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%% BGN QEC DIRECTIVES %%
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Update-Delegation: Quintessence: SHIP -> OUTPOST
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Create-Delegation: Quintessence-P1: SHIP
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%% END QEC DIRECTIVES %%
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Origin: Quintessence
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Routed: Quintessence → Vespira → [2-4 unknown hops] → QEC Relay A120D019
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Date: ∅+0 days [Origin date format UNKNOWN; epoch assigned by QEC]
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Langauge: QEC Common Records Language
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Subject: Notice of establishment of outpost
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This is the Quintessence's official notice to the QEC transmitter records
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database that we have arrived at ′5190″859942‴68400, to be known henceforth as
|
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the Quintessence outpost. Our ship remains in orbit and is still spaceworthy.
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|
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We are prepared to respond to distress signals within 4ly, and expect our
|
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capabilities to expand in the future. It is our intention to remain here for up
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to 50 years. Our crew consists of 136 individuals, in 34 families, with 25
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unaffiliated persons.
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Our destination is a dwarf planet, 966km in diameter. It caught our interest
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from 37ly, as it transited ′5190″859942 and showed spectral signatures of heavy
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metals, which we intend to mine for expanding our ships and for possible trade
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in the future. However, upon our arrival we have discovered previous signs of
|
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inhabitation. We believe the previous tenants were interstellar in origin, as
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there are no such signs in the large bodies of the system, which we are still
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cataloguing. We will forward our findings to the QEC records database when we
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have completed our survey of the system.
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We have established a small archaeology team which will investigate the remains
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of previous habitation. Our mining crew will begin work as planned on areas
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which are deemed unlikely to have useful archaeological evidence.
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--
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Thora Balliol
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Records Keeper
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Quintessence
|
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@ -0,0 +1,350 @@
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@ -1,45 +1,53 @@
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|||
I'm here! The flat is just mass, so big. I picked the score bed
|
||||
which is twice the size of mum's and it shakes too. You clack the
|
||||
wall and it shakes and shakes for minutes. Hah! Why even? It's
|
||||
just French as damn.
|
||||
|
||||
Without the girls everything is quiet-like so I can hear the
|
||||
shakes and just lie in it till I skid out.
|
||||
I'm here! The flat is just mass, so big. I picked the score
|
||||
bedding which is twice the size of mum's and it shakes too. You
|
||||
clack the wall and it shakes and shakes for minutes. Hah! Why
|
||||
even? It's just French as damn. Without the girls everything is
|
||||
quiet-like so I can hear the shakes and just lie in it till I skid
|
||||
out later.
|
||||
|
||||
Ick. Ezri just tried my pad, but she can sweat it. If she sides
|
||||
with traitors she can just.
|
||||
|
||||
Neverwise that guz. I'm fab ruggd Mannerheim ready and off to see
|
||||
it all. There's a party house with old sportsballs the next pod
|
||||
down and I can smell the tar-bones from here, sweet damn. My mouth
|
||||
is gushing. Oh, that means I'm really hungry and the smell is
|
||||
good. Once I'm stoked up tight I'm skidding up all the way.
|
||||
{{Surface adventures for a lifetime}} they say. My tram isn't
|
||||
ruggd for it, but the rents aren't much. 'Sidewise, the ruggd
|
||||
trams don't come in red like my booboo. She's razzy. I call her
|
||||
boo, but I'm still on about the name. One lun it'll come.
|
||||
Neverwise. I'm fab-ruggd Mannerheim ready and off to see it all.
|
||||
There's a party house with old sportsballs the next pod down and
|
||||
I can smell the tar-bones from here, sweet damn. My mouth is
|
||||
gushing. Oh, that means I'm really hungry and the smell is good.
|
||||
Once I'm stoked up tight I'm done local and skidding all the way
|
||||
up top. {{Surface adventures for a lifetime}} they say. My tram
|
||||
isn't ruggd for it, but the rents aren't much. 'Sidewise, the
|
||||
ruggd trams don't come in red like my booboo. She's razzy. I call
|
||||
her boo, but I'm still on about the name. One lun it'll come.
|
||||
|
||||
The pad face has status glows above that look like brows. 'makes
|
||||
the whole face look like a person-face! It's a total squee,
|
||||
earnest. Mum didn't go in for the beat subs, so I just have what
|
||||
I keep on my pad, but it's still great. I've got most everything
|
||||
already and it's pretty much Aims M. and Olla or reps agains
|
||||
anywise. They're score razzy bodies. I've got their book on my pad
|
||||
too. Olla is a poet and the musicwriter. Aims M. helps wee bits on
|
||||
bit, but mostly she's beats and vocsounds. Love her still.
|
||||
The tram pad face has status glows--uh, lights with infos in them-
|
||||
above that look like eyebrows. Makes the whole face look like
|
||||
a person-face! It's a total squee, earnest. Mum didn't go in for
|
||||
the beat subs so I just have what beats I keep on my pad but it's
|
||||
still great. I've got most everything already and I stream pretty
|
||||
much Aims M. and Olla on repeat again anywise. They're score
|
||||
razzy bodies. I've got their book on my pad too. Olla is a poet
|
||||
and the musicwriter. Aims M. helps wee bits but mostly she's beats
|
||||
and vocsounds. Love her still.
|
||||
|
||||
Last year at Sundavell Aims M. and Olla played beats with the orig
|
||||
classy Radish Slaw (cept the drummer who passed in that tram
|
||||
crash). Aims M. did runs and ate that up so vibe. I have it on my
|
||||
pad and just put it up. Total wicks guz that, but it's all I got.
|
||||
I didn't skid but I wish hard it was truth. The show didn't save
|
||||
past live, so it's ephemerial. You know?
|
||||
A few luns back at Sundavell Aims M. and Olla played beats with
|
||||
the orig classy Radish Slaw (cept the drummer who passed in that
|
||||
tram crash). Aims M. did runs and ate that up so vibe. I have it
|
||||
on my pad and just put it up. Total wicks guz that, but it's all
|
||||
I got. I didn't skid but I wish hard it was truth. The show didn't
|
||||
save past live, so it's ephemerial. You know?
|
||||
|
||||
Ezri's da sent her and her bro (who doesn't even get deep into
|
||||
them). Her da is flush so they do whatever. I told her she should
|
||||
drag me out, but her da had none of it. Ezri said they hit some
|
||||
classy tracks which they never, ever do cause Olla says {{the old
|
||||
you is dead each day}} which is damn truth. Worst is Erzi didn't
|
||||
know which cause she's shit and not deep into them like your Emmi
|
||||
here. I just suss they played the Canticles suite! I can feel it
|
||||
bonewise. Tragic as damn.
|
||||
classy tracks which they never, ever do cause Olla says {{we kill
|
||||
our past every breath we take}} which is damn truth. Worst is Erzi
|
||||
didn't know which cause she's shit and not deep into them like
|
||||
your Emmi-here. I just suss they played the Canticles suite! I can
|
||||
feel it bonewise. Tragic as damn. Canticles is score. I'm putting
|
||||
that on now.
|
||||
|
||||
The flat has a hook to link my pad beats into the system so it's
|
||||
dance party Emmi time. Maywise I'll find new friends upside and
|
||||
we'll party to Aims & Olla later. First stoking up. Be razzy,
|
||||
'verse.
|
||||
|
||||
❤️ Emmi
|
||||
|
|
|
@ -364,20 +364,96 @@ bullheadedness not letting her give up?
|
|||
Sinda hesitated at the door and took a deep breath. It's just
|
||||
Borzin. Things can't be that different.
|
||||
|
||||
[Borzin on the phone as she enters. Try to establish his voice
|
||||
patterns as very professional and break that pattern in how he
|
||||
communicates with Sinda]
|
||||
|
||||
[describe the cottage, use the action of putting her things away
|
||||
to navigate]
|
||||
|
||||
[Borzin's call takes him throughout their space and he tries to
|
||||
simultaneously welcome her with gesture and facial expressions.
|
||||
Let him get a bit distracted and say something wrong on the call
|
||||
and then have to refocus on that to fix it, leaving her isolated]
|
||||
|
||||
[Sinda will want to stay busy once she's got her stuff stowed.
|
||||
Open a bottle of wine, offers some, starts the pours. Pulls out
|
||||
some food she gathered on the way (add that to the earlier scene)]
|
||||
|
||||
[More before the turn...]
|
||||
|
||||
[Borzin finally disconnects, goes straight into a ramble about
|
||||
work and without a breath for air embraces Sinda and takes up the
|
||||
wine. He'll be wired and talkative.]
|
||||
|
||||
[Sinda will try to match him for a bit but ... what? is she
|
||||
uninterested in it? Is she waiting for something else?
|
||||
Distraction? What's the unspoken communication here? What is
|
||||
happening with the senses? Blerg.]
|
||||
|
||||
***
|
||||
|
||||
- Event: Sinda finds Borzin in the cottage and friendship is
|
||||
rekindled.
|
||||
- Function: Introduces Borzin and shows him as tethered to modern
|
||||
life, popularity, and importance. Despite this, establish that
|
||||
he is still her friend and wants this adventure to work.
|
||||
he is still her friend and wants this adventure to work. Nothing
|
||||
resolves here. Don't try to fix Borzin's connectivity yet. Use
|
||||
it to throw a barrier between them.
|
||||
- Beginning: Finds Borzin already at the cottage, talking on the
|
||||
phone with his office, which is still reaching out for his help
|
||||
despite the vacation. He's distracted and anxious and brusque.
|
||||
- Middle:
|
||||
- End: Talking late into the night.
|
||||
- Middle: When Borzin finally ends his call the chance for a quick
|
||||
embrace and rekindling are passed. Sinda has a bottle of wine
|
||||
open and will try to connect with him about adult things since
|
||||
that seems to be Borzin's focus now.
|
||||
- End: Near the end of the scene Sinda will regret a loss of some
|
||||
of that old friendship just in time for a glimmer of the old
|
||||
Borzin to come through. She'll latch onto it and the laughter
|
||||
they share will have none of the grown responsibility of today.
|
||||
She'll go to sleep smiling remembering that.
|
||||
- Pulse: A nervous anticipation. Will they still be friends?
|
||||
|
||||
Freethoughts: I need something to work on that's related to
|
||||
discovery, searching, and uncovering secrets. Perhaps Borzin has
|
||||
that element to him so I don't overload all the curiosity and
|
||||
troublemaking onto Sinda. She's the one that's good at pushing too
|
||||
far and losing herself, so if I combine that with his curiosity
|
||||
and need to know that could balance it out. What redeeming parts
|
||||
are Sinda and which are Borzin?
|
||||
|
||||
Sinda is headstrong and naïve. Borzin is overly proud of his
|
||||
accomplishments and planning. He'll be an antithesis to her type
|
||||
of "pantsing". He's a planner and has things mapped out, feels
|
||||
a sense of responsibility weighing him down but mistakes that
|
||||
weight for seriousness. Stress is important to him as it means
|
||||
he's doing things right. But he needs to understand and plan. He
|
||||
can't let go of things just like Sinda can't, but for different
|
||||
reasons.
|
||||
|
||||
Okay, so if Borzin is linked up to things back home, maybe the
|
||||
scene is mostly one-sided with him talking to people back at the
|
||||
office while he gestures and mouths things to Sinda. He'll give
|
||||
her half-attention and while she's eager to embrace him and make
|
||||
things like they were when they were kids there's this barrier up
|
||||
between them at the very start that throws her off. She's a bit
|
||||
coked up still and will try to roll with it, try to get settled
|
||||
and make it seem natural and like she's okay with it. She's
|
||||
a professional too, right? She knows what it's like to have to
|
||||
work late (though this IS holiday). Borzin seems really important
|
||||
and that's great for him.
|
||||
|
||||
When the scene turns in the middle it'll be because he finally
|
||||
gets off the line, but then he'll keep going on about his job and
|
||||
things happening with him. His own self-importance will become
|
||||
part of the barrier between them. Still, Sinda will get a glimpse
|
||||
of the boy she knew, but only a glimpse. What will that be?
|
||||
|
||||
Something about a game they played as kids? Or maybe a habit he's
|
||||
not grown out of even after all this time? A rhyming game?
|
||||
A fascination with sports? Something to nerd out about? A game?
|
||||
A story? hmmm...
|
||||
|
||||
Arrives at the cottage, a tiny affair, where Borzin has already
|
||||
arrived. He took the attic bunk and left her the wall-bed.
|
||||
|
||||
|
|
|
@ -1,3 +1,6 @@
|
|||
0SNCF68B - Mannerheim /SNCF68B/06-Mannerheim.txt
|
||||
0Melchizedek - Private message /Melchizedek/029.txt
|
||||
0Quintessence - Notice of establishment of outpost /Quintessence/001-outpost.txt
|
||||
0Melchizedek - Duty Log, Hendrix /Melchizedek/028.txt
|
||||
0SNCF68B - OMG /SNCF68B/05-OMG.txt
|
||||
0Melvin P Feltersnatch - Bruce /Melvin P Feltersnatch/008.txt
|
||||
|
|
193
gopher/rss.xml
193
gopher/rss.xml
|
@ -2,6 +2,199 @@
|
|||
<title>Cosmic Voyage</title>
|
||||
<link>gopher://cosmic.voyage</link>
|
||||
<description>Messages from the human stellar diaspora</description>
|
||||
<item>
|
||||
<title>SNCF68B - Mannerheim</title>
|
||||
<author>tomasino@cosmic.voyage (tomasino)</author>
|
||||
<link>gopher://cosmic.voyage/0/SNCF68B/06-Mannerheim.txt</link>
|
||||
<guid>gopher://cosmic.voyage/0/SNCF68B/06-Mannerheim.txt</guid>
|
||||
<pubDate>Sun, 15 Nov 2020 16:09:01 GMT</pubDate>
|
||||
<description><![CDATA[<pre>
|
||||
I'm here! The flat is just mass, so big. I picked the score
|
||||
bedding which is twice the size of mum's and it shakes too. You
|
||||
clack the wall and it shakes and shakes for minutes. Hah! Why
|
||||
even? It's just French as damn. Without the girls everything is
|
||||
quiet-like so I can hear the shakes and just lie in it till I skid
|
||||
out later.
|
||||
|
||||
Ick. Ezri just tried my pad, but she can sweat it. If she sides
|
||||
with traitors she can just.
|
||||
|
||||
Neverwise. I'm fab-ruggd Mannerheim ready and off to see it all.
|
||||
There's a party house with old sportsballs the next pod down and
|
||||
I can smell the tar-bones from here, sweet damn. My mouth is
|
||||
gushing. Oh, that means I'm really hungry and the smell is good.
|
||||
Once I'm stoked up tight I'm done local and skidding all the way
|
||||
up top. {{Surface adventures for a lifetime}} they say. My tram
|
||||
isn't ruggd for it, but the rents aren't much. 'Sidewise, the
|
||||
ruggd trams don't come in red like my booboo. She's razzy. I call
|
||||
her boo, but I'm still on about the name. One lun it'll come.
|
||||
|
||||
The tram pad face has status glows--uh, lights with infos in them-
|
||||
above that look like eyebrows. Makes the whole face look like
|
||||
a person-face! It's a total squee, earnest. Mum didn't go in for
|
||||
the beat subs so I just have what beats I keep on my pad but it's
|
||||
still great. I've got most everything already and I stream pretty
|
||||
much Aims M. and Olla on repeat again anywise. They're score
|
||||
razzy bodies. I've got their book on my pad too. Olla is a poet
|
||||
and the musicwriter. Aims M. helps wee bits but mostly she's beats
|
||||
and vocsounds. Love her still.
|
||||
|
||||
A few luns back at Sundavell Aims M. and Olla played beats with
|
||||
the orig classy Radish Slaw (cept the drummer who passed in that
|
||||
tram crash). Aims M. did runs and ate that up so vibe. I have it
|
||||
on my pad and just put it up. Total wicks guz that, but it's all
|
||||
I got. I didn't skid but I wish hard it was truth. The show didn't
|
||||
save past live, so it's ephemerial. You know?
|
||||
|
||||
Ezri's da sent her and her bro (who doesn't even get deep into
|
||||
them). Her da is flush so they do whatever. I told her she should
|
||||
drag me out, but her da had none of it. Ezri said they hit some
|
||||
classy tracks which they never, ever do cause Olla says {{we kill
|
||||
our past every breath we take}} which is damn truth. Worst is Erzi
|
||||
didn't know which cause she's shit and not deep into them like
|
||||
your Emmi-here. I just suss they played the Canticles suite! I can
|
||||
feel it bonewise. Tragic as damn. Canticles is score. I'm putting
|
||||
that on now.
|
||||
|
||||
The flat has a hook to link my pad beats into the system so it's
|
||||
dance party Emmi time. Maywise I'll find new friends upside and
|
||||
we'll party to Aims & Olla later. First stoking up. Be razzy,
|
||||
'verse.
|
||||
|
||||
❤️ Emmi
|
||||
</pre>]]></description>
|
||||
</item>
|
||||
<item>
|
||||
<title>Melchizedek - Private message</title>
|
||||
<author>tomasino@cosmic.voyage (tomasino)</author>
|
||||
<link>gopher://cosmic.voyage/0/Melchizedek/029.txt</link>
|
||||
<guid>gopher://cosmic.voyage/0/Melchizedek/029.txt</guid>
|
||||
<pubDate>Tue, 10 Nov 2020 01:54:21 GMT</pubDate>
|
||||
<description><![CDATA[<pre>
|
||||
Message Incoming...
|
||||
|
||||
Source Melchizedek.0294
|
||||
β Hyi, 4rd Planet
|
||||
Ascension 00h 25m 45.07037s
|
||||
Declination –77° 15′ 15.2860″
|
||||
Distance 24.37ly
|
||||
Equinox J2000.0 SOL
|
||||
Year 3782, QEC adjusted
|
||||
|
||||
[Autotranslator enabled...]
|
||||
|
||||
[System encryption enabled. Relaying audio transcription to
|
||||
Melchizedek.0294 base station.]
|
||||
|
||||
[Envelope from Stephanie Janssen, Specialist First-class]
|
||||
[Delivery to Eva Hämäläinen, Navigator]
|
||||
:::
|
||||
Hey girl. I'm up on top like you said, riding this all the way in.
|
||||
I think we'll be arriving shortly. Have you talked to Mo yet? Reed
|
||||
and Spinelli were talking at mess already. I caught it on the sec
|
||||
feed. They think there's something out there that's alive. Alien,
|
||||
Reed said.
|
||||
|
||||
When you told me to stay hidden as long as possible I thought you
|
||||
meant a few hours. This is getting old. I was going to go in and
|
||||
bring up Jerome, but I listened to your warning. Besides, I think
|
||||
they might be with us anyway. You really think the others on three
|
||||
will report us? I mean, we took the shuttle, but Brewer wouldn't
|
||||
call Prezzi if his face were on fire and Ostergarten is infatuated
|
||||
with you. Hanks is Hanks, but he wouldn't, would he?
|
||||
|
||||
I mean, I trust you, but this seems a little bit overkill. The
|
||||
crew here hasn't done anything out of the ordinary at all. I bet
|
||||
if I just showed up in the mess everyone would say, "Oh hi,
|
||||
Stephanie. When did you get in? How's the crazy thing going?" Then
|
||||
we'd have some tea, eat some greens, and it would be just like
|
||||
normal. Except if the doctor is around, I guess. Dr. Nguyen knows
|
||||
I should be back on three and would definitely say something to
|
||||
Prezzi.
|
||||
|
||||
So here I am, just where you left me. My legs fell asleep earlier.
|
||||
Oh wow was that funny. I dropped down to grab some rations and
|
||||
when my feet hit the deck I dropped right down in a sack. It was
|
||||
pathetic. They were seriously dead to me for a minute there.
|
||||
I tried to walk by memory since I couldn't feel a thing and my
|
||||
feet were flailing all about. I nearly kicked the flood-hatch aft
|
||||
and I did kick the bottom lip on portway 3. It was kind of fun in
|
||||
a horrible way, but then my legs started to wake up. You know that
|
||||
feeling like a thousand bees inside your skin? Not fun at all. So
|
||||
I all but danced my way in to the mess (this was after Reed and
|
||||
Spinelli left) and grabbed some foodstuffs and made my way back.
|
||||
I took Reed's pillow, though. That one he uses as a cushion in the
|
||||
mess, you know? I need something to keep my legs from
|
||||
disconnecting from me again. He'll just assume someone else took
|
||||
it. No worries. I remember Bukowski took it to mess with him just
|
||||
after launch one time. See? Smart, right?
|
||||
|
||||
So, long story short, I'm still here in the dark. The crews are
|
||||
rotating like normal. I about had a heart attack when Prezzi came
|
||||
in yesterday all sudden-like. I thought she caught me or you or
|
||||
something, but then she just ran for the commode and I had to stop
|
||||
myself from laughing out loud. That would have been terrible.
|
||||
Caught out by laughing. That's totally something I'd do.
|
||||
|
||||
Right right right. So is there anything else I can do? It's
|
||||
a little boring and I want to help. What if I did some navigation
|
||||
preconfig stuff. I mean, I have the old course that Sandy worked
|
||||
out in the logs. I could try getting it input here to start things
|
||||
off. You know I can't handle the drift math, but maybe it'll help
|
||||
you move quicker once you're back on board. Or we can wait for
|
||||
darkcycle and I can try to talk to Reed. He's got watch onboard
|
||||
and he should be alone.
|
||||
|
||||
Please, Eva. There's got to be something I can do.
|
||||
.
|
||||
[End of encrypted envelope.]
|
||||
</pre>]]></description>
|
||||
</item>
|
||||
<item>
|
||||
<title>Quintessence - Notice of establishment of outpost</title>
|
||||
<author>sircmpwn@cosmic.voyage (sircmpwn)</author>
|
||||
<link>gopher://cosmic.voyage/0/Quintessence/001-outpost.txt</link>
|
||||
<guid>gopher://cosmic.voyage/0/Quintessence/001-outpost.txt</guid>
|
||||
<pubDate>Sun, 15 Nov 2020 14:59:35 GMT</pubDate>
|
||||
<description><![CDATA[<pre>
|
||||
%% BGN QEC DIRECTIVES %%
|
||||
Update-Delegation: Quintessence: SHIP -> OUTPOST
|
||||
Create-Delegation: Quintessence-P1: SHIP
|
||||
%% END QEC DIRECTIVES %%
|
||||
Origin: Quintessence
|
||||
Routed: Quintessence → Vespira → [2-4 unknown hops] → QEC Relay A120D019
|
||||
Date: ∅+0 days [Origin date format UNKNOWN; epoch assigned by QEC]
|
||||
Langauge: QEC Common Records Language
|
||||
Subject: Notice of establishment of outpost
|
||||
|
||||
This is the Quintessence's official notice to the QEC transmitter records
|
||||
database that we have arrived at ′5190″859942‴68400, to be known henceforth as
|
||||
the Quintessence outpost. Our ship remains in orbit and is still spaceworthy.
|
||||
|
||||
We are prepared to respond to distress signals within 4ly, and expect our
|
||||
capabilities to expand in the future. It is our intention to remain here for up
|
||||
to 50 years. Our crew consists of 136 individuals, in 34 families, with 25
|
||||
unaffiliated persons.
|
||||
|
||||
Our destination is a dwarf planet, 966km in diameter. It caught our interest
|
||||
from 37ly, as it transited ′5190″859942 and showed spectral signatures of heavy
|
||||
metals, which we intend to mine for expanding our ships and for possible trade
|
||||
in the future. However, upon our arrival we have discovered previous signs of
|
||||
inhabitation. We believe the previous tenants were interstellar in origin, as
|
||||
there are no such signs in the large bodies of the system, which we are still
|
||||
cataloguing. We will forward our findings to the QEC records database when we
|
||||
have completed our survey of the system.
|
||||
|
||||
We have established a small archaeology team which will investigate the remains
|
||||
of previous habitation. Our mining crew will begin work as planned on areas
|
||||
which are deemed unlikely to have useful archaeological evidence.
|
||||
|
||||
--
|
||||
Thora Balliol
|
||||
Records Keeper
|
||||
Quintessence
|
||||
</pre>]]></description>
|
||||
</item>
|
||||
<item>
|
||||
<title>Melchizedek - Duty Log, Hendrix</title>
|
||||
<author>tomasino@cosmic.voyage (tomasino)</author>
|
||||
|
|
|
@ -0,0 +1 @@
|
|||
/var/gopher/ships/ship/gophermap
|
|
@ -1,5 +1,8 @@
|
|||
<pre>
|
||||
|
||||
Nov 15, 2020:
|
||||
- go (the programming language) has been installed
|
||||
|
||||
Oct 19, 2020:
|
||||
- Among us terminal clone "Among sus" added to games. Read about the game
|
||||
here: https://git.sr.ht/~martijnbraam/among-sus#among-sus
|
||||
|
|
Loading…
Reference in New Issue