manual: Strip out a few more archos-specific chunks

Change-Id: If875fc86888491d8b26d9090ae3ae778dc32aa31
This commit is contained in:
Solomon Peachy 2020-07-26 08:56:22 -04:00
parent aee6459d7f
commit c81e1e1bf1
7 changed files with 3 additions and 179 deletions

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@ -11,9 +11,7 @@
\toprule
\rowcolor{tblhdrbgcolor}\tblhdrstrut\textbf{Setting} & \textbf{Allowed Values} & \textbf{Unit}\\
\midrule\localendhead % endhead breaks with htlatex
volume & \opt{masd}{$-78$ to +18}%
\opt{masf}{$-100$ to +12}%
\opt{iriverh100,iriverh300}{$-84$ to 0}%
volume & \opt{iriverh100,iriverh300}{$-84$ to 0}%
\opt{ipodnano}{$-72$ to +6}%
\opt{ipodvideo,cowond2}{$-89$ to +6}%
\opt{iaudiom3,iaudiom5,iaudiox5}{$-73$ to +6}%
@ -21,16 +19,12 @@
\opt{e200,e200v2,ipodcolor,mrobe100,vibe500,ipodnano2g}{$-74$ to +6}%
\opt{samsungyh}{$-128$ to 0}%
& dB\\
bass & \opt{masd}{$-15$ to +15}%
\opt{masf}{$-12$ to +12}%
\opt{iriverh100,iriverh300}{0 to +24}%
bass & \opt{iriverh100,iriverh300}{0 to +24}%
\opt{ipod,mrobe100}{$-6$ to +9}%
\opt{iaudiom3,iaudiom5,iaudiox5,e200,e200v2,vibe500,fuzeplus,%
samsungyh}{$-24$ to +24}%
& dB\\
treble & \opt{masd}{$-15$ to +15}%
\opt{masf}{$-12$ to +12}%
\opt{iriverh100,iriverh300}{0 to +6}%
treble & \opt{iriverh100,iriverh300}{0 to +6}%
\opt{ipod,mrobe100}{$-6$ to +9}%
\opt{iaudiom3,iaudiom5,iaudiox5,e200,e200v2,vibe500,fuzeplus,%
samsungyh}{$-24$ to +24}%
@ -250,18 +244,6 @@
}
}%
\opt{masf}{
loudness & 0 to 17 & N/A\\
superbass & on, off & N/A\\
auto volume & off, 20ms, 2s, 4s, 8s
& N/A\\
mdb enable & on,off & N/A\\
mdb strength & 0 to 127 & dB\\
mdb harmonics & 0 to 100 & \%\\
mdb center & 20 to 300 & Hz\\
mdb shape & 50 to 300 & Hz\\
}%
\opt{lcd_bitmap}{
peak meter release
& 1 to 126 & ?\\

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@ -62,20 +62,12 @@
\includegraphics[width=0.37cm]{appendix/images/icon-rolo.png}
& Rockbox firmware & \fname{.mi4} & Load the new firmware with ROLO \tabularnewline
}
\opt{masd,masf}{
\includegraphics[width=0.37cm]{appendix/images/icon-audio-file.png}
& Audio file & \fname{.mp2}, \fname{.mp3} & Start playing the file and show the WPS\tabularnewline
}
\opt{swcodec}{
\includegraphics[width=0.37cm]{appendix/images/icon-movie-file.png}
& Video & \fname{.mpg}, \fname{.mpeg}, \fname{.mpv}, \fname{.m2v} & Play the MPEG1/2 video \tabularnewline
}
\includegraphics[width=0.37cm]{appendix/images/icon-rock.png}
& Plugin & \fname{.rock} & Start the plugin\tabularnewline
\opt{masf}{\opt{lcd_bitmap}{
\includegraphics[width=0.37cm]{appendix/images/icon-movie-file.png}
& Rockbox Video & \fname{.rvf} & View the movie (Rockbox format)\tabularnewline}
}
\opt{sansaAMS}{
\includegraphics[width=0.37cm]{appendix/images/icon-rolo.png}
& Rockbox firmware & \fname{.sansa} & Load the new firmware with ROLO \tabularnewline
@ -83,10 +75,6 @@
\includegraphics[width=0.37cm]{appendix/images/icon-text.png}
& Text File & \fname{.txt} & Display the text file using the text viewer plugin\tabularnewline
& Voice file & \fname{.voice} & Allow Rockbox to speak menus\tabularnewline
\opt{masf}{
\includegraphics[width=0.37cm]{appendix/images/icon-wav-file.png}
& Wave Audio File & \fname{.wav} & Play the WAV file \tabularnewline%
}
\includegraphics[width=0.37cm]{appendix/images/icon-wps.png}
& While Playing Screen & \fname{.wps} & Load the new WPS display configuration\tabularnewline
\end{rbtabular}

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@ -68,11 +68,6 @@ you to configure settings related to audio playback.
This can happen if the \dap{} is knocked, shaken or jogged heavily while
Rockbox is trying to read the hard drive.
\opt{masd,masf}{
The anti-skip buffer can be set to a value between 0 and 7
seconds.\\
}
\opt{swcodec}{
The anti-skip buffer can be set to various values between
5 seconds and 10 minutes.\\

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@ -6,29 +6,6 @@
where you want to store them in the \setting{File Browser} and select
\setting{Set As Recording Directory}.}
\opt{masf}{
\section{Quality}
Choose the quality here (0 to 7). Default is 5, best quality is 7,
smallest file size is 0. This setting affects how much your sound
sample will be compressed. Higher quality settings result in larger
MP3 files.
The quality setting is just a way of selecting an average bit rate,
or number of bits per second, for a recording. When this setting
is lowered, recordings are compressed more (meaning worse sound quality),
and the average bitrate changes as follows.
\begin{table}[h!]
\begin{rbtabular}{0.75\textwidth}{lX}%
{\emph{Frequency} & \emph{Bitrate} (Kbit/s) -- quality 0$\rightarrow$7}{}{}
44100~Hz stereo & 75, 80, 90, 100, 120, 140, 160, 170 \\
22050~Hz stereo & 39, 41, 45, 50, 60, 80, 110, 130 \\
44100~Hz mono & 65, 68, 73, 80, 90, 105, 125, 140 \\
22050~Hz mono & 35, 38, 40, 45, 50, 60, 75, 90 \\
\end{rbtabular}
\end{table}
}
\opt{swcodec}{
\section{Format}
Choose which format to save your recording in. The available choices are
@ -49,8 +26,6 @@
{44.1~kHz, 22.05~kHz and 11.025~kHz}
\opt{iaudiom3,iaudiom5,iaudiox5,vibe500}
{88.2~kHz, 44.1~kHz, 22.05~kHz and 11.025~kHz}
\opt{masf}
{48~kHz, 44.1~kHz, 32~kHz, 24~kHz, 22.05~kHz and 16~kHz}
\opt{iriverh10}
{96~kHz, 88.2~kHz, 48~kHz, 44.1~kHz, 32~kHz and 8~kHz}
\opt{samsungyh}
@ -67,12 +42,6 @@
\opt{swcodec}{\note{The 11.025~kHz setting is not available when using %
\setting{MPEG Layer~3} format.}
}
\opt{masf}{
The frequency setting also determines which version of the MPEG standard
the sound is recorded using:\\
MPEG~1 for 48~kHz, 44.1~kHz and 32~kHz.\\
MPEG~2 for 24~kHz, 22.05~kHz and 16~kHz.\\
}
\opt{recording_digital}
{\note{You cannot change the sample rate for digital recordings.}
}
@ -117,13 +86,6 @@
setting to configure how the mono signal is created. Options are L, R and L+R.
}
\opt{masf}{
\section{Independent Frames}
The independent frames option tells the \dap{} to encode with the bit
reservoir disabled, so the frames are independent of each other. This
makes a file easier to edit.
}
\section{File Split Options}
This sub menu contains options for file splitting, which can be used to split
up long recordings into manageable pieces. The splits are seamless (frame

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@ -38,8 +38,6 @@ change to customise your listening experience.
\nopt{iriverh100,iriverh300}{or suppresses}
the lower (bass) frequencies in the sound. A value of 0~dB means that bass
sounds are unaltered (flat response).
\opt{masd}{The minimum setting is -15~dB and the maximum is 15~dB.}%
\opt{masf}{The minimum setting is -12~dB and the maximum is 12~dB.}%
\opt{iriverh100,iriverh300}{The minimum setting is 0~dB and the maximum is 24~dB.}%
\opt{ipodnano,ipodnano2g,ipodcolor,mpiohd200}{%
The minimum setting is -6~dB and the maximum is 9~dB.}%
@ -66,8 +64,6 @@ change to customise your listening experience.
\nopt{iriverh100,iriverh300}{or suppresses}
the higher (treble) frequencies in the sound. A value of 0~dB means that
treble sounds are unaltered (flat response).
\opt{masd}{The minimum setting is -15~dB and the maximum is 15~dB.}%
\opt{masf}{The minimum setting is -12~dB and the maximum is 12~dB.}%
\opt{iriverh100,iriverh300}{The minimum setting is 0~dB and the maximum is 6~dB.}%
\opt{ipodnano,ipodnano2g,ipodcolor,mpiohd200}{%
The minimum setting is -6~dB and the maximum is 9~dB.}%
@ -201,93 +197,6 @@ change to customise your listening experience.
}%
}
\opt{masf}{
\section{Loudness}
When listening at low volumes, the ear will tend to make bass and treble
frequencies sound quieter than they really are. To compensate for this,
\setting{Loudness} is an effect which emphasises bass and treble in a fashion
suited to the human ear. Frequencies in the vocal range are unaffected, since
the human ear picks these up very easily at any sound level.
It is of course also possible to use this effect at higher volumes for
enhanced bass and treble.
}
\opt{masf}{
\section{Auto Volume}
Auto volume is a feature that automatically lowers the volume on loud parts,
and then slowly restores the volume to the previous level over a time
interval. This setting allows this time interval to be configured. Short
values like 20~ms are useful for ensuring a constant volume for in-car use and
other applications where background noise makes a constant loudness desirable.
A longer timeout means that the change in volume back to the previous level
will be smoother, so there will be fewer sharp changes in volume level.
}
\opt{masf}{
\section{Super Bass}
This setting changes the threshold at which bass frequencies are affected by
the \setting{Loudness} setting, making the sound of drums and bass guitar
louder in comparison to the rest of the sound. This setting only has an
effect if \setting{Loudness} is set to a value larger than 0~dB.
}
\opt{masf}{
\section{MDB {}-- Micronas Dynamic Bass}
The rest of the parameters in this menu relate to the Micronas Dynamic
Bass (MDB) function. MDB is designed to enable the user to hear bass
notes that the headphones and/or speakers are not capable of reproducing.
Every tone has a fundamental frequency (the ``main tone'') and also several
harmonics, which are related to that tone. The human brain has a mechanism
whereby it can actually infer the presence of bass notes from the higher
harmonics that they would generate.
The practical upshot of this is that MDB produces a more authentic sounding
bass by tricking the brain into believing it is hearing tones that the
headphones or speakers are not capable of reproducing.
The MDB parameters are as follows:
%
\begin{description}
\item[MDB enable.]
This turns the MDB feature on or off. For many users this will be the
only setting they need, since Rockbox picks sensible defaults for the
other parameters. MDB is turned off by default.
\item[MDB strength.]
How loud the harmonics generated by MDB will be.
\item[MDB Harmonics.]
The percentage of the low notes that is converted into harmonics.
If low notes are causing speaker distortion, this can be set to 100\%
to eliminate the fundamental completely and only produce harmonics in the
signal. If set to 0\% this is the same as turning the MDB feature off.
\item[MDB Centre Frequency.]
The cutoff frequency of your headphones or speakers. This is usually
given in the specification for the headphones/speakers.
\item[MDB shape.]
It is recommended that this parameter be set to 1.5 times the centre frequency.
This is the frequency up to which harmonics are generated. Some of the
lower fundamentals near the cut{}-off range will have their lower
harmonics cut, since they will be below the range of the speakers.
Fundamentals between the cut{}-off frequency and the lower frequency
will have their harmonics proportionally boosted to compensate and restore
the `loudness' of these notes.
For most users, the defaults should provide an improvement in sound
quality and can be safely left as they are. For reference, the defaults
Rockbox uses are:
%
\begin{table}[h!]
\begin{rbtabular}{0.5\textwidth}{Xc}{Setting & Value}{}{}
MDB Strength & 50~dB \\
MDB Harmonics & 48\% \\
MDB Centre Frequency & 60~Hz \\
MDB Shape & 90~Hz \\
\end{rbtabular}
\end{table}
\end{description}
}
\opt{swcodec}{
\section{Crossfeed}
Crossfeed attempts to make the experience of listening to music on

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@ -30,10 +30,6 @@
}
}
\opt{masf}{\note{The radio will shorten battery life, because the
MAS-chip is set to record mode for instant recordings.}
}
\begin{btnmap}
\ActionFMPrev, \ActionFMNext
\opt{HAVEREMOTEKEYMAP}{& \ActionRCFMPrev, \ActionRCFMNext}

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@ -175,11 +175,6 @@ option from the \setting{Context Menu} (see \reference{ref:Contextmenu}).}
\opt{swcodec}{
MP3 Encoder & \fname{.wav} & x \\
}
\opt{masf}{
\opt{lcd_bitmap}{
Movie Player & \fname{.rvf} & \\
}
}
\opt{lcd_bitmap}{
Rockboy & \fname{.gb, .gbc} & \\
}
@ -188,9 +183,6 @@ option from the \setting{Context Menu} (see \reference{ref:Contextmenu}).}
Sort & \fname{.*} & x \\
Text Viewer & \fname{.txt,.nfo, .*} & \\
VBRfix & \fname{.mp3} & x \\
\opt{masf}{
Wavplay & \fname{.wav} & \\
}
ZXBox & \fname{.tap, .tax, .sna, .z80} & \\
\end{rbtabular}
\end{table}