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hosted/tutorials/field-recording-part1.gmi
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=> https://designingsound.org/2010/10/22/aaron-marks-special-a-practical-guide-to-field-recording-part-1/ adapted from: Designing Sound: A Practical Guide to Field Recording, Part 1
=> field-recording-part-2.gmi Part 2 of A Practical Guide to Field Recording
=> field-recording-part2.gmi Part 2 of A Practical Guide to Field Recording
Aaron Marks CC BY NC SA 3.0
@ -95,7 +95,7 @@ Unfortunately, it takes much more than simply picking a type and polarity patter
* Ruggedness. Studio mics are typically more delicate due to their need to capture the smallest nuances of instruments and vocals, and that’s not to say you couldn’t take some nice large diaphragm condensers to the field if needed, but why bother if the mic can’t take the more demanding conditions? Ensure the mic selection is robust enough to handle the journey, being mounted to a vibrating, jostling vehicle, for example, and being knocked around by overly aggressive ninja recordists.
* And finally, how the mic sounds. Unfortunately, how the mic sounds can’t always be the first reason to choose one but it should weigh in as part of your decision. Some mics sound REALLY good no matter what you point them at and if they meet other criteria in your list, then these should be part of your arsenal. If you have several which are worthy, always choose the one which will capture your sounds the cleanest and in the highest quality because after all, you’re reputation and future employment possibilities are on the line.
More coming up! **Part 2** will continue with recorder choices, field
More coming up! Part 2 will continue with recorder choices, field
recording accessories and recording techniques.
=> https://designingsound.org/2010/10/22/aaron-marks-special-a-practical-guide-to-field-recording-part-1/ Adapted from Aaron Marks' A Practical Guide to Field Recording, Part 1 for Designing Sound.

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hosted/tutorials/field-recording-part2.gmi
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=> https://designingsound.org/2010/10/26/aaron-marks-special-a-practical-guide-to-field-recording-part-2/ adapted from: Designing Sound: A Practical Guide to Field Recording, Part 2
=> field-recording-part-1.gmi Part 1 of A Practical Guide to Field Recording
=> field-recording-part1.gmi Part 1 of A Practical Guide to Field Recording
Aaron Marks CC BY SA NC 3.0

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hosted/tutorials/index.gmi
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The documents below are all mirrors of content collected elsewhere on the www.
=> field-recording-part-1.gmi A Practical Guide to Field Recording Part 1
=> field-recording-part1.gmi A Practical Guide to Field Recording Part 1
=> field-recording-part-2.gmi A Practical Guide to Field Recording Part 2
=> field-recording-part2.gmi A Practical Guide to Field Recording Part 2
=> retro-game-sounds.gmi Making Retro Video Game Sounds: Introductions to Trackers