admin del log

gemtext2html.awk

@@ -334,7 +334,8 @@ END{
 #	print "</p>"
 	#
 	print "<p><a href='./index.html' title='compudanzas'>{compudanzas}</a> &mdash; "
-	print "<a href='./license.html'>{license}</a></p>"
+#	print "<a href='./license.html'>{license}</a></p>"
+	print "<a href='https://wiki.p2pfoundation.net/Peer_Production_License' target=_blank rel=external title='Peer Production License'>ppl</a>"
 	print "</footer>"
 	print "</body>"
 	print "</html>"

generasitio.sh

@@ -20,12 +20,14 @@ do
 	cp -vu $f $gempath
 done
 
-#cp src/tw.txt web/
-#cp src/tw.txt gem/
+cp src/tw.txt web/
+cp src/tw.txt gem/
 
 #cp src/llave_sejo.asc web/
 #cp src/llave_sejo.asc gem/
 
+cp src/atom.xml web/
+cp src/atom.xml gem/
 cp src/estilo.css web/static/
 
 # limpia

gmo2gmi.awk

@@ -39,5 +39,5 @@ END{
 	print ""
 	print "most recent update on: 1" fecha 
 	print "=> ./index.gmi {compudanzas}"
-	print "=> ./license.gmi {license}" 
+	print "=> https://wiki.p2pfoundation.net/Peer_Production_License peer production license" 
 }

src/about.gmo

@@ -18,7 +18,7 @@ are they alternative and empowering didactic materials? {performances}? puzzles?
 
 {las danzas} is our main line of exploration. for the moment the texts are in spanish only.
 
-we have also develop {coloring computers}.
+we have also developed {coloring computers}.
 
 and we tend to write some {poetry} related to these interests.
 

src/atom.xml

@@ -0,0 +1,38 @@
+<?xml version='1.0' encoding='UTF-8'?>
+<feed xmlns='http://www.w3.org/2005/Atom'>
+
+<id>https://compudanzas.net/</id>
+<title>compudanzas: updates</title>
+<author><name>sejo</name></author>
+<generator>a mano</generator>
+<updated>2021-06-16T12:00:00Z</updated>
+<link href='https://compudanzas.net/atom.xml' rel='self'/>
+<link href='https://compudanzas.net/log.html' rel='alternate'/>
+
+<entry>
+<id>https://compudanzas.net/log.html#12021-06-16 archaeology of the project</id>
+<title>12021-06-16 archaeology of the project</title>
+<updated>2021-06-16T12:00:00Z</updated>
+<link href='https://compudanzas.net/log.html#12021-06-16 archaeology of the project' rel='alternate'/>
+<summary>
+digging through the archives, finding the main {proposals} that show the history and development of compudanzas.
+
+also, adding some automation to the wiki engine for the incoming links of each page.
+</summary>
+</entry>
+
+<entry>
+<id>https://compudanzas.net/log.html#12021-06-14 the beginning or not</id>
+<title>12021-06-14 the beginning or not</title>
+<updated>2021-06-14T12:00:00Z</updated>
+<link href='https://compudanzas.net/log.html#12021-06-14 the beginning or not' rel='alternate'/>
+<summary>
+we started building this site, from previous blocks of executable and non-executable texts.
+
+there's an upcoming talk in the weekend: for a while it was seen as the closure of this project, and a recap of its history. 
+
+now it is seen as a new beginning :)
+</summary>
+</entry>
+
+</feed>

src/coloring_computers.gmo

@@ -10,7 +10,7 @@ an exploration of computation without electricity and semiconductors, an attempt
 => ./img/foto_20201130_hex7segdecoder_02.png a human coloring the wires according to the logic rules
 => ./img/foto_20201130_hex7segdecoder_03.png the coloring computer/decoder, with an input of 0011, and an output that can be read as 3
 
-a coloring decoder built with NOT (triangle), AND (semicircle), and OR (the other shape (?)) gates, based on a manual design. 
+a coloring decoder built with NOT (triangle), AND (semicircle), and OR (the other shape (?)) gates ({compuertas}), based on a manual design. 
 
 => ./img/dibujo_20201207_hex7segdecoder_small.png the complete decoder
 
@@ -33,7 +33,7 @@ the original ones
 => ./img/foto_coloring-computers_7seg-lee.png photo of a pair of colored pages of the zine, with a 7 segment display showing the digits 2 and 3
 => ./img/foto_coloring-computers_pcd2019.png photo of a pair of colored pages of the zine, showing a digital circuit answering if two colors are the same
 
-the booklet contains three series of computers: computers that compare, computers that count, and computers that play. they are all NOR-based logic circuits designed by using truth tables, karnaugh maps, and maxterm expansions. 
+the booklet contains three series of computers: computers that compare, computers that count, and computers that play. they are all {nor}-based logic circuits designed by using truth tables, karnaugh maps, and maxterm expansions. 
 
 => https://ipfs.io/ipfs/QmYz7DPRWypGQcbAHr7Mi8EKB6ntSPsEnUsCXbAhBiHQZP/ original site and resources
 => https://ipfs.io/ipfs/QmYz7DPRWypGQcbAHr7Mi8EKB6ntSPsEnUsCXbAhBiHQZP/coloringcomputers_pages.pdf download the page-by-page zine (pdf, ~1.5MB)

src/compuertas.gmo

@@ -63,6 +63,8 @@ por otro lado, NOR es equivalente a negar con NOT la salida de una compuerta OR.
 
 por cómo funciona, también la podemos considerar como un AND que funciona con 0 en vez de con 1.
 
+=> ./nor.gmi {nor}
+
 
 ## NAND
 

src/computer_architecture.gmo

@@ -0,0 +1,8 @@
+# computer architecture
+
+In computer engineering, computer architecture is a set of rules and methods that describe the functionality, organization, and implementation of computer systems. (from wikipedia)
+
+# dance implementations
+
+=> ./danza_papier.gmi {danza papier}
+=> ./propuesta_el_computador.gmi {propuesta el computador}

src/dancing_a_universal_turing_machine.gmo

@@ -0,0 +1,61 @@
+# the rite of computing: Dancing a Universal Turing Machine
+
+Abstract sent for the Movement and Computing (MOCO) Conference (1)2019, in order to present {la consagración de la computadora} as a performance.
+
+The proposal was accepted but I couldn't attend the conference.
+
+Text adapted from its original version in LaTeX.
+
+# Abstract
+
+=> ./img/foto_ensayo_mub_1.jpg Photo of a rehearsal of the rite of computing in process: People dance with the shapes and objects according to the current choreographic configuration.
+=> ./img/foto_ensayo_mub_2.jpg Photo of a rehearsal of the rite of computing in process: Detail of a shifting of active shapes taking place in the worm.
+
+
+=> ./img/foto_shapes_mub.jpg Photo of the six different shapes that are used in the rite of computing.
+
+ the rite of computing is a dance in which its participants collaborate and become a new kind of computer, machine, organism. It originates from two questions: What else can computation look like (besides a logic of efficiency and productivity, based on material, natural, and social exploitation)? What if computation was a ceremony, a party, a dance?
+
+The work is an exploration of computing in terms of slowing down, powering off, and "the pleasure in the confusion of boundaries" [4]. It is also an exploration of movement in terms of group awareness, mutual agreement, and joy.
+
+the rite of computing is a rule-based improvisation influenced by repetition. In it, human and non-human elements embody a reinterpretation of the Universal Turing Machine described by Minsky [6] and also discussed by Feynman [3]. For this implementation, the computer emulates what Turing called circle-free computing machines [7]; these are "[algorithms that] remain in a state of becoming, endlessly modifying the result" [5]. The dance performs a computation that may never reach an end.
+
+The machine consists of 23 states and 6 symbols: 23 choreographic configurations and 6 different shapes built with blocks.
+
+Our stage space contains a mix of the following elements: single blocks, engraved plaques, shapes built with blocks, humans, and the worm: a row of shapes.
+
+The plaques contain formulas that describe the operations to perform during a given configuration. These operations consist in shifting the current point of action in the row of shapes, transforming} a current active shape into another, and transitioning to another configuration.
+
+Once set in motion, the interactions between these heterogeneous parts cause emergent properties that perform computation; in that sense this machine is in dialog with the concept of assemblage as described by DeLanda [2]. 
+
+Each choreographic configuration is represented by a specific symbol in a plaque that invokes a predefined atmosphere to improvise with.
+
+The dancers follow the formulas of one of these plaques held in the air, while performing discrete operations on the shapes of the worm. Sometimes these shapes will trigger a formula that require a transition: the plaque is exchanged for another, and the choreography changes into the new configuration.
+  
+A difference between this work and other Turing machine dances that could be found [1] is the absence of electronics in its workings and creation. By removing electricity as much as possible, the idea is to help blurring boundaries (organic - inorganic, human - machine) and to prompt questions about the nature} of computers.
+
+Wechsler differentiated between "art that is concerned with computers, or art that is merely created using computers" [8] when discussing dance, computers, and art; the aim of the rite of computing is to be dance concerned with computers, and to be a computer that is [merely] created using dance.
+
+=> ./img/ilustracion_symbols_mub.png Symbols corresponding to the 23 choreographic configurations in the rite of computing. They contain the formulas that describe the operations to perform during each of them.
+
+=> https://ipfs.io/ipfs/QmVFYxZv2vjhz3pCkCfEvgGktL2dNbV55KfRPFRqyUJJVX/ilustracion_simbolos_mub.png full image of the symbols (png, ~1.5MB)
+
+# Keywords
+
+Performance; Choreography; Turing Machines; Unconventional Computing
+
+# CCS Concepts
+
+Applied computing~Performing arts
+Theory of computation~Abstract machines
+
+# References
+
+[1] Jennifer Burg and Karola Luttringhaus. 2006. Entertaining with Science, Educating with Dance. Comput. Entertain. 4, 2, Article 7 (April 2006). https://doi.org/10.1145/1129006.1129018
+[2] Manuel De Landa. 2016. Assemblage theory. Edinburgh University Press, Edinburgh.
+[3] Richard Phillips Feynman. 1996. Feynman lectures on computation. Addison-Wesley, Reading, Mass.
+[4] Donna Jeanne Haraway. 2017. Manifestly Haraway. University of Minnesota Press, Minneapolis.
+[5] David Link. 2016. Archaeology of Algorithmic Artefacts. Univocal Publishing, Minneapolis.
+[6] Marvin Minsky. 1967. Computation: finite and infinite machines. Englewood Cliffs, N.J., Prentice-Hall.
+[7] Alan M. Turing. 1936. On Computable Numbers, with an Application to the Entscheidungsproblem. Proceedings of the London Mathematical Society 2, 42 (1936), 230–265.
+[8] R. Wechsler. 1997. Computers and art: a dancer’s perspective. IEEE Technology and Society Magazine 16, 3 (Fall 1997), 7–14. https://doi.org/10.1109/44.605946

src/danza_papier.gmo

@@ -3,6 +3,7 @@
 baile colaborativo que ejemplifica una arquitectura computacional común, basada en la wdr papiercomputer
 
 => https://wiki.xxiivv.com/site/papier.html papier computer
+=> ./computer_architecture.gmi {computer architecture}
 
 parte de las {las danzas}
 

src/danzas_compuertas.gmo

@@ -12,7 +12,7 @@ a cada quien se le asigna un rol:
 
 * simplemente decidir en qué posición colocarse
 * colocarse siempre en oposición a tal persona
-* o ponerse de pie solo cuando ni tal persona ni cual persona están de pie.
+* o ponerse de pie solo cuando ni tal persona ni cual persona están de pie ({nor})
 
 (o alguna otra de las {compuertas} lógicas)
 

src/estilo.css

@@ -83,8 +83,9 @@ nav{
 
 nav li{
  list-style-type:square;
+ padding:0.2em;
 }
-li{
+main li{
  padding:0.5em;
 }
 

src/la_consagración_de_la_computadora.gmo

@@ -5,6 +5,8 @@ becomes computer,
 machine,
 organism...
 
+=> ./dancing_a_universal_turing_machine.gmi {dancing a universal turing machine}
+
 # archive
 
 => ./img/foto_laconsagracion-riley-11.gif foto: dos personas en el suelo manipulando piezas de madera
@@ -29,7 +31,7 @@ the rite of computing is a ceremony, a collaboration and celebration between hum
 photos: Riley Stenehjem
 featuring: August Luhrs, Isa Vento, sejo
 
-adapted page from the original at chsnec
+page adapted from the original at chsnec:
 => https://ipfs.io/ipfs/QmYYqFXowEuak9NVNMHexrwZQkEnfH4J6weSPpv3kjFP94/mub/laconsagracion.html chsnec: la consagración de la computadora
 
 premiere invite:
@@ -37,6 +39,6 @@ premiere invite:
 
 # and more
 
-an implementation of the máquina universal bailable {mub}
+this work is an implementation of the máquina universal bailable {mub}
 
-dance accompanied by {the rite of computing}
+it is a dance accompanied by {the rite of computing} poem.

src/log.gmo

@@ -2,14 +2,22 @@
 
 what's happening with compudanzas
 
+=> ./atom.xml [atom feed]
+=> ./tw.txt [twtxt]
+
+## 12021-06-16 archaeology of the project
+
+digging through the archives, finding the main {proposals} that show the history and development of compudanzas.
+
+also, adding some automation to the wiki engine for the incoming links of each page.
+
+
 ## 12021-06-14 the beginning or not
 
 we started building this site, from previous blocks of executable and non-executable texts.
 
-there's an upcoming talk in the weekend. 
+there's an upcoming talk in the weekend: for a while it was seen as the closure of this project, and a recap of its history. 
 
-for a while it was seen as the closure of this project, and a recap of its history. 
-
-now it is seen as a new beginning.
+now it is seen as a new beginning :)
 
 => ./talks_and_workshops.gmi {talks and workshops}

src/nor.gmo

@@ -0,0 +1,3 @@
+# NOR gate
+
+una de las {compuertas} lógicas más recurrentes en los trabajos de compudanzas.

src/proposals.gmo

@@ -2,16 +2,22 @@
 
 an (incomplete) archive of statements, applications, proposals related to compudanzas.
 
-for less formal texts, see {poetry}
+for less formal (?) texts, see {poetry}
 
 # 12020
 
+a proposal for an electric computer with human-powered logic, in spanish
 => ./propuesta_poñg.gmi {propuesta poñg}
 
-# 12016
+# 12019
 
-=> ./personal_statement_itp.gmi {personal statement itp}
+an abstract for a practice work / performance in the movement and computing conference, in english
+=> ./dancing_a_universal_turing_machine.gmi {dancing a universal turing machine}
 
 # 12015
 
+applying for a masters degree, speaking about computing and dance, in english:
+=> ./personal_statement_itp.gmi {personal statement itp}
+
+the beginnings: a proposal for a choreography structured as a microprocessor, in spanish
 => ./propuesta_el_computador.gmi {propuesta el computador}

src/propuesta_poñg.gmo

@@ -41,7 +41,7 @@ Un año de trabajo es suficiente para desarrollar el proyecto: el proceso de cre
 # Objetivos del proyecto
 
 
-* Diseñar y construir un videojuego monocromático y con muy baja resolución (16x12) de un partido de tenis para dos personas jugadoras, a nivel de compuertas lógicas NOR de escala humana.
+* Diseñar y construir un videojuego monocromático y con muy baja resolución (16x12) de un partido de tenis para dos personas jugadoras, a nivel de compuertas lógicas {nor} de escala humana.
 * Visibilizar los mecanismos de complejidad emergente en el ámbito digital, exponiendo cómo un comportamiento de videojuego conocido puede obtenerse a partir de múltiples interruptores interconectados que siguen reglas lógicas simples.
 * Plantear en la práctica una postura alternativa de creación computacional cuyos valores son la lentitud, la escala humana, la transparencia, la comunidad, y el no uso de semiconductores.
 
@@ -55,7 +55,7 @@ Un año de trabajo es suficiente para desarrollar el proyecto: el proceso de cre
 
 * Una presentación pública del juego funcionando durante dos horas con dos personas operadoras.
 * Un ejemplar completo del aparato del juego, que consistirá en una pantalla de 16x12 (192) bombillas LED; unas tres centenas de páneles de compuertas, con un interruptor, varios LED y terminales de conexión cada uno; dos palancas de mando; señalizaciones e indicaciones impresas; soportes estructurales; cableado etiquetado y organizado.
-* Un repositorio en línea que documente el proyecto, incluyendo: descripción del diseño del hardware, en diagrama y en lenguaje verilog; texto que explique los bloques funcionales del diseño digital; diagramas de construcción del aparato; texto que instruya cómo construir el aparato; fotografías y videos del proceso de diseño de interfases físicas; fotografías y videos de las pruebas del aparato durante las distintas etapas del proceso; fotografías y video finales.
+* Un repositorio en línea que documente el proyecto, incluyendo: descripción del diseño del hardware, en diagrama y en lenguaje {verilog}; texto que explique los bloques funcionales del diseño digital; diagramas de construcción del aparato; texto que instruya cómo construir el aparato; fotografías y videos del proceso de diseño de interfases físicas; fotografías y videos de las pruebas del aparato durante las distintas etapas del proceso; fotografías y video finales.
 * Una maqueta en escala 1:10 del aparato completo y funcional.
 * Un video de 10 minutos que documente y resuma el funcionamiento del juego en la Muestra Escénica.
 * Colección de fotos del juego en funcionamiento durante la Muestra Escénica.

src/roadmap.gmo

@@ -4,21 +4,29 @@ the things that want to happen
 
 # wiki
 
+## to do
+
 create and add the following pages and resources:
 
 * page: wolfram 1d cellular automata
 * link to "arte generativo en papel: reglas de wolfram" videos
 * page: the beans computer, uploading the video somewhere
-* page: manifestos (e.g. human powered computation machines, proposals, abstracts)
+* page: manifestos (e.g. human powered computation machines, abstracts)
 * page: postcards computer
 * page(s) : references and inspiration
 * page(s) : desfases?
-* page: el computador proposal
 * page: poñg
 
-complete, organize and clean de following:
+complete, organize and clean the following:
 
 * organize translations
 * complete the {mub} page
 * add machines to the {d-turing} page
-* systematize classificatin in the {logiteca}
+* systematize classification in the {logiteca}
+
+## done
+
+here for a while as a reference
+
+* page: el computador proposal ({propuesta el computador})
+* page: {proposals}

src/tw.txt

@@ -0,0 +1,5 @@
+#
+# nick = sejo
+# url = https://compudanzas.net/tw.txt
+#
+2021-06-16T18:00:00-05:00	digging through the archives for the {proposals} page