages from the human stellar diaspora</description>
|
||||||
|
<item>
|
||||||
|
<title>APG Cochabamba - Mission Log: Tour of system PN785</title>
|
||||||
|
<author>g654342@cosmic.voyage (g654342)</author>
|
||||||
|
<link>gopher://cosmic.voyage/0/APG Cochabamba/mission-log-system-pn785.txt</link>
|
||||||
|
<guid>gopher://cosmic.voyage/0/APG Cochabamba/mission-log-system-pn785.txt</guid>
|
||||||
|
<pubDate>Mon, 21 Dec 2020 23:27:25 GMT</pubDate>
|
||||||
|
<description><![CDATA[<pre>
|
||||||
|
*** TRANSLATOR: ES-EN ACTIVATED ***
|
||||||
|
|
||||||
|
Deck 1 Autolog:
|
||||||
|
Bridge
|
||||||
|
Heavy Cruiser Cochabamba
|
||||||
|
------------------------
|
||||||
|
|
||||||
|
"Captain, we got mermaids incoming!"
|
||||||
|
"Tactical, shields up. Ready countermeasures."
|
||||||
|
"Raising shields, weapons hot."
|
||||||
|
"Science, can you tell us what's going on? what are they doing so far out?"
|
||||||
|
"They're escaping, Captain."
|
||||||
|
"What do you mean escaping? From what?"
|
||||||
|
"From that. On viewer now."
|
||||||
|
"Full reverse! Red Alert!"
|
||||||
|
*** ATTENTION ALL HANDS. RED ALERT. RED ALERT. ***
|
||||||
|
"Captain... what IS that?"
|
||||||
|
"A class 12 Juggernaut, helm. Turn us around, now!"
|
||||||
|
"Course?"
|
||||||
|
"Away from here! Engineering, where's our hyperdrive?"
|
||||||
|
"Priming... Primed."
|
||||||
|
"Helm, punch it!"
|
||||||
|
|
||||||
|
*** FTL DRIVE ENGAGED. JUMPING. ***
|
||||||
|
|
||||||
|
"Nothing on our six, Captain. We're clear."
|
||||||
|
"Good. Stand down red alert."
|
||||||
|
*** ATTENTION ALL HANDS. RED ALERT CANCELLED. ***
|
||||||
|
"Status report."
|
||||||
|
"We're coming up on a Freeport, 3 million kilometers away."
|
||||||
|
"We got sideswiped by a mermaid during retreat. Nothing serious, about 2 hours
|
||||||
|
work to repair it."
|
||||||
|
"Sensors managed to pick up info on the mermaids and the Juggernaut."
|
||||||
|
"Good. Helm, slow us down when we're in comm range of that station. Engineering,
|
||||||
|
how soon can you start? Science, I want a full report on those scans."
|
||||||
|
"Aye Aye."
|
||||||
|
"Aye Captain."
|
||||||
|
"We can get started on the repairs as soon as we're out of hyperdrive, Captain."
|
||||||
|
"Tell your team to start getting ready."
|
||||||
|
"Captain, we're in range. Taking us out of hyperspeed."
|
||||||
|
|
||||||
|
*** FTL DRIVE DISENGAGED ***
|
||||||
|
|
||||||
|
"Comm, open a channel."
|
||||||
|
"Yes ma'am."
|
||||||
|
</pre>]]></description>
|
||||||
|
</item>
|
||||||
|
<item>
|
||||||
|
<title>SPPG San Marcos - Personal log: Cpl M. Ordonez</title>
|
||||||
|
<author>g654342@cosmic.voyage (g654342)</author>
|
||||||
|
<link>gopher://cosmic.voyage/0/SPPG San Marcos/personal-log-ordonez-46252.txt</link>
|
||||||
|
<guid>gopher://cosmic.voyage/0/SPPG San Marcos/personal-log-ordonez-46252.txt</guid>
|
||||||
|
<pubDate>Mon, 21 Dec 2020 18:15:16 GMT</pubDate>
|
||||||
|
<description><![CDATA[<pre>
|
||||||
|
*** TRANSLATOR ES-EN ACTIVATED ***
|
||||||
|
|
||||||
|
Personal log:
|
||||||
|
Cpl. Miguel Ordóñez
|
||||||
|
Prison ship San Marcos
|
||||||
|
----------------------
|
||||||
|
|
||||||
|
Today just keeps getting weirder. That chunk of rock that showed up on long
|
||||||
|
range scanners like 2 weeks ago is practically at our front door now. What's so
|
||||||
|
special about it? We could have just blasted it to bits with the autocannons but
|
||||||
|
Samuel tells me the boys at astrometrics have been keeping tabs on it all this
|
||||||
|
time.
|
||||||
|
|
||||||
|
Are we getting turned into a science vessel? I sure hope not, I really cannot
|
||||||
|
stand to lose another job. Please don't let me lose another job, especially not
|
||||||
|
this one! Not that I particularly like it, but I suppose I don't hate it either.
|
||||||
|
And if I hadn't been stationed here I wouldn't have met Ramiro either, and I
|
||||||
|
know they'd keep him around which means we'd never see each other anymore...
|
||||||
|
|
||||||
|
I'm rambling, as usual. But it just bugs me, I can't help but feel like there's
|
||||||
|
something off here. We're a prison ship, we pick up people not random space
|
||||||
|
rocks that just happened to float by us.
|
||||||
|
And I know this didn't come from high up or anything like that, I may be an
|
||||||
|
afterthought to the rest of the crew, but regulations demand even I be kept on
|
||||||
|
the loop about new orders and I haven't been told anything, so there.
|
||||||
|
|
||||||
|
Oh, they're calling me to the cargo bay. I guess we're hauling that thing in
|
||||||
|
now.
|
||||||
|
Back to work...
|
||||||
|
|
||||||
|
*** EOF ***
|
||||||
|
</pre>]]></description>
|
||||||
|
</item>
|
||||||
|
<item>
|
||||||
|
<title>Buenaventura - Re: here's those tracks</title>
|
||||||
|
<author>mieum@cosmic.voyage (mieum)</author>
|
||||||
|
<link>gopher://cosmic.voyage/0/Buenaventura/002-heres_those_tracks.txt</link>
|
||||||
|
<guid>gopher://cosmic.voyage/0/Buenaventura/002-heres_those_tracks.txt</guid>
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<pubDate>Mon, 21 Dec 2020 13:56:39 GMT</pubDate>
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<description><![CDATA[<pre>
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>>> BEGIN TRANSMISSION <<<
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>>> /\/\/-\||_/\/\/-\|\| <<<
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v.1.0.3 // node(RS001::IGIN{};
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#SOL#V645CENTAURI#BD+38°4344
|
||||||
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).tun(μ){76HSKGV-S2-84G772}
|
||||||
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||||||
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---/ DSAC@SOL[[31.532.21.43:312]]IGST
|
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+phthalo::buenaventura#IGSS_SIERRA
|
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-indigo::T%822::toyon#SISKIYOU
|
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SUBJECT: Re: here's those tracks
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||||||
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Indigo,
|
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||||||
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Thanks for sending the tunes. They sure help make the repetition of
|
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|
this job feel less monotonous. It's not so bad, it's just that it's
|
||||||
|
basically the same route over and over, hundreds of times a shift
|
||||||
|
even. And it's not like it's very scenic. You don't get that simple
|
||||||
|
joy of watching the scenery change or looking forward to what's
|
||||||
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around the bend like you would flying terrestrial. Anyway, having
|
||||||
|
something good to listen to has given the void of deep space some
|
||||||
|
texture.
|
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|
||||||
|
> Must be lonsome just stowing away on your ship all the time.
|
||||||
|
> Don't you get restless being cooped up by yourself?
|
||||||
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|
||||||
|
Well, I have been making it onto the SS a little more lately.
|
||||||
|
Mostly just for supplies. But occasionally I'll stop by a few Inns
|
||||||
|
here and there. Trivia night is kind of fun. It is nice hearing
|
||||||
|
stories from some of the old timers, guys who know their way to the
|
||||||
|
outpost by memory. It sounds pretty rough, actually. It puts in
|
||||||
|
perspective why there's so much money behind all this--it's a
|
||||||
|
gamble, every time. All these barflies I've been talking to have
|
||||||
|
outlived most of their comrades and crew. It's scary out there, but
|
||||||
|
the way they talk about it...I'm not gonna lie, I really want a
|
||||||
|
taste myself. I think I mentioned about maybe getting a charter out
|
||||||
|
there someday. But I'm not so sure now, at least after the
|
||||||
|
incident.
|
||||||
|
|
||||||
|
Yeah...so I've been going to these Inns like I said, and well...the
|
||||||
|
thing is you get to drinking and you don't really want to just
|
||||||
|
sleep in some capsule, not once you've gotten used to having a
|
||||||
|
whole damn ship to yourself! It's not a big deal, I guess. I've
|
||||||
|
slept in plenty of capsules. But it's not exactly where you want to
|
||||||
|
take a hot date... (You see where this is going?)
|
||||||
|
|
||||||
|
This girl was hot dude...I mean, maybe that was the glug in me, but
|
||||||
|
damn. She was like fantasy pretty, you know??? WAY out of my
|
||||||
|
league. So like, a capsule was out of the question! haha I have
|
||||||
|
this whole ship to myself (well apart from the onboard. Oh yeah,
|
||||||
|
did I mention I have an onboard? He's called Serpentine...anyway!).
|
||||||
|
It would have been fine if we had just stayed moored for the night,
|
||||||
|
but come on...what's sexier than space?
|
||||||
|
|
||||||
|
Anyway, I pulled out of the slip too soon and mangled one of the
|
||||||
|
stays. It's a dumb mistake to make, but really, shit like this
|
||||||
|
happens a lot around here. But it's a mistake a pilot shouldn't
|
||||||
|
make, so I got a good swat on the nose for it. So yeah, the outpost
|
||||||
|
will probably just be something to bullshit about on trivia night
|
||||||
|
for me, at least for the foreseeable future. Oh well...
|
||||||
|
|
||||||
|
This girl's been ghosting me ever since. We had a good night,
|
||||||
|
like...a really good night. But she was gone in the morning. I
|
||||||
|
never figured out how she got back to the SS. I don't remember
|
||||||
|
giving her a lift, and Serpentine just snickers about it when I ask
|
||||||
|
him, so who knows. It's too bad. She was something else...
|
||||||
|
|
||||||
|
So yeah, that's what's been going on here. I'm gonna get some shut
|
||||||
|
eye if I can. There's another wave coming in from across the void
|
||||||
|
tomorrow, so I'll probably be pulling a double shift. Better sleep
|
||||||
|
while I can.
|
||||||
|
|
||||||
|
Take care, Dig.
|
||||||
|
|
||||||
|
- Phthalo
|
||||||
|
|
||||||
|
P.S. I'm working on getting my own transmitter setup here, so we
|
||||||
|
won't need to mess around with this god damn Mailman business. I'm
|
||||||
|
getting close to my quota, so pretty soon they'll start showing ads
|
||||||
|
I guess.
|
||||||
|
|
||||||
|
/---
|
||||||
|
>>> END TRANSMISSION <<<
|
||||||
|
</pre>]]></description>
|
||||||
|
</item>
|
||||||
<item>
|
<item>
|
||||||
<title>Garuda - Mapping out the Earth Planet</title>
|
<title>Garuda - Mapping out the Earth Planet</title>
|
||||||
<author>isvarahparamahkrsnah@cosmic.voyage (isvarahparamahkrsnah)</author>
|
<author>isvarahparamahkrsnah@cosmic.voyage (isvarahparamahkrsnah)</author>
|
||||||
|
|
|
@ -0,0 +1 @@
|
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|
/var/gopher/ships/ship/gophermap
|
|
@ -0,0 +1 @@
|
||||||
|
/var/gopher/ships/ship/gophermap
|
Loading…
Reference in New Issue