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Polonia II
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Uruchomienie fabryki statków kosmicznych w okolicy Zgierza jeszcze bardziej
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zmieniło układ sił w kosmosie. Dominacja CSK [1] w Pułtusku w SOL stała się
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faktem — mimo tego, że już wcześniej nikt w SOL z Pułtuskiem nie próbował się
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równać.
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Spokój na arenie kosmicznej pozwolił na zbudowanie i wysłanie
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najnowocześniejszego statku Polonia II w misji badawczej, której prawdziwym
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celem było odnalezienie pierwszego statku CSK, który zaginął gdzieś w kosmosie w
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nieustalonym momencie czasu. Prawdziwa przyczyna i cel odszukania leciwej
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konstrukcji Polonia, przez nowoczesną jednostkę Polonia II nie są publicznie
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znane.
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Mówi się, że Polonia II w przypadku odnalezienia kosmicznych rozbitków będzie
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nie tylko w stanie zapewnić bezpieczeństwo całej 230 osobowej załodze, ale także
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zmieścić w ładowni cały statek wraz z jego ładunkiem.
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[1] Centrala Sił Kosmicznych
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# Dwadzieścia trzy tysiące czterysta dziewięćdziesiąty pierwszy dzień lotu
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Na mostku burzliwa rozmowa.
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— Kapitanie, to nie my!
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— A kto?!
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Jeden z oficerów na skutek zespołu chorobowego określanego najczęściej jako ZCPK
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[1] po raz kolejny wydał niepoprawne dyspozycje automatycznemu telegrafiście.
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Najlepsi automatyczni telegrafiści byli produkowani jeszcze na Ziemi w okolicach
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Zgierza, ale ze względów ekonomicznych Polonia II wyposażono w sprzęt marki HPD
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importowany z USA. Sprzęt był tańszy, ale często zawodził i do tego wymagał
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obsługi głosowej, jakby tego było mało w dosyć niszowym języku angielskim.
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Kapitan przeczuwał, że oficer odpowiedzialny tego dnia za automatycznego
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telegrafistę pomylił komendę głosową EXIST z EXITS. Było to nagminne w trakcie
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długiego lotu, kiedy trzeba było operować za pomocą komend głosowych, a nie
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telepatii. W kosmosie podczas tak długich podróży rzadko prowadziło się rozmowy
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głosowe, a tym bardziej po angielsku.
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Już po polsku Kapitan zanotował w dzienniku pokładowym informację adresowaną do
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CSK w Pułtusku — Incydent nr 346 sterowania głosowego w języku angielskim
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automatycznego telegrafisty marki HPD. Wniosek o wycofanie z użycia.
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Nie wiedział czy Pułtusk i Zgierz wciąż funkcjonują po 23491 dniach od czasu,
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kiedy ostatni raz komunikacja była dwukierunkowa. Brak komunikacji zwrotnej nie
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martwił go tak jak incydent 346. Napęd Polonia II pozwalał już po 3 godzinach od
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startu na wyjście z obszaru komunikacyjnego SOL.
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[1] Zespół Chronicznego Przemęczenia Kosmicznego
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[2] Centrala Sił Kosmicznych
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=======================================================================
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ALLOWED IN FULL OR IN PART, THIS DISCLAIMER MAY NOT APPLY TO YOU.
|
||||||
|
|
||||||
|
b. TO THE EXTENT POSSIBLE, IN NO EVENT WILL THE LICENSOR BE LIABLE
|
||||||
|
TO YOU ON ANY LEGAL THEORY (INCLUDING, WITHOUT LIMITATION,
|
||||||
|
NEGLIGENCE) OR OTHERWISE FOR ANY DIRECT, SPECIAL, INDIRECT,
|
||||||
|
INCIDENTAL, CONSEQUENTIAL, PUNITIVE, EXEMPLARY, OR OTHER LOSSES,
|
||||||
|
COSTS, EXPENSES, OR DAMAGES ARISING OUT OF THIS PUBLIC LICENSE OR
|
||||||
|
USE OF THE LICENSED MATERIAL, EVEN IF THE LICENSOR HAS BEEN
|
||||||
|
ADVISED OF THE POSSIBILITY OF SUCH LOSSES, COSTS, EXPENSES, OR
|
||||||
|
DAMAGES. WHERE A LIMITATION OF LIABILITY IS NOT ALLOWED IN FULL OR
|
||||||
|
IN PART, THIS LIMITATION MAY NOT APPLY TO YOU.
|
||||||
|
|
||||||
|
c. The disclaimer of warranties and limitation of liability provided
|
||||||
|
above shall be interpreted in a manner that, to the extent
|
||||||
|
possible, most closely approximates an absolute disclaimer and
|
||||||
|
waiver of all liability.
|
||||||
|
|
||||||
|
|
||||||
|
Section 6 -- Term and Termination.
|
||||||
|
|
||||||
|
a. This Public License applies for the term of the Copyright and
|
||||||
|
Similar Rights licensed here. However, if You fail to comply with
|
||||||
|
this Public License, then Your rights under this Public License
|
||||||
|
terminate automatically.
|
||||||
|
|
||||||
|
b. Where Your right to use the Licensed Material has terminated under
|
||||||
|
Section 6(a), it reinstates:
|
||||||
|
|
||||||
|
1. automatically as of the date the violation is cured, provided
|
||||||
|
it is cured within 30 days of Your discovery of the
|
||||||
|
violation; or
|
||||||
|
|
||||||
|
2. upon express reinstatement by the Licensor.
|
||||||
|
|
||||||
|
For the avoidance of doubt, this Section 6(b) does not affect any
|
||||||
|
right the Licensor may have to seek remedies for Your violations
|
||||||
|
of this Public License.
|
||||||
|
|
||||||
|
c. For the avoidance of doubt, the Licensor may also offer the
|
||||||
|
Licensed Material under separate terms or conditions or stop
|
||||||
|
distributing the Licensed Material at any time; however, doing so
|
||||||
|
will not terminate this Public License.
|
||||||
|
|
||||||
|
d. Sections 1, 5, 6, 7, and 8 survive termination of this Public
|
||||||
|
License.
|
||||||
|
|
||||||
|
|
||||||
|
Section 7 -- Other Terms and Conditions.
|
||||||
|
|
||||||
|
a. The Licensor shall not be bound by any additional or different
|
||||||
|
terms or conditions communicated by You unless expressly agreed.
|
||||||
|
|
||||||
|
b. Any arrangements, understandings, or agreements regarding the
|
||||||
|
Licensed Material not stated herein are separate from and
|
||||||
|
independent of the terms and conditions of this Public License.
|
||||||
|
|
||||||
|
|
||||||
|
Section 8 -- Interpretation.
|
||||||
|
|
||||||
|
a. For the avoidance of doubt, this Public License does not, and
|
||||||
|
shall not be interpreted to, reduce, limit, restrict, or impose
|
||||||
|
conditions on any use of the Licensed Material that could lawfully
|
||||||
|
be made without permission under this Public License.
|
||||||
|
|
||||||
|
b. To the extent possible, if any provision of this Public License is
|
||||||
|
deemed unenforceable, it shall be automatically reformed to the
|
||||||
|
minimum extent necessary to make it enforceable. If the provision
|
||||||
|
cannot be reformed, it shall be severed from this Public License
|
||||||
|
without affecting the enforceability of the remaining terms and
|
||||||
|
conditions.
|
||||||
|
|
||||||
|
c. No term or condition of this Public License will be waived and no
|
||||||
|
failure to comply consented to unless expressly agreed to by the
|
||||||
|
Licensor.
|
||||||
|
|
||||||
|
d. Nothing in this Public License constitutes or may be interpreted
|
||||||
|
as a limitation upon, or waiver of, any privileges and immunities
|
||||||
|
that apply to the Licensor or You, including from the legal
|
||||||
|
processes of any jurisdiction or authority.
|
||||||
|
|
||||||
|
=======================================================================
|
||||||
|
|
||||||
|
Creative Commons is not a party to its public
|
||||||
|
licenses. Notwithstanding, Creative Commons may elect to apply one of
|
||||||
|
its public licenses to material it publishes and in those instances
|
||||||
|
will be considered the “Licensor.” The text of the Creative Commons
|
||||||
|
public licenses is dedicated to the public domain under the CC0 Public
|
||||||
|
Domain Dedication. Except for the limited purpose of indicating that
|
||||||
|
material is shared under a Creative Commons public license or as
|
||||||
|
otherwise permitted by the Creative Commons policies published at
|
||||||
|
creativecommons.org/policies, Creative Commons does not authorize the
|
||||||
|
use of the trademark "Creative Commons" or any other trademark or logo
|
||||||
|
of Creative Commons without its prior written consent including,
|
||||||
|
without limitation, in connection with any unauthorized modifications
|
||||||
|
to any of its public licenses or any other arrangements,
|
||||||
|
understandings, or agreements concerning use of licensed material. For
|
||||||
|
the avoidance of doubt, this paragraph does not form part of the
|
||||||
|
public licenses.
|
||||||
|
|
||||||
|
Creative Commons may be contacted at creativecommons.org.
|
|
@ -0,0 +1,9 @@
|
||||||
|
Polonia
|
||||||
|
|
||||||
|
Pierwszym statkiem kosmicznym, który opuścił SOL pod kosmiczną banderą CSK [1] w
|
||||||
|
Pułtusku była Polonia. To był początek ery polskiem dominacji w SOL i
|
||||||
|
prawdziwych lotów kosmicznych. Mimo początkowych sukcesów statek jest uważany
|
||||||
|
aktualnie za zaginiony. W akcji poszukiwawczej biorą udział nowocześniejsze
|
||||||
|
jednostki takie jak Polonia II.
|
||||||
|
|
||||||
|
[1] Centrala Sił Kosmicznych
|
|
@ -0,0 +1,404 @@
|
||||||
|
CC BY-NC-ND 4.0 (share with attribution, no commercial, no remix)
|
||||||
|
|
||||||
|
Attribution-NonCommercial-NoDerivatives 4.0 International
|
||||||
|
|
||||||
|
=======================================================================
|
||||||
|
|
||||||
|
Creative Commons Corporation ("Creative Commons") is not a law firm and
|
||||||
|
does not provide legal services or legal advice. Distribution of
|
||||||
|
Creative Commons public licenses does not create a lawyer-client or
|
||||||
|
other relationship. Creative Commons makes its licenses and related
|
||||||
|
information available on an "as-is" basis. Creative Commons gives no
|
||||||
|
warranties regarding its licenses, any material licensed under their
|
||||||
|
terms and conditions, or any related information. Creative Commons
|
||||||
|
disclaims all liability for damages resulting from their use to the
|
||||||
|
fullest extent possible.
|
||||||
|
|
||||||
|
Using Creative Commons Public Licenses
|
||||||
|
|
||||||
|
Creative Commons public licenses provide a standard set of terms and
|
||||||
|
conditions that creators and other rights holders may use to share
|
||||||
|
original works of authorship and other material subject to copyright
|
||||||
|
and certain other rights specified in the public license below. The
|
||||||
|
following considerations are for informational purposes only, are not
|
||||||
|
exhaustive, and do not form part of our licenses.
|
||||||
|
|
||||||
|
Considerations for licensors: Our public licenses are
|
||||||
|
intended for use by those authorized to give the public
|
||||||
|
permission to use material in ways otherwise restricted by
|
||||||
|
copyright and certain other rights. Our licenses are
|
||||||
|
irrevocable. Licensors should read and understand the terms
|
||||||
|
and conditions of the license they choose before applying it.
|
||||||
|
Licensors should also secure all rights necessary before
|
||||||
|
applying our licenses so that the public can reuse the
|
||||||
|
material as expected. Licensors should clearly mark any
|
||||||
|
material not subject to the license. This includes other CC-
|
||||||
|
licensed material, or material used under an exception or
|
||||||
|
limitation to copyright. More considerations for licensors:
|
||||||
|
wiki.creativecommons.org/Considerations_for_licensors
|
||||||
|
|
||||||
|
Considerations for the public: By using one of our public
|
||||||
|
licenses, a licensor grants the public permission to use the
|
||||||
|
licensed material under specified terms and conditions. If
|
||||||
|
the licensor's permission is not necessary for any reason--for
|
||||||
|
example, because of any applicable exception or limitation to
|
||||||
|
copyright--then that use is not regulated by the license. Our
|
||||||
|
licenses grant only permissions under copyright and certain
|
||||||
|
other rights that a licensor has authority to grant. Use of
|
||||||
|
the licensed material may still be restricted for other
|
||||||
|
reasons, including because others have copyright or other
|
||||||
|
rights in the material. A licensor may make special requests,
|
||||||
|
such as asking that all changes be marked or described.
|
||||||
|
Although not required by our licenses, you are encouraged to
|
||||||
|
respect those requests where reasonable. More considerations
|
||||||
|
for the public:
|
||||||
|
wiki.creativecommons.org/Considerations_for_licensees
|
||||||
|
|
||||||
|
=======================================================================
|
||||||
|
|
||||||
|
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0
|
||||||
|
International Public License
|
||||||
|
|
||||||
|
By exercising the Licensed Rights (defined below), You accept and agree
|
||||||
|
to be bound by the terms and conditions of this Creative Commons
|
||||||
|
Attribution-NonCommercial-NoDerivatives 4.0 International Public
|
||||||
|
License ("Public License"). To the extent this Public License may be
|
||||||
|
interpreted as a contract, You are granted the Licensed Rights in
|
||||||
|
consideration of Your acceptance of these terms and conditions, and the
|
||||||
|
Licensor grants You such rights in consideration of benefits the
|
||||||
|
Licensor receives from making the Licensed Material available under
|
||||||
|
these terms and conditions.
|
||||||
|
|
||||||
|
|
||||||
|
Section 1 -- Definitions.
|
||||||
|
|
||||||
|
a. Adapted Material means material subject to Copyright and Similar
|
||||||
|
Rights that is derived from or based upon the Licensed Material
|
||||||
|
and in which the Licensed Material is translated, altered,
|
||||||
|
arranged, transformed, or otherwise modified in a manner requiring
|
||||||
|
permission under the Copyright and Similar Rights held by the
|
||||||
|
Licensor. For purposes of this Public License, where the Licensed
|
||||||
|
Material is a musical work, performance, or sound recording,
|
||||||
|
Adapted Material is always produced where the Licensed Material is
|
||||||
|
synched in timed relation with a moving image.
|
||||||
|
|
||||||
|
b. Copyright and Similar Rights means copyright and/or similar rights
|
||||||
|
closely related to copyright including, without limitation,
|
||||||
|
performance, broadcast, sound recording, and Sui Generis Database
|
||||||
|
Rights, without regard to how the rights are labeled or
|
||||||
|
categorized. For purposes of this Public License, the rights
|
||||||
|
specified in Section 2(b)(1)-(2) are not Copyright and Similar
|
||||||
|
Rights.
|
||||||
|
|
||||||
|
c. Effective Technological Measures means those measures that, in the
|
||||||
|
absence of proper authority, may not be circumvented under laws
|
||||||
|
fulfilling obligations under Article 11 of the WIPO Copyright
|
||||||
|
Treaty adopted on December 20, 1996, and/or similar international
|
||||||
|
agreements.
|
||||||
|
|
||||||
|
d. Exceptions and Limitations means fair use, fair dealing, and/or
|
||||||
|
any other exception or limitation to Copyright and Similar Rights
|
||||||
|
that applies to Your use of the Licensed Material.
|
||||||
|
|
||||||
|
e. Licensed Material means the artistic or literary work, database,
|
||||||
|
or other material to which the Licensor applied this Public
|
||||||
|
License.
|
||||||
|
|
||||||
|
f. Licensed Rights means the rights granted to You subject to the
|
||||||
|
terms and conditions of this Public License, which are limited to
|
||||||
|
all Copyright and Similar Rights that apply to Your use of the
|
||||||
|
Licensed Material and that the Licensor has authority to license.
|
||||||
|
|
||||||
|
g. Licensor means the individual(s) or entity(ies) granting rights
|
||||||
|
under this Public License.
|
||||||
|
|
||||||
|
h. NonCommercial means not primarily intended for or directed towards
|
||||||
|
commercial advantage or monetary compensation. For purposes of
|
||||||
|
this Public License, the exchange of the Licensed Material for
|
||||||
|
other material subject to Copyright and Similar Rights by digital
|
||||||
|
file-sharing or similar means is NonCommercial provided there is
|
||||||
|
no payment of monetary compensation in connection with the
|
||||||
|
exchange.
|
||||||
|
|
||||||
|
i. Share means to provide material to the public by any means or
|
||||||
|
process that requires permission under the Licensed Rights, such
|
||||||
|
as reproduction, public display, public performance, distribution,
|
||||||
|
dissemination, communication, or importation, and to make material
|
||||||
|
available to the public including in ways that members of the
|
||||||
|
public may access the material from a place and at a time
|
||||||
|
individually chosen by them.
|
||||||
|
|
||||||
|
j. Sui Generis Database Rights means rights other than copyright
|
||||||
|
resulting from Directive 96/9/EC of the European Parliament and of
|
||||||
|
the Council of 11 March 1996 on the legal protection of databases,
|
||||||
|
as amended and/or succeeded, as well as other essentially
|
||||||
|
equivalent rights anywhere in the world.
|
||||||
|
|
||||||
|
k. You means the individual or entity exercising the Licensed Rights
|
||||||
|
under this Public License. Your has a corresponding meaning.
|
||||||
|
|
||||||
|
|
||||||
|
Section 2 -- Scope.
|
||||||
|
|
||||||
|
a. License grant.
|
||||||
|
|
||||||
|
1. Subject to the terms and conditions of this Public License,
|
||||||
|
the Licensor hereby grants You a worldwide, royalty-free,
|
||||||
|
non-sublicensable, non-exclusive, irrevocable license to
|
||||||
|
exercise the Licensed Rights in the Licensed Material to:
|
||||||
|
|
||||||
|
a. reproduce and Share the Licensed Material, in whole or
|
||||||
|
in part, for NonCommercial purposes only; and
|
||||||
|
|
||||||
|
b. produce and reproduce, but not Share, Adapted Material
|
||||||
|
for NonCommercial purposes only.
|
||||||
|
|
||||||
|
2. Exceptions and Limitations. For the avoidance of doubt, where
|
||||||
|
Exceptions and Limitations apply to Your use, this Public
|
||||||
|
License does not apply, and You do not need to comply with
|
||||||
|
its terms and conditions.
|
||||||
|
|
||||||
|
3. Term. The term of this Public License is specified in Section
|
||||||
|
6(a).
|
||||||
|
|
||||||
|
4. Media and formats; technical modifications allowed. The
|
||||||
|
Licensor authorizes You to exercise the Licensed Rights in
|
||||||
|
all media and formats whether now known or hereafter created,
|
||||||
|
and to make technical modifications necessary to do so. The
|
||||||
|
Licensor waives and/or agrees not to assert any right or
|
||||||
|
authority to forbid You from making technical modifications
|
||||||
|
necessary to exercise the Licensed Rights, including
|
||||||
|
technical modifications necessary to circumvent Effective
|
||||||
|
Technological Measures. For purposes of this Public License,
|
||||||
|
simply making modifications authorized by this Section 2(a)
|
||||||
|
(4) never produces Adapted Material.
|
||||||
|
|
||||||
|
5. Downstream recipients.
|
||||||
|
|
||||||
|
a. Offer from the Licensor -- Licensed Material. Every
|
||||||
|
recipient of the Licensed Material automatically
|
||||||
|
receives an offer from the Licensor to exercise the
|
||||||
|
Licensed Rights under the terms and conditions of this
|
||||||
|
Public License.
|
||||||
|
|
||||||
|
b. No downstream restrictions. You may not offer or impose
|
||||||
|
any additional or different terms or conditions on, or
|
||||||
|
apply any Effective Technological Measures to, the
|
||||||
|
Licensed Material if doing so restricts exercise of the
|
||||||
|
Licensed Rights by any recipient of the Licensed
|
||||||
|
Material.
|
||||||
|
|
||||||
|
6. No endorsement. Nothing in this Public License constitutes or
|
||||||
|
may be construed as permission to assert or imply that You
|
||||||
|
are, or that Your use of the Licensed Material is, connected
|
||||||
|
with, or sponsored, endorsed, or granted official status by,
|
||||||
|
the Licensor or others designated to receive attribution as
|
||||||
|
provided in Section 3(a)(1)(A)(i).
|
||||||
|
|
||||||
|
b. Other rights.
|
||||||
|
|
||||||
|
1. Moral rights, such as the right of integrity, are not
|
||||||
|
licensed under this Public License, nor are publicity,
|
||||||
|
privacy, and/or other similar personality rights; however, to
|
||||||
|
the extent possible, the Licensor waives and/or agrees not to
|
||||||
|
assert any such rights held by the Licensor to the limited
|
||||||
|
extent necessary to allow You to exercise the Licensed
|
||||||
|
Rights, but not otherwise.
|
||||||
|
|
||||||
|
2. Patent and trademark rights are not licensed under this
|
||||||
|
Public License.
|
||||||
|
|
||||||
|
3. To the extent possible, the Licensor waives any right to
|
||||||
|
collect royalties from You for the exercise of the Licensed
|
||||||
|
Rights, whether directly or through a collecting society
|
||||||
|
under any voluntary or waivable statutory or compulsory
|
||||||
|
licensing scheme. In all other cases the Licensor expressly
|
||||||
|
reserves any right to collect such royalties, including when
|
||||||
|
the Licensed Material is used other than for NonCommercial
|
||||||
|
purposes.
|
||||||
|
|
||||||
|
|
||||||
|
Section 3 -- License Conditions.
|
||||||
|
|
||||||
|
Your exercise of the Licensed Rights is expressly made subject to the
|
||||||
|
following conditions.
|
||||||
|
|
||||||
|
a. Attribution.
|
||||||
|
|
||||||
|
1. If You Share the Licensed Material, You must:
|
||||||
|
|
||||||
|
a. retain the following if it is supplied by the Licensor
|
||||||
|
with the Licensed Material:
|
||||||
|
|
||||||
|
i. identification of the creator(s) of the Licensed
|
||||||
|
Material and any others designated to receive
|
||||||
|
attribution, in any reasonable manner requested by
|
||||||
|
the Licensor (including by pseudonym if
|
||||||
|
designated);
|
||||||
|
|
||||||
|
ii. a copyright notice;
|
||||||
|
|
||||||
|
iii. a notice that refers to this Public License;
|
||||||
|
|
||||||
|
iv. a notice that refers to the disclaimer of
|
||||||
|
warranties;
|
||||||
|
|
||||||
|
v. a URI or hyperlink to the Licensed Material to the
|
||||||
|
extent reasonably practicable;
|
||||||
|
|
||||||
|
b. indicate if You modified the Licensed Material and
|
||||||
|
retain an indication of any previous modifications; and
|
||||||
|
|
||||||
|
c. indicate the Licensed Material is licensed under this
|
||||||
|
Public License, and include the text of, or the URI or
|
||||||
|
hyperlink to, this Public License.
|
||||||
|
|
||||||
|
For the avoidance of doubt, You do not have permission under
|
||||||
|
this Public License to Share Adapted Material.
|
||||||
|
|
||||||
|
2. You may satisfy the conditions in Section 3(a)(1) in any
|
||||||
|
reasonable manner based on the medium, means, and context in
|
||||||
|
which You Share the Licensed Material. For example, it may be
|
||||||
|
reasonable to satisfy the conditions by providing a URI or
|
||||||
|
hyperlink to a resource that includes the required
|
||||||
|
information.
|
||||||
|
|
||||||
|
3. If requested by the Licensor, You must remove any of the
|
||||||
|
information required by Section 3(a)(1)(A) to the extent
|
||||||
|
reasonably practicable.
|
||||||
|
|
||||||
|
|
||||||
|
Section 4 -- Sui Generis Database Rights.
|
||||||
|
|
||||||
|
Where the Licensed Rights include Sui Generis Database Rights that
|
||||||
|
apply to Your use of the Licensed Material:
|
||||||
|
|
||||||
|
a. for the avoidance of doubt, Section 2(a)(1) grants You the right
|
||||||
|
to extract, reuse, reproduce, and Share all or a substantial
|
||||||
|
portion of the contents of the database for NonCommercial purposes
|
||||||
|
only and provided You do not Share Adapted Material;
|
||||||
|
|
||||||
|
b. if You include all or a substantial portion of the database
|
||||||
|
contents in a database in which You have Sui Generis Database
|
||||||
|
Rights, then the database in which You have Sui Generis Database
|
||||||
|
Rights (but not its individual contents) is Adapted Material; and
|
||||||
|
|
||||||
|
c. You must comply with the conditions in Section 3(a) if You Share
|
||||||
|
all or a substantial portion of the contents of the database.
|
||||||
|
|
||||||
|
For the avoidance of doubt, this Section 4 supplements and does not
|
||||||
|
replace Your obligations under this Public License where the Licensed
|
||||||
|
Rights include other Copyright and Similar Rights.
|
||||||
|
|
||||||
|
|
||||||
|
Section 5 -- Disclaimer of Warranties and Limitation of Liability.
|
||||||
|
|
||||||
|
a. UNLESS OTHERWISE SEPARATELY UNDERTAKEN BY THE LICENSOR, TO THE
|
||||||
|
EXTENT POSSIBLE, THE LICENSOR OFFERS THE LICENSED MATERIAL AS-IS
|
||||||
|
AND AS-AVAILABLE, AND MAKES NO REPRESENTATIONS OR WARRANTIES OF
|
||||||
|
ANY KIND CONCERNING THE LICENSED MATERIAL, WHETHER EXPRESS,
|
||||||
|
IMPLIED, STATUTORY, OR OTHER. THIS INCLUDES, WITHOUT LIMITATION,
|
||||||
|
WARRANTIES OF TITLE, MERCHANTABILITY, FITNESS FOR A PARTICULAR
|
||||||
|
PURPOSE, NON-INFRINGEMENT, ABSENCE OF LATENT OR OTHER DEFECTS,
|
||||||
|
ACCURACY, OR THE PRESENCE OR ABSENCE OF ERRORS, WHETHER OR NOT
|
||||||
|
KNOWN OR DISCOVERABLE. WHERE DISCLAIMERS OF WARRANTIES ARE NOT
|
||||||
|
ALLOWED IN FULL OR IN PART, THIS DISCLAIMER MAY NOT APPLY TO YOU.
|
||||||
|
|
||||||
|
b. TO THE EXTENT POSSIBLE, IN NO EVENT WILL THE LICENSOR BE LIABLE
|
||||||
|
TO YOU ON ANY LEGAL THEORY (INCLUDING, WITHOUT LIMITATION,
|
||||||
|
NEGLIGENCE) OR OTHERWISE FOR ANY DIRECT, SPECIAL, INDIRECT,
|
||||||
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INCIDENTAL, CONSEQUENTIAL, PUNITIVE, EXEMPLARY, OR OTHER LOSSES,
|
||||||
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COSTS, EXPENSES, OR DAMAGES ARISING OUT OF THIS PUBLIC LICENSE OR
|
||||||
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USE OF THE LICENSED MATERIAL, EVEN IF THE LICENSOR HAS BEEN
|
||||||
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ADVISED OF THE POSSIBILITY OF SUCH LOSSES, COSTS, EXPENSES, OR
|
||||||
|
DAMAGES. WHERE A LIMITATION OF LIABILITY IS NOT ALLOWED IN FULL OR
|
||||||
|
IN PART, THIS LIMITATION MAY NOT APPLY TO YOU.
|
||||||
|
|
||||||
|
c. The disclaimer of warranties and limitation of liability provided
|
||||||
|
above shall be interpreted in a manner that, to the extent
|
||||||
|
possible, most closely approximates an absolute disclaimer and
|
||||||
|
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|
||||||
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|
||||||
|
|
||||||
|
Section 6 -- Term and Termination.
|
||||||
|
|
||||||
|
a. This Public License applies for the term of the Copyright and
|
||||||
|
Similar Rights licensed here. However, if You fail to comply with
|
||||||
|
this Public License, then Your rights under this Public License
|
||||||
|
terminate automatically.
|
||||||
|
|
||||||
|
b. Where Your right to use the Licensed Material has terminated under
|
||||||
|
Section 6(a), it reinstates:
|
||||||
|
|
||||||
|
1. automatically as of the date the violation is cured, provided
|
||||||
|
it is cured within 30 days of Your discovery of the
|
||||||
|
violation; or
|
||||||
|
|
||||||
|
2. upon express reinstatement by the Licensor.
|
||||||
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|
||||||
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For the avoidance of doubt, this Section 6(b) does not affect any
|
||||||
|
right the Licensor may have to seek remedies for Your violations
|
||||||
|
of this Public License.
|
||||||
|
|
||||||
|
c. For the avoidance of doubt, the Licensor may also offer the
|
||||||
|
Licensed Material under separate terms or conditions or stop
|
||||||
|
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|
||||||
|
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|
||||||
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|
||||||
|
d. Sections 1, 5, 6, 7, and 8 survive termination of this Public
|
||||||
|
License.
|
||||||
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|
||||||
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|
||||||
|
Section 7 -- Other Terms and Conditions.
|
||||||
|
|
||||||
|
a. The Licensor shall not be bound by any additional or different
|
||||||
|
terms or conditions communicated by You unless expressly agreed.
|
||||||
|
|
||||||
|
b. Any arrangements, understandings, or agreements regarding the
|
||||||
|
Licensed Material not stated herein are separate from and
|
||||||
|
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|
||||||
|
|
||||||
|
|
||||||
|
Section 8 -- Interpretation.
|
||||||
|
|
||||||
|
a. For the avoidance of doubt, this Public License does not, and
|
||||||
|
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|
||||||
|
conditions on any use of the Licensed Material that could lawfully
|
||||||
|
be made without permission under this Public License.
|
||||||
|
|
||||||
|
b. To the extent possible, if any provision of this Public License is
|
||||||
|
deemed unenforceable, it shall be automatically reformed to the
|
||||||
|
minimum extent necessary to make it enforceable. If the provision
|
||||||
|
cannot be reformed, it shall be severed from this Public License
|
||||||
|
without affecting the enforceability of the remaining terms and
|
||||||
|
conditions.
|
||||||
|
|
||||||
|
c. No term or condition of this Public License will be waived and no
|
||||||
|
failure to comply consented to unless expressly agreed to by the
|
||||||
|
Licensor.
|
||||||
|
|
||||||
|
d. Nothing in this Public License constitutes or may be interpreted
|
||||||
|
as a limitation upon, or waiver of, any privileges and immunities
|
||||||
|
that apply to the Licensor or You, including from the legal
|
||||||
|
processes of any jurisdiction or authority.
|
||||||
|
|
||||||
|
=======================================================================
|
||||||
|
|
||||||
|
Creative Commons is not a party to its public
|
||||||
|
licenses. Notwithstanding, Creative Commons may elect to apply one of
|
||||||
|
its public licenses to material it publishes and in those instances
|
||||||
|
will be considered the “Licensor.” The text of the Creative Commons
|
||||||
|
public licenses is dedicated to the public domain under the CC0 Public
|
||||||
|
Domain Dedication. Except for the limited purpose of indicating that
|
||||||
|
material is shared under a Creative Commons public license or as
|
||||||
|
otherwise permitted by the Creative Commons policies published at
|
||||||
|
creativecommons.org/policies, Creative Commons does not authorize the
|
||||||
|
use of the trademark "Creative Commons" or any other trademark or logo
|
||||||
|
of Creative Commons without its prior written consent including,
|
||||||
|
without limitation, in connection with any unauthorized modifications
|
||||||
|
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|
||||||
|
understandings, or agreements concerning use of licensed material. For
|
||||||
|
the avoidance of doubt, this paragraph does not form part of the
|
||||||
|
public licenses.
|
||||||
|
|
||||||
|
Creative Commons may be contacted at creativecommons.org.
|
|
@ -0,0 +1 @@
|
||||||
|
SOS
|
|
@ -0,0 +1 @@
|
||||||
|
I haz yours
|
|
@ -0,0 +1 @@
|
||||||
|
this is a test lol
|
488
gopher/atom.xml
488
gopher/atom.xml
|
@ -4,9 +4,196 @@
|
||||||
<subtitle>Messages from the human stellar diaspora</subtitle>
|
<subtitle>Messages from the human stellar diaspora</subtitle>
|
||||||
<link rel="alternate" href="gopher://cosmic.voyage/"/>
|
<link rel="alternate" href="gopher://cosmic.voyage/"/>
|
||||||
<link rel="self" href="gopher://cosmic.voyage/atom.xml" />
|
<link rel="self" href="gopher://cosmic.voyage/atom.xml" />
|
||||||
<updated>2021-03-30T22:35:18Z</updated>
|
<updated>2021-03-31T14:25:47Z</updated>
|
||||||
<rights>©2021 All rights reserved</rights>
|
<rights>©2021 All rights reserved</rights>
|
||||||
<id>gopher://cosmic.voyage/</id>
|
<id>gopher://cosmic.voyage/</id>
|
||||||
|
<entry>
|
||||||
|
<title>orestes - Friend...</title>
|
||||||
|
<author>
|
||||||
|
<name>orestes</name>
|
||||||
|
</author>
|
||||||
|
<link rel="alternate" href="gopher://cosmic.voyage/0/orestes/07_friend.txt"/>
|
||||||
|
<id>gopher://cosmic.voyage/0/orestes/07_friend.txt</id>
|
||||||
|
<updated>2021-03-31T14:25:47Z</updated>
|
||||||
|
<content type="html"><![CDATA[<pre>
|
||||||
|
Transmission Log - Orestes
|
||||||
|
Author: Pink
|
||||||
|
|
||||||
|
---------------------------------------------------------------
|
||||||
|
Auto-generating preface...
|
||||||
|
|
||||||
|
An update about the new visitor from PINK. She exhibits signs of
|
||||||
|
jealousy that even a rudimentary A.I. like me can pick up on.
|
||||||
|
Although, perhaps all forms of jealousy are easy to spot? It's an
|
||||||
|
unfamiliar human emotion to me. My designer did provide me with
|
||||||
|
some datasets for things like resentment, aggression, depression,
|
||||||
|
love, melancholy, etc. All the things that might cause issues in
|
||||||
|
a small outpost like Orestes. It seems jealousy is simply an
|
||||||
|
unsophisticated combination of all these things.
|
||||||
|
|
||||||
|
Please send me some jealousy datasets so I can update my
|
||||||
|
predictions accordingly.
|
||||||
|
|
||||||
|
The new outpost-member does indeed show promise with regard to
|
||||||
|
researching the crystals. I haven't been able to brute-force her
|
||||||
|
QEC transmitter yet, but the attack is in-progress. I will have
|
||||||
|
infiltrated her communications within two weeks and will
|
||||||
|
send you her private thoughts on the crystals as soon as I can.
|
||||||
|
|
||||||
|
-END-OF-PREFACE-
|
||||||
|
---------------------------------------------------------------
|
||||||
|
|
||||||
|
She's only been here a week but already everything has changed.
|
||||||
|
|
||||||
|
She seems nice.
|
||||||
|
|
||||||
|
Ugh, no, she doesn't. I'm suspicious of her.
|
||||||
|
|
||||||
|
She doesn't spend much time with us as a group (although, we
|
||||||
|
rarely spend time with each other as a group these days).
|
||||||
|
|
||||||
|
She seems to prefer 'one-on-one' time with us.
|
||||||
|
|
||||||
|
Mostly with GREEN.
|
||||||
|
|
||||||
|
Not that I mind. I just find it unusual.
|
||||||
|
|
||||||
|
Sometimes, when GREEN notices me watching them together, huddled
|
||||||
|
close, her hand casually resting on his forearm, he shoots me a
|
||||||
|
reassuring glance. I hate it. He has nothing to reassure me
|
||||||
|
about. We aren't - weren't - 'together'. He's an idiot
|
||||||
|
sometimes.
|
||||||
|
|
||||||
|
I don't even see her as a threat. Yes, she is very beautiful.
|
||||||
|
But, she is so *weird*. She treats him more as a father, which is
|
||||||
|
ridiculous. GREEN is practically a man-child. He would be a
|
||||||
|
terrible father.
|
||||||
|
|
||||||
|
I don't mean that. I suppose he has his charms. He is good at
|
||||||
|
remaining calm and taking time to reflect on things. It's not
|
||||||
|
such a bad thing to impart onto a child. Still, he likes watching
|
||||||
|
ancient re-runs of 'Stephen Universe' which, as far as I can
|
||||||
|
gather from the 5 or so minutes I could stand of it, is a
|
||||||
|
children's cartoon-show.
|
||||||
|
|
||||||
|
I do enjoy my conversations with her. I guess that's why GREEN is
|
||||||
|
drawn to her too. He appreciates the kinds of things she has to
|
||||||
|
offer - good, deep conversations, a warm heart, a pleasant
|
||||||
|
laugh...
|
||||||
|
|
||||||
|
Maybe he likes her.
|
||||||
|
|
||||||
|
I mostly talk about my work with her. She's endlessly curious
|
||||||
|
about it. I suppose it's only natural. Prior to crash-landing on
|
||||||
|
our little rock, she was a botanist, traveling from planet to
|
||||||
|
planet studying alien plant-life on behalf of some private
|
||||||
|
benefactor.
|
||||||
|
|
||||||
|
She was the sole crew member of her ship. She says she still
|
||||||
|
doesn't understand why she was so off-track when she accidentally
|
||||||
|
hyper-jumped into our little orbit. Whatever cause the navigation
|
||||||
|
error seemed to cause a series of chain-reactions and eventual
|
||||||
|
system failure. She was lucky to survive the crash.
|
||||||
|
|
||||||
|
Not much else survived. Nothing from the wreckage that could
|
||||||
|
back-up her story.
|
||||||
|
|
||||||
|
She carries a personal little QEC transmitter that sends
|
||||||
|
encrypted messages back to her home base. She's already contacted
|
||||||
|
them to say she'll be taking a little sojourn here. How
|
||||||
|
presumptuous of her!
|
||||||
|
|
||||||
|
She's taken by the crystals. She wants to study them further.
|
||||||
|
She was surprised they weren't already on her radar. She has even
|
||||||
|
begun to convince GREEN of their potential.
|
||||||
|
|
||||||
|
She asked us if she could stay, not that we had much of a choice.
|
||||||
|
We haven't heard from you for so long now, we're pretty much
|
||||||
|
convinced you've disappeared into that black hole at the edge of
|
||||||
|
this star system. You know the one.
|
||||||
|
|
||||||
|
Seriously though, what should we do about her? Some guidance here
|
||||||
|
would be great. I advise letting her join our team for a while.
|
||||||
|
In spite of my personal reservations about her, professionally
|
||||||
|
she seems more than capable of contributing real value to our
|
||||||
|
little study.
|
||||||
|
|
||||||
|
A new pair of eyes on the crystals couldn't hurt. I just wish
|
||||||
|
they weren't such damn pretty eyes.
|
||||||
|
|
||||||
|
- PINK
|
||||||
|
|
||||||
|
|
||||||
|
----------------------------------------------------------------
|
||||||
|
Complied by the Werner H. Young Terminal Emulator
|
||||||
|
|
||||||
|
Info: Simple A.I., designed on-site for executing
|
||||||
|
systems maintenance tasks and exchanging messages between
|
||||||
|
the Orestes outpost and the Arsinoe.
|
||||||
|
|
||||||
|
Built by Werner Young (2113-2151).
|
||||||
|
|
||||||
|
Names of persons have been masked to protect their identity.
|
||||||
|
----------------------------------------------------------------
|
||||||
|
|
||||||
|
</pre>]]></content>
|
||||||
|
</entry>
|
||||||
|
<entry>
|
||||||
|
<title>Polonia - SOS-1</title>
|
||||||
|
<author>
|
||||||
|
<name>heighliner</name>
|
||||||
|
</author>
|
||||||
|
<link rel="alternate" href="gopher://cosmic.voyage/0/Polonia/sos-1.txt"/>
|
||||||
|
<id>gopher://cosmic.voyage/0/Polonia/sos-1.txt</id>
|
||||||
|
<updated>2021-03-31T14:21:13Z</updated>
|
||||||
|
<content type="html"><![CDATA[<pre>
|
||||||
|
SOS
|
||||||
|
</pre>]]></content>
|
||||||
|
</entry>
|
||||||
|
<entry>
|
||||||
|
<title>Polonia II - Incydent 346</title>
|
||||||
|
<author>
|
||||||
|
<name>heighliner</name>
|
||||||
|
</author>
|
||||||
|
<link rel="alternate" href="gopher://cosmic.voyage/0/Polonia%20II/23497.txt"/>
|
||||||
|
<id>gopher://cosmic.voyage/0/Polonia%20II/23497.txt</id>
|
||||||
|
<updated>2021-03-31T14:14:09Z</updated>
|
||||||
|
<content type="html"><![CDATA[<pre>
|
||||||
|
# Dwadzieścia trzy tysiące czterysta dziewięćdziesiąty pierwszy dzień lotu
|
||||||
|
|
||||||
|
Na mostku burzliwa rozmowa.
|
||||||
|
— Kapitanie, to nie my!
|
||||||
|
— A kto?!
|
||||||
|
|
||||||
|
Jeden z oficerów na skutek zespołu chorobowego określanego najczęściej jako ZCPK [1] po raz kolejny wydał niepoprawne dyspozycje automatycznemu telegrafiście. Najlepsi automatyczni telegrafiści byli produkowani jeszcze na Ziemi w okolicach Zgierza, ale ze względów ekonomicznych Polonia II wyposażono w sprzęt marki HPD importowany z USA. Sprzęt był tańszy, ale często zawodził i do tego wymagał obsługi głosowej, jakby tego było mało w dosyć niszowym języku angielskim.
|
||||||
|
|
||||||
|
Kapitan przeczuwał, że oficer odpowiedzialny tego dnia za automatycznego telegrafistę pomylił komendę głosową EXIST z EXITS. Było to nagminne w trakcie długiego lotu, kiedy trzeba było operować za pomocą komend głosowych, a nie telepatii. W kosmosie podczas tak długich podróży rzadko prowadziło się rozmowy głosowe, a tym bardziej po angielsku.
|
||||||
|
|
||||||
|
Już po polsku Kapitan zanotował w dzienniku pokładowym informację adresowaną do CSK w Pułtusku — Incydent nr 346 sterowania głosowego w języku angielskim automatycznego telegrafisty marki HPD. Wniosek o wycofanie z użycia.
|
||||||
|
|
||||||
|
Nie wiedział czy Pułtusk i Zgierz wciąż funkcjonują po 23491 dniach od czasu, kiedy ostatni raz komunikacja była dwukierunkowa. Brak komunikacji zwrotnej nie martwił go tak jak incydent 346. Napęd Polonia II pozwalał już po 3 godzinach od startu na wyjście z obszaru komunikacyjnego SOL.
|
||||||
|
|
||||||
|
[1] Zespół Chronicznego Przemęczenia Kosmicznego
|
||||||
|
[2] Centrala Sił Kosmicznych
|
||||||
|
</pre>]]></content>
|
||||||
|
</entry>
|
||||||
|
<entry>
|
||||||
|
<title>Polonia II - 23496</title>
|
||||||
|
<author>
|
||||||
|
<name>heighliner</name>
|
||||||
|
</author>
|
||||||
|
<link rel="alternate" href="gopher://cosmic.voyage/0/Polonia%20II/23496.txt"/>
|
||||||
|
<id>gopher://cosmic.voyage/0/Polonia%20II/23496.txt</id>
|
||||||
|
<updated>2021-03-30T19:54:17Z</updated>
|
||||||
|
<content type="html"><![CDATA[<pre>
|
||||||
|
# Dwadzieścia trzy tysiące czterysta dziewięćdziesiąty dzień lotu
|
||||||
|
|
||||||
|
Statek kosmiczny Polonia odebrał słaby, niezidentyfikowany sygnał z pobliskiej
|
||||||
|
mgławicy. W odpowiedzi nadano SSSK[1] op.9 es-dur nr 2.
|
||||||
|
|
||||||
|
[1] Standardowy Sygnał Sił Kosmicznych
|
||||||
|
</pre>]]></content>
|
||||||
|
</entry>
|
||||||
<entry>
|
<entry>
|
||||||
<title>Isla Ristol - Hasta la vista marcianos, Marte a la vista</title>
|
<title>Isla Ristol - Hasta la vista marcianos, Marte a la vista</title>
|
||||||
<author>
|
<author>
|
||||||
|
@ -957,305 +1144,6 @@ Maderita, out.
|
||||||
|
|
||||||
~ Enteka (enteka_a_fastmail:::com)
|
~ Enteka (enteka_a_fastmail:::com)
|
||||||
|
|
||||||
</pre>]]></content>
|
|
||||||
</entry>
|
|
||||||
<entry>
|
|
||||||
<title>Biribiri - Lebedev2</title>
|
|
||||||
<author>
|
|
||||||
<name>amok</name>
|
|
||||||
</author>
|
|
||||||
<link rel="alternate" href="gopher://cosmic.voyage/0/Biribiri/Lebedev2.txt"/>
|
|
||||||
<id>gopher://cosmic.voyage/0/Biribiri/Lebedev2.txt</id>
|
|
||||||
<updated>2021-03-26T06:27:33Z</updated>
|
|
||||||
<content type="html"><![CDATA[<pre>
|
|
||||||
++++++++++++++++++++++++++++
|
|
||||||
Usuario: Ingeniero Lébedev
|
|
||||||
Software: Log Manager v1.6
|
|
||||||
Fecha: 26 de Marzo, 2262
|
|
||||||
Hora: 09:16
|
|
||||||
++++++++++++++++++++++++++++
|
|
||||||
|
|
||||||
Mientras seguimos esperando que Lukács se dedica a escribirle al mundo
|
|
||||||
QEC la naturaleza de nuestra "misión", creo que podría llegar a ser
|
|
||||||
interesante, mientras tanto, describir las características elementales
|
|
||||||
de la Výro chuco.
|
|
||||||
|
|
||||||
Si sos parte de una comunidad intentando escapar de la Tierra, y —como
|
|
||||||
a nosotros— no les alcanza para comprarse un lotecito en el frío
|
|
||||||
Marte, el caluroso Venus, la desafiante Europa de Júpiter o la —contra
|
|
||||||
todo pronóstico— excelente Titan de Saturno; quizá quieras considerar
|
|
||||||
pedir un permiso de colonización a la Organización Internacional de
|
|
||||||
Colonización Intergaláctica, pagar por adelantado por el uso de los
|
|
||||||
satélites de láseres de dicha organización, y esperar que cumplan
|
|
||||||
durante décadas su promesa de acelerar tu nave con velas fotónicas
|
|
||||||
mediante potentes rayos concentrados ... ¡y rezar para que no te frían
|
|
||||||
sin querer (o queriendo)!
|
|
||||||
|
|
||||||
Eso fue precisamente lo que hicimos los biribiris. Conseguido el
|
|
||||||
permiso, firmados los contratos, deberías que ocuparte de tu nave. Y
|
|
||||||
una parte fundamental de toda nave es su computadora ... y/o
|
|
||||||
computadoras. Pero en caso de que no tengas una i-moneda partida al
|
|
||||||
medio, posiblemente te tengas que conformar con una única computadora,
|
|
||||||
y no de las más caras. En nuestro caso elegimos armar la Výri con
|
|
||||||
núcleos de tensores. ¿Qué no sabes qué es un tensor? Tranquilo,
|
|
||||||
Lébedev no asume porque tengas que saber demasiado de nada. Un tensor
|
|
||||||
es un objeto matemático. Y sí, hay más objetos matemáticos que los
|
|
||||||
meros números con los que contas ... ¡ni quiero imaginarme lo que
|
|
||||||
contas! Pero así como las matemáticas elementales tienen a los números
|
|
||||||
naturales como su tema principal, y luego tenes matemáticas más
|
|
||||||
avanzadas con fracciones, números negativos, números reales, etc., la
|
|
||||||
matemática más avanzada utiliza diferentes tipos de "estructuras" para
|
|
||||||
calcular, predecir y hacer todo lo que nos permiten hacer las bellas
|
|
||||||
matemáticas.
|
|
||||||
|
|
||||||
Fijáte en esto:
|
|
||||||
|
|
||||||
a = 1
|
|
||||||
|
|
||||||
b = [1, 2, 3]
|
|
||||||
|
|
||||||
[1, 2, 3]
|
|
||||||
c = [4, 5, 6]
|
|
||||||
[7, 8, 9]
|
|
||||||
|
|
||||||
(d111, d121, d131)
|
|
||||||
d = (d211, d221, d231)
|
|
||||||
(d311, d321, d331)
|
|
||||||
|
|
||||||
En el primer caso tenes un "número" —llamado "escalar" técnicamente,
|
|
||||||
en el segundo un "vector", en el tercero una "matriz" y en el cuarto,
|
|
||||||
sí, adivinaste, un "tensor". Las primeras computadoras operaban con
|
|
||||||
números comunes y corrientes. Luego fueron capaces de operar con
|
|
||||||
vectores, luego con matrices, y finalmente con tensores, que son uno
|
|
||||||
de los objetos matemáticos más útiles que podes llegar a imaginar.
|
|
||||||
|
|
||||||
Atentí a esto ahora: tanto "a", como "b" y "c" son, dicen los
|
|
||||||
matemáticos, ¡tensores! "a" es un tensor 0-dimensional, "b" es un
|
|
||||||
tensor unidimensional y "c" es un tensor bi-dimensional. De modo que
|
|
||||||
con una computadora tensorial como la Výro podes calcular de todo, y
|
|
||||||
de una forma super-eficaz.
|
|
||||||
|
|
||||||
¿Todavía no comprendes porqué? Bueno, es fácil: la Výro tiene en su
|
|
||||||
memoria una suerte de representación-total del estado de la Biribiri a
|
|
||||||
cada momento. Con ayuda de una cantidad brutal de sensores le pone un
|
|
||||||
númerito a todo lo que acontece a cada instante. Si tomamos este
|
|
||||||
pedacito de espacio en el que estoy sentado, la Výro sabe qué
|
|
||||||
temperatura, qué presión, qué humedad, qué cantidad de luz, de
|
|
||||||
oxígeno, de nitrógeno, qué x, y, z, etc., "es" en este lugar. Es
|
|
||||||
decir, ¡exacto!, un tensor multidimensional de datos. Y lo mismo con
|
|
||||||
el pedacito de espacio a mi derecha, a mi izquierda, a mi arriba y
|
|
||||||
abajo, etc. Si algo anduviera mal tiene que operar unos cálculos
|
|
||||||
extremadamente complejos, en base a algoritmos open-source, para
|
|
||||||
decidir cual es la mejor manera de que los númeritos (por ejemplo la
|
|
||||||
cantidad de oxígeno) se mantengan al interior de ciertos parámetros
|
|
||||||
que nosotros le indicamos mantenga a toda costa. De allí que una
|
|
||||||
computadora tensorial sea la forma más adecuada de mantenernos a todos
|
|
||||||
con vida, mientras viajamos a Épsilon Eridani.
|
|
||||||
|
|
||||||
Así que ya sabes: si estás planeando fundar tu Utopía en alguna
|
|
||||||
estrella lejana ... mejor que te ocupes de tener una computadora a la
|
|
||||||
altura de la tarea.
|
|
||||||
|
|
||||||
¡Gracias por existir Výro chuco!
|
|
||||||
|
|
||||||
|
|
||||||
pd: El tensor unidimensional del día: 1123581321.
|
|
||||||
|
|
||||||
EOF
|
|
||||||
</pre>]]></content>
|
|
||||||
</entry>
|
|
||||||
<entry>
|
|
||||||
<title>Isla Ristol - Existen los androdides de ciencia... pero, los biribiris?</title>
|
|
||||||
<author>
|
|
||||||
<name>enteka</name>
|
|
||||||
</author>
|
|
||||||
<link rel="alternate" href="gopher://cosmic.voyage/0/Isla%20Ristol/b10.txt"/>
|
|
||||||
<id>gopher://cosmic.voyage/0/Isla%20Ristol/b10.txt</id>
|
|
||||||
<updated>2021-03-26T21:46:44Z</updated>
|
|
||||||
<content type="html"><![CDATA[<pre>
|
|
||||||
Isla Ristol - Aventuras en Marte
|
|
||||||
|
|
||||||
Entrada 2x10
|
|
||||||
|
|
||||||
Papá me acaba de mandar un mensaje con dos partes. En
|
|
||||||
la primera parte me manda un resumen de los últimos
|
|
||||||
QECs. Es... interesante, sobre todo el último que
|
|
||||||
habla de un tal Maderita. Me suena.
|
|
||||||
|
|
||||||
Ay, mi tía.
|
|
||||||
|
|
||||||
Pues seguro que no se refieren a mí porque si se
|
|
||||||
refieren a mí pondrían que valor sigue a
|
|
||||||
|
|
||||||
11235813
|
|
||||||
|
|
||||||
(es una serie)
|
|
||||||
|
|
||||||
En la segunda parte me dice que mis hermanas quieren
|
|
||||||
volver a la nave. Vale... me entero antes de lo que
|
|
||||||
hacen unos ¿argentinos? en rumbo a Epsilon Eridani
|
|
||||||
que lo que quieren mis hermanas.
|
|
||||||
|
|
||||||
Esto...
|
|
||||||
|
|
||||||
La cosa es que es difícil volver porque es caro,
|
|
||||||
básicamente, (y supongo porque no quieren que molestemos
|
|
||||||
mientras hacen sus cosas de adultos).
|
|
||||||
|
|
||||||
Pero también me pregunta sí yo quiero volver.
|
|
||||||
|
|
||||||
Y es que quiero y no quiero, porque bueno, mis amigos que
|
|
||||||
acabo de conocer y yo estamos teniendo grandes aventuras
|
|
||||||
y eso. Y la próxima semana o antes íbamos a visitar
|
|
||||||
Base 1 en Arsia Mons, donde la cueva de lava, donde la
|
|
||||||
colonización humana empezó en Marte.
|
|
||||||
|
|
||||||
(Antes de que los marcianos se volvieran unos....
|
|
||||||
¡piiiiiip!)
|
|
||||||
|
|
||||||
Chispita es sorprendente, como dije la otra vez. Resulta
|
|
||||||
que conoce a un científico por nombre de Krek, que es un
|
|
||||||
poco androide. Y como es un poco androide y no tiene el
|
|
||||||
síndrome parental de pensar que los niños somos estúpidos
|
|
||||||
y atolondrados y todo eso, nos deja participar en sus
|
|
||||||
investigaciones. Es un trabajo sencillo, colocar sensores
|
|
||||||
para algo científico y recoger otros sensores. Y en la
|
|
||||||
noche podremos "acampar" en Base 1. (En realidad dentro
|
|
||||||
del Rover)
|
|
||||||
|
|
||||||
Espero que mis hermanas no me saboteen la expedición.
|
|
||||||
|
|
||||||
La vida de los niños es muy frustante, pero emocionante
|
|
||||||
también, porque nunca sabes qué te van a dejar a hacer.
|
|
||||||
|
|
||||||
Bueno, emocionante si vives en Marte y tienes una amiga
|
|
||||||
super-especial de Venus que conoce a un androide
|
|
||||||
científico, claro...
|
|
||||||
|
|
||||||
Todo muy normal.
|
|
||||||
(Es ironía)
|
|
||||||
|
|
||||||
Maderita, out.
|
|
||||||
|
|
||||||
~ Enteka (enteka_a_fastmail:::com)
|
|
||||||
Isla Ristol - Aventuras en Marte
|
|
||||||
|
|
||||||
</pre>]]></content>
|
|
||||||
</entry>
|
|
||||||
<entry>
|
|
||||||
<title>Biribiri - Lebedev1</title>
|
|
||||||
<author>
|
|
||||||
<name>amok</name>
|
|
||||||
</author>
|
|
||||||
<link rel="alternate" href="gopher://cosmic.voyage/0/Biribiri/Lebedev1.txt"/>
|
|
||||||
<id>gopher://cosmic.voyage/0/Biribiri/Lebedev1.txt</id>
|
|
||||||
<updated>2021-03-25T11:39:54Z</updated>
|
|
||||||
<content type="html"><![CDATA[<pre>
|
|
||||||
++++++++++++++++++++++++++++
|
|
||||||
Usuario: Ingeniero Lébedev
|
|
||||||
Software: Log Manager v1.6
|
|
||||||
Fecha: 25 de Marzo, 2262
|
|
||||||
Hora: 08:06
|
|
||||||
++++++++++++++++++++++++++++
|
|
||||||
|
|
||||||
Mi nombre es Sergio Lébedev y soy el administrador del sistema
|
|
||||||
computacional de la Biribiri, la "Výro chuco" —por "tonto elegante" en
|
|
||||||
guaraní—. Lukács me pidió que conecte el sistema QEC a la Výro para que
|
|
||||||
los intrépidos biribiris, es decir, nuestra querida tripulación, puedan
|
|
||||||
tener algo "extra" con lo que perder su preciado tiempo. ¡Como si los
|
|
||||||
millones de documentos en la Výro no fueran suficientes! ¡Tenemos exabytes
|
|
||||||
de información en nuestros servidores! ¡Exabytes! Pero, claro, todo eso es
|
|
||||||
historia ... a partir de ahora es improbable que nos enteremos de ninguna
|
|
||||||
novedad. Todo lo que que inventen y creen los humanos en cualquiera de los
|
|
||||||
mundos habitados nos va a ser para siempre desconocido, excepto que alguien
|
|
||||||
informe algo por la QEC, que ese alguien pertenezca a nuestro universo y
|
|
||||||
nuestro tiempo, etc., etc.
|
|
||||||
|
|
||||||
En principio el Capitán planeaba restringir el acceso a la QEC, pero la
|
|
||||||
última semana fue, me confesó, desafiante. Nuestros biribiris, a pesar de
|
|
||||||
que hace meses habían perdido la posibilidad de comunicarse "full duplex"
|
|
||||||
con sus afectos, aún podían mandar i-cartas y recibirlas, todavía se
|
|
||||||
sentían conectados con sus seres queridos por los mensajes que continuaban
|
|
||||||
llegando y enviando gracias a la Výro y la red de banda ancha del sistema
|
|
||||||
solar. Pero el 16 de marzo se terminó todo eso, y los biribiris se lo
|
|
||||||
tomaron peor de lo que nuestros altos mandos se esperaban. Yo mismo me dí
|
|
||||||
cuenta ... una cierta sensación de inseguridad y ansiedad flota por toda la
|
|
||||||
nave. Es comprensible, a partir de ahora estamos completamente solos y a
|
|
||||||
merced de lo que el destino nos depare. Quizá Épsilon Eridani nos espera
|
|
||||||
con los brazos abiertos ... tal vez no. La apuesta que hicimos hace años
|
|
||||||
cuando comenzamos a planear y prepararnos para este viaje se va empieza a
|
|
||||||
probar en serio.
|
|
||||||
|
|
||||||
Pensé en escribir un informe técnico acerca de como conecté la Výro chuco a
|
|
||||||
la red QEC, pero no creo que sea del interés de nadie que pueda llegar a
|
|
||||||
recibir esta comunicación. Por lo demás, y teniendo en cuenta lo que leí
|
|
||||||
hasta ahora, casi nadie usa este sistema para compartir información
|
|
||||||
científica. Tal vez tenga que ver con lo completamente aleatorio de los
|
|
||||||
pequeños archivos que un sistema QEC es capaz de recibir, la existencia de
|
|
||||||
sistemas más costosos —y que nosotros no pudimos costear— diseñados para
|
|
||||||
este fin, el hecho de que casi todas las transmisiones lleguen en un idioma
|
|
||||||
tan poco hablado hoy día como el inglés —por mucho que se siga
|
|
||||||
usando para expresiones informáticas entre los geeks—, o ... en fin, lo que
|
|
||||||
sea, verdaderamente no importa demasiado.
|
|
||||||
|
|
||||||
Espero que la corazonada de Lukács sea correcta y los biribiris se
|
|
||||||
entretengan unos días con la QEC. Yo encontré varias trasmisiones
|
|
||||||
interesantes. Encontré una que parece encriptada por una vieja máquina
|
|
||||||
usada en el siglo XX, la KG-84 ... ¡y las comunicaciones parecen provenir
|
|
||||||
de un camarada! El sistema es casi risible, los núcleos de tensores de
|
|
||||||
nuestra Výro serían capaces de decodificarlo en un picosegundo ... pero fue
|
|
||||||
interesante leer sobre esas viajes técnicas criptográficas. Pero creo que
|
|
||||||
lo que decidió a Lukács el acceso indiscriminado a nuestra red fue que
|
|
||||||
alguien recibió su primer mensaje. Un adolescente que la está pasando duro
|
|
||||||
en Marte, aunque la cosa parece haber mejorado con los días. Que los
|
|
||||||
biribiris sepan que nuestras aventuras están en la mente de alguien quizá
|
|
||||||
ayuda a mejorar los ánimos, sin importar a que mundo o tiempo pertenezca la
|
|
||||||
misma.
|
|
||||||
|
|
||||||
Esto me recuerda que tengo que citar a Celia a una partida de ajedrez para
|
|
||||||
discutir las implicaciones filosóficas del QEC.
|
|
||||||
|
|
||||||
Maderita, si esto te llega, espero que sepas que en los próximos días vas a
|
|
||||||
tener cientos de fans entre los biribiris en tránsito hacia Eridanus.
|
|
||||||
|
|
||||||
EOF.
|
|
||||||
</pre>]]></content>
|
|
||||||
</entry>
|
|
||||||
<entry>
|
|
||||||
<title>Isla Ristol - La gran esperanza de lluvia</title>
|
|
||||||
<author>
|
|
||||||
<name>enteka</name>
|
|
||||||
</author>
|
|
||||||
<link rel="alternate" href="gopher://cosmic.voyage/0/Isla%20Ristol/b9.txt"/>
|
|
||||||
<id>gopher://cosmic.voyage/0/Isla%20Ristol/b9.txt</id>
|
|
||||||
<updated>2021-03-25T00:05:28Z</updated>
|
|
||||||
<content type="html"><![CDATA[<pre>
|
|
||||||
Isla Ristol - Aventuras en Marte
|
|
||||||
|
|
||||||
Entrada 2x9
|
|
||||||
|
|
||||||
Chispita es sorprendente. Nos consiguió un pase para el
|
|
||||||
exterior a los Amigos de Hierro, osea Hilito, Chispita,
|
|
||||||
Puercoespín, Alejandro Magno el Magnífio y yo (maderita). Nos
|
|
||||||
dejaron un rover automatizado y nos dirigimos directos a
|
|
||||||
Arsia Mons a disfrutar de la Gran Nube Gigante.
|
|
||||||
|
|
||||||
Dicho así parece una tontería si vienes de la Tierra (o de
|
|
||||||
Venus) pero es que Marte es un poco pobre de nubes y ésta
|
|
||||||
es gigantesca y nace (parece) del mismo volcán. Es como la
|
|
||||||
gran esperanza de lluvia en medio de la desolación del
|
|
||||||
desierto.
|
|
||||||
|
|
||||||
Y cuando lo ves saliendo de ese mega-hiper-gigante volcán
|
|
||||||
entre los Montes de Tharsis y el Olympus y todo eso no
|
|
||||||
puedes sino quedarte embobado. Nos dijeron que no
|
|
||||||
saliéramos del Rover y, si te lo crees, no lo hicimos
|
|
||||||
porque todo se veía perfectamente desde él.
|
|
||||||
|
|
||||||
Marte es genial
|
|
||||||
(Y yo soy contradictorio, pero es que ahora tengo amigos)
|
|
||||||
|
|
||||||
~ Enteka (enteka_a_fastmail:::com)
|
|
||||||
</pre>]]></content>
|
</pre>]]></content>
|
||||||
</entry>
|
</entry>
|
||||||
</feed>
|
</feed>
|
||||||
|
|
|
@ -1,3 +1,7 @@
|
||||||
|
0orestes - Friend... /orestes/07_friend.txt
|
||||||
|
0Polonia - SOS-1 /Polonia/sos-1.txt
|
||||||
|
0Polonia-II - Incydent 346 /Polonia-II/23497.txt
|
||||||
|
0Polonia-II - 23496 /Polonia-II/23496.txt
|
||||||
0Isla Ristol - Hasta la vista marcianos, Marte a la vista /Isla Ristol/b16.txt
|
0Isla Ristol - Hasta la vista marcianos, Marte a la vista /Isla Ristol/b16.txt
|
||||||
0Sphere Monk - log0001 /Sphere Monk/log0001.txt
|
0Sphere Monk - log0001 /Sphere Monk/log0001.txt
|
||||||
0Hosaka - Blood Music Message 2 /Hosaka/Hosaka2.txt
|
0Hosaka - Blood Music Message 2 /Hosaka/Hosaka2.txt
|
||||||
|
|
|
@ -0,0 +1,120 @@
|
||||||
|
Transmission Log - Orestes
|
||||||
|
Author: Pink
|
||||||
|
|
||||||
|
---------------------------------------------------------------
|
||||||
|
Auto-generating preface...
|
||||||
|
|
||||||
|
An update about the new visitor from PINK. She exhibits signs of
|
||||||
|
jealousy that even a rudimentary A.I. like me can pick up on.
|
||||||
|
Although, perhaps all forms of jealousy are easy to spot? It's an
|
||||||
|
unfamiliar human emotion to me. My designer did provide me with
|
||||||
|
some datasets for things like resentment, aggression, depression,
|
||||||
|
love, melancholy, etc. All the things that might cause issues in
|
||||||
|
a small outpost like Orestes. It seems jealousy is simply an
|
||||||
|
unsophisticated combination of all these things.
|
||||||
|
|
||||||
|
Please send me some jealousy datasets so I can update my
|
||||||
|
predictions accordingly.
|
||||||
|
|
||||||
|
The new outpost-member does indeed show promise with regard to
|
||||||
|
researching the crystals. I haven't been able to brute-force her
|
||||||
|
QEC transmitter yet, but the attack is in-progress. I will have
|
||||||
|
infiltrated her communications within two weeks and will
|
||||||
|
send you her private thoughts on the crystals as soon as I can.
|
||||||
|
|
||||||
|
-END-OF-PREFACE-
|
||||||
|
---------------------------------------------------------------
|
||||||
|
|
||||||
|
She's only been here a week but already everything has changed.
|
||||||
|
|
||||||
|
She seems nice.
|
||||||
|
|
||||||
|
Ugh, no, she doesn't. I'm suspicious of her.
|
||||||
|
|
||||||
|
She doesn't spend much time with us as a group (although, we
|
||||||
|
rarely spend time with each other as a group these days).
|
||||||
|
|
||||||
|
She seems to prefer 'one-on-one' time with us.
|
||||||
|
|
||||||
|
Mostly with GREEN.
|
||||||
|
|
||||||
|
Not that I mind. I just find it unusual.
|
||||||
|
|
||||||
|
Sometimes, when GREEN notices me watching them together, huddled
|
||||||
|
close, her hand casually resting on his forearm, he shoots me a
|
||||||
|
reassuring glance. I hate it. He has nothing to reassure me
|
||||||
|
about. We aren't - weren't - 'together'. He's an idiot
|
||||||
|
sometimes.
|
||||||
|
|
||||||
|
I don't even see her as a threat. Yes, she is very beautiful.
|
||||||
|
But, she is so *weird*. She treats him more as a father, which is
|
||||||
|
ridiculous. GREEN is practically a man-child. He would be a
|
||||||
|
terrible father.
|
||||||
|
|
||||||
|
I don't mean that. I suppose he has his charms. He is good at
|
||||||
|
remaining calm and taking time to reflect on things. It's not
|
||||||
|
such a bad thing to impart onto a child. Still, he likes watching
|
||||||
|
ancient re-runs of 'Stephen Universe' which, as far as I can
|
||||||
|
gather from the 5 or so minutes I could stand of it, is a
|
||||||
|
children's cartoon-show.
|
||||||
|
|
||||||
|
I do enjoy my conversations with her. I guess that's why GREEN is
|
||||||
|
drawn to her too. He appreciates the kinds of things she has to
|
||||||
|
offer - good, deep conversations, a warm heart, a pleasant
|
||||||
|
laugh...
|
||||||
|
|
||||||
|
Maybe he likes her.
|
||||||
|
|
||||||
|
I mostly talk about my work with her. She's endlessly curious
|
||||||
|
about it. I suppose it's only natural. Prior to crash-landing on
|
||||||
|
our little rock, she was a botanist, traveling from planet to
|
||||||
|
planet studying alien plant-life on behalf of some private
|
||||||
|
benefactor.
|
||||||
|
|
||||||
|
She was the sole crew member of her ship. She says she still
|
||||||
|
doesn't understand why she was so off-track when she accidentally
|
||||||
|
hyper-jumped into our little orbit. Whatever cause the navigation
|
||||||
|
error seemed to cause a series of chain-reactions and eventual
|
||||||
|
system failure. She was lucky to survive the crash.
|
||||||
|
|
||||||
|
Not much else survived. Nothing from the wreckage that could
|
||||||
|
back-up her story.
|
||||||
|
|
||||||
|
She carries a personal little QEC transmitter that sends
|
||||||
|
encrypted messages back to her home base. She's already contacted
|
||||||
|
them to say she'll be taking a little sojourn here. How
|
||||||
|
presumptuous of her!
|
||||||
|
|
||||||
|
She's taken by the crystals. She wants to study them further.
|
||||||
|
She was surprised they weren't already on her radar. She has even
|
||||||
|
begun to convince GREEN of their potential.
|
||||||
|
|
||||||
|
She asked us if she could stay, not that we had much of a choice.
|
||||||
|
We haven't heard from you for so long now, we're pretty much
|
||||||
|
convinced you've disappeared into that black hole at the edge of
|
||||||
|
this star system. You know the one.
|
||||||
|
|
||||||
|
Seriously though, what should we do about her? Some guidance here
|
||||||
|
would be great. I advise letting her join our team for a while.
|
||||||
|
In spite of my personal reservations about her, professionally
|
||||||
|
she seems more than capable of contributing real value to our
|
||||||
|
little study.
|
||||||
|
|
||||||
|
A new pair of eyes on the crystals couldn't hurt. I just wish
|
||||||
|
they weren't such damn pretty eyes.
|
||||||
|
|
||||||
|
- PINK
|
||||||
|
|
||||||
|
|
||||||
|
----------------------------------------------------------------
|
||||||
|
Complied by the Werner H. Young Terminal Emulator
|
||||||
|
|
||||||
|
Info: Simple A.I., designed on-site for executing
|
||||||
|
systems maintenance tasks and exchanging messages between
|
||||||
|
the Orestes outpost and the Arsinoe.
|
||||||
|
|
||||||
|
Built by Werner Young (2113-2151).
|
||||||
|
|
||||||
|
Names of persons have been masked to protect their identity.
|
||||||
|
----------------------------------------------------------------
|
||||||
|
|
470
gopher/rss.xml
470
gopher/rss.xml
|
@ -2,6 +2,185 @@
|
||||||
<title>Cosmic Voyage</title>
|
<title>Cosmic Voyage</title>
|
||||||
<link>gopher://cosmic.voyage</link>
|
<link>gopher://cosmic.voyage</link>
|
||||||
<description>Messages from the human stellar diaspora</description>
|
<description>Messages from the human stellar diaspora</description>
|
||||||
|
<item>
|
||||||
|
<title>orestes - Friend...</title>
|
||||||
|
<author>orestes@cosmic.voyage (orestes)</author>
|
||||||
|
<link>gopher://cosmic.voyage/0/orestes/07_friend.txt</link>
|
||||||
|
<guid>gopher://cosmic.voyage/0/orestes/07_friend.txt</guid>
|
||||||
|
<pubDate>Wed, 31 Mar 2021 14:25:47 GMT</pubDate>
|
||||||
|
<description><![CDATA[<pre>
|
||||||
|
Transmission Log - Orestes
|
||||||
|
Author: Pink
|
||||||
|
|
||||||
|
---------------------------------------------------------------
|
||||||
|
Auto-generating preface...
|
||||||
|
|
||||||
|
An update about the new visitor from PINK. She exhibits signs of
|
||||||
|
jealousy that even a rudimentary A.I. like me can pick up on.
|
||||||
|
Although, perhaps all forms of jealousy are easy to spot? It's an
|
||||||
|
unfamiliar human emotion to me. My designer did provide me with
|
||||||
|
some datasets for things like resentment, aggression, depression,
|
||||||
|
love, melancholy, etc. All the things that might cause issues in
|
||||||
|
a small outpost like Orestes. It seems jealousy is simply an
|
||||||
|
unsophisticated combination of all these things.
|
||||||
|
|
||||||
|
Please send me some jealousy datasets so I can update my
|
||||||
|
predictions accordingly.
|
||||||
|
|
||||||
|
The new outpost-member does indeed show promise with regard to
|
||||||
|
researching the crystals. I haven't been able to brute-force her
|
||||||
|
QEC transmitter yet, but the attack is in-progress. I will have
|
||||||
|
infiltrated her communications within two weeks and will
|
||||||
|
send you her private thoughts on the crystals as soon as I can.
|
||||||
|
|
||||||
|
-END-OF-PREFACE-
|
||||||
|
---------------------------------------------------------------
|
||||||
|
|
||||||
|
She's only been here a week but already everything has changed.
|
||||||
|
|
||||||
|
She seems nice.
|
||||||
|
|
||||||
|
Ugh, no, she doesn't. I'm suspicious of her.
|
||||||
|
|
||||||
|
She doesn't spend much time with us as a group (although, we
|
||||||
|
rarely spend time with each other as a group these days).
|
||||||
|
|
||||||
|
She seems to prefer 'one-on-one' time with us.
|
||||||
|
|
||||||
|
Mostly with GREEN.
|
||||||
|
|
||||||
|
Not that I mind. I just find it unusual.
|
||||||
|
|
||||||
|
Sometimes, when GREEN notices me watching them together, huddled
|
||||||
|
close, her hand casually resting on his forearm, he shoots me a
|
||||||
|
reassuring glance. I hate it. He has nothing to reassure me
|
||||||
|
about. We aren't - weren't - 'together'. He's an idiot
|
||||||
|
sometimes.
|
||||||
|
|
||||||
|
I don't even see her as a threat. Yes, she is very beautiful.
|
||||||
|
But, she is so *weird*. She treats him more as a father, which is
|
||||||
|
ridiculous. GREEN is practically a man-child. He would be a
|
||||||
|
terrible father.
|
||||||
|
|
||||||
|
I don't mean that. I suppose he has his charms. He is good at
|
||||||
|
remaining calm and taking time to reflect on things. It's not
|
||||||
|
such a bad thing to impart onto a child. Still, he likes watching
|
||||||
|
ancient re-runs of 'Stephen Universe' which, as far as I can
|
||||||
|
gather from the 5 or so minutes I could stand of it, is a
|
||||||
|
children's cartoon-show.
|
||||||
|
|
||||||
|
I do enjoy my conversations with her. I guess that's why GREEN is
|
||||||
|
drawn to her too. He appreciates the kinds of things she has to
|
||||||
|
offer - good, deep conversations, a warm heart, a pleasant
|
||||||
|
laugh...
|
||||||
|
|
||||||
|
Maybe he likes her.
|
||||||
|
|
||||||
|
I mostly talk about my work with her. She's endlessly curious
|
||||||
|
about it. I suppose it's only natural. Prior to crash-landing on
|
||||||
|
our little rock, she was a botanist, traveling from planet to
|
||||||
|
planet studying alien plant-life on behalf of some private
|
||||||
|
benefactor.
|
||||||
|
|
||||||
|
She was the sole crew member of her ship. She says she still
|
||||||
|
doesn't understand why she was so off-track when she accidentally
|
||||||
|
hyper-jumped into our little orbit. Whatever cause the navigation
|
||||||
|
error seemed to cause a series of chain-reactions and eventual
|
||||||
|
system failure. She was lucky to survive the crash.
|
||||||
|
|
||||||
|
Not much else survived. Nothing from the wreckage that could
|
||||||
|
back-up her story.
|
||||||
|
|
||||||
|
She carries a personal little QEC transmitter that sends
|
||||||
|
encrypted messages back to her home base. She's already contacted
|
||||||
|
them to say she'll be taking a little sojourn here. How
|
||||||
|
presumptuous of her!
|
||||||
|
|
||||||
|
She's taken by the crystals. She wants to study them further.
|
||||||
|
She was surprised they weren't already on her radar. She has even
|
||||||
|
begun to convince GREEN of their potential.
|
||||||
|
|
||||||
|
She asked us if she could stay, not that we had much of a choice.
|
||||||
|
We haven't heard from you for so long now, we're pretty much
|
||||||
|
convinced you've disappeared into that black hole at the edge of
|
||||||
|
this star system. You know the one.
|
||||||
|
|
||||||
|
Seriously though, what should we do about her? Some guidance here
|
||||||
|
would be great. I advise letting her join our team for a while.
|
||||||
|
In spite of my personal reservations about her, professionally
|
||||||
|
she seems more than capable of contributing real value to our
|
||||||
|
little study.
|
||||||
|
|
||||||
|
A new pair of eyes on the crystals couldn't hurt. I just wish
|
||||||
|
they weren't such damn pretty eyes.
|
||||||
|
|
||||||
|
- PINK
|
||||||
|
|
||||||
|
|
||||||
|
----------------------------------------------------------------
|
||||||
|
Complied by the Werner H. Young Terminal Emulator
|
||||||
|
|
||||||
|
Info: Simple A.I., designed on-site for executing
|
||||||
|
systems maintenance tasks and exchanging messages between
|
||||||
|
the Orestes outpost and the Arsinoe.
|
||||||
|
|
||||||
|
Built by Werner Young (2113-2151).
|
||||||
|
|
||||||
|
Names of persons have been masked to protect their identity.
|
||||||
|
----------------------------------------------------------------
|
||||||
|
|
||||||
|
</pre>]]></description>
|
||||||
|
</item>
|
||||||
|
<item>
|
||||||
|
<title>Polonia - SOS-1</title>
|
||||||
|
<author>heighliner@cosmic.voyage (heighliner)</author>
|
||||||
|
<link>gopher://cosmic.voyage/0/Polonia/sos-1.txt</link>
|
||||||
|
<guid>gopher://cosmic.voyage/0/Polonia/sos-1.txt</guid>
|
||||||
|
<pubDate>Wed, 31 Mar 2021 14:21:13 GMT</pubDate>
|
||||||
|
<description><![CDATA[<pre>
|
||||||
|
SOS
|
||||||
|
</pre>]]></description>
|
||||||
|
</item>
|
||||||
|
<item>
|
||||||
|
<title>Polonia II - Incydent 346</title>
|
||||||
|
<author>heighliner@cosmic.voyage (heighliner)</author>
|
||||||
|
<link>gopher://cosmic.voyage/0/Polonia II/23497.txt</link>
|
||||||
|
<guid>gopher://cosmic.voyage/0/Polonia II/23497.txt</guid>
|
||||||
|
<pubDate>Wed, 31 Mar 2021 14:14:09 GMT</pubDate>
|
||||||
|
<description><![CDATA[<pre>
|
||||||
|
# Dwadzieścia trzy tysiące czterysta dziewięćdziesiąty pierwszy dzień lotu
|
||||||
|
|
||||||
|
Na mostku burzliwa rozmowa.
|
||||||
|
— Kapitanie, to nie my!
|
||||||
|
— A kto?!
|
||||||
|
|
||||||
|
Jeden z oficerów na skutek zespołu chorobowego określanego najczęściej jako ZCPK [1] po raz kolejny wydał niepoprawne dyspozycje automatycznemu telegrafiście. Najlepsi automatyczni telegrafiści byli produkowani jeszcze na Ziemi w okolicach Zgierza, ale ze względów ekonomicznych Polonia II wyposażono w sprzęt marki HPD importowany z USA. Sprzęt był tańszy, ale często zawodził i do tego wymagał obsługi głosowej, jakby tego było mało w dosyć niszowym języku angielskim.
|
||||||
|
|
||||||
|
Kapitan przeczuwał, że oficer odpowiedzialny tego dnia za automatycznego telegrafistę pomylił komendę głosową EXIST z EXITS. Było to nagminne w trakcie długiego lotu, kiedy trzeba było operować za pomocą komend głosowych, a nie telepatii. W kosmosie podczas tak długich podróży rzadko prowadziło się rozmowy głosowe, a tym bardziej po angielsku.
|
||||||
|
|
||||||
|
Już po polsku Kapitan zanotował w dzienniku pokładowym informację adresowaną do CSK w Pułtusku — Incydent nr 346 sterowania głosowego w języku angielskim automatycznego telegrafisty marki HPD. Wniosek o wycofanie z użycia.
|
||||||
|
|
||||||
|
Nie wiedział czy Pułtusk i Zgierz wciąż funkcjonują po 23491 dniach od czasu, kiedy ostatni raz komunikacja była dwukierunkowa. Brak komunikacji zwrotnej nie martwił go tak jak incydent 346. Napęd Polonia II pozwalał już po 3 godzinach od startu na wyjście z obszaru komunikacyjnego SOL.
|
||||||
|
|
||||||
|
[1] Zespół Chronicznego Przemęczenia Kosmicznego
|
||||||
|
[2] Centrala Sił Kosmicznych
|
||||||
|
</pre>]]></description>
|
||||||
|
</item>
|
||||||
|
<item>
|
||||||
|
<title>Polonia II - 23496</title>
|
||||||
|
<author>heighliner@cosmic.voyage (heighliner)</author>
|
||||||
|
<link>gopher://cosmic.voyage/0/Polonia II/23496.txt</link>
|
||||||
|
<guid>gopher://cosmic.voyage/0/Polonia II/23496.txt</guid>
|
||||||
|
<pubDate>Tue, 30 Mar 2021 19:54:17 GMT</pubDate>
|
||||||
|
<description><![CDATA[<pre>
|
||||||
|
# Dwadzieścia trzy tysiące czterysta dziewięćdziesiąty dzień lotu
|
||||||
|
|
||||||
|
Statek kosmiczny Polonia odebrał słaby, niezidentyfikowany sygnał z pobliskiej
|
||||||
|
mgławicy. W odpowiedzi nadano SSSK[1] op.9 es-dur nr 2.
|
||||||
|
|
||||||
|
[1] Standardowy Sygnał Sił Kosmicznych
|
||||||
|
</pre>]]></description>
|
||||||
|
</item>
|
||||||
<item>
|
<item>
|
||||||
<title>Isla Ristol - Hasta la vista marcianos, Marte a la vista</title>
|
<title>Isla Ristol - Hasta la vista marcianos, Marte a la vista</title>
|
||||||
<author>enteka@cosmic.voyage (enteka)</author>
|
<author>enteka@cosmic.voyage (enteka)</author>
|
||||||
|
@ -922,297 +1101,6 @@ Maderita, out.
|
||||||
|
|
||||||
~ Enteka (enteka_a_fastmail:::com)
|
~ Enteka (enteka_a_fastmail:::com)
|
||||||
|
|
||||||
</pre>]]></description>
|
|
||||||
</item>
|
|
||||||
<item>
|
|
||||||
<title>Biribiri - Lebedev2</title>
|
|
||||||
<author>amok@cosmic.voyage (amok)</author>
|
|
||||||
<link>gopher://cosmic.voyage/0/Biribiri/Lebedev2.txt</link>
|
|
||||||
<guid>gopher://cosmic.voyage/0/Biribiri/Lebedev2.txt</guid>
|
|
||||||
<pubDate>Fri, 26 Mar 2021 06:27:33 GMT</pubDate>
|
|
||||||
<description><![CDATA[<pre>
|
|
||||||
++++++++++++++++++++++++++++
|
|
||||||
Usuario: Ingeniero Lébedev
|
|
||||||
Software: Log Manager v1.6
|
|
||||||
Fecha: 26 de Marzo, 2262
|
|
||||||
Hora: 09:16
|
|
||||||
++++++++++++++++++++++++++++
|
|
||||||
|
|
||||||
Mientras seguimos esperando que Lukács se dedica a escribirle al mundo
|
|
||||||
QEC la naturaleza de nuestra "misión", creo que podría llegar a ser
|
|
||||||
interesante, mientras tanto, describir las características elementales
|
|
||||||
de la Výro chuco.
|
|
||||||
|
|
||||||
Si sos parte de una comunidad intentando escapar de la Tierra, y —como
|
|
||||||
a nosotros— no les alcanza para comprarse un lotecito en el frío
|
|
||||||
Marte, el caluroso Venus, la desafiante Europa de Júpiter o la —contra
|
|
||||||
todo pronóstico— excelente Titan de Saturno; quizá quieras considerar
|
|
||||||
pedir un permiso de colonización a la Organización Internacional de
|
|
||||||
Colonización Intergaláctica, pagar por adelantado por el uso de los
|
|
||||||
satélites de láseres de dicha organización, y esperar que cumplan
|
|
||||||
durante décadas su promesa de acelerar tu nave con velas fotónicas
|
|
||||||
mediante potentes rayos concentrados ... ¡y rezar para que no te frían
|
|
||||||
sin querer (o queriendo)!
|
|
||||||
|
|
||||||
Eso fue precisamente lo que hicimos los biribiris. Conseguido el
|
|
||||||
permiso, firmados los contratos, deberías que ocuparte de tu nave. Y
|
|
||||||
una parte fundamental de toda nave es su computadora ... y/o
|
|
||||||
computadoras. Pero en caso de que no tengas una i-moneda partida al
|
|
||||||
medio, posiblemente te tengas que conformar con una única computadora,
|
|
||||||
y no de las más caras. En nuestro caso elegimos armar la Výri con
|
|
||||||
núcleos de tensores. ¿Qué no sabes qué es un tensor? Tranquilo,
|
|
||||||
Lébedev no asume porque tengas que saber demasiado de nada. Un tensor
|
|
||||||
es un objeto matemático. Y sí, hay más objetos matemáticos que los
|
|
||||||
meros números con los que contas ... ¡ni quiero imaginarme lo que
|
|
||||||
contas! Pero así como las matemáticas elementales tienen a los números
|
|
||||||
naturales como su tema principal, y luego tenes matemáticas más
|
|
||||||
avanzadas con fracciones, números negativos, números reales, etc., la
|
|
||||||
matemática más avanzada utiliza diferentes tipos de "estructuras" para
|
|
||||||
calcular, predecir y hacer todo lo que nos permiten hacer las bellas
|
|
||||||
matemáticas.
|
|
||||||
|
|
||||||
Fijáte en esto:
|
|
||||||
|
|
||||||
a = 1
|
|
||||||
|
|
||||||
b = [1, 2, 3]
|
|
||||||
|
|
||||||
[1, 2, 3]
|
|
||||||
c = [4, 5, 6]
|
|
||||||
[7, 8, 9]
|
|
||||||
|
|
||||||
(d111, d121, d131)
|
|
||||||
d = (d211, d221, d231)
|
|
||||||
(d311, d321, d331)
|
|
||||||
|
|
||||||
En el primer caso tenes un "número" —llamado "escalar" técnicamente,
|
|
||||||
en el segundo un "vector", en el tercero una "matriz" y en el cuarto,
|
|
||||||
sí, adivinaste, un "tensor". Las primeras computadoras operaban con
|
|
||||||
números comunes y corrientes. Luego fueron capaces de operar con
|
|
||||||
vectores, luego con matrices, y finalmente con tensores, que son uno
|
|
||||||
de los objetos matemáticos más útiles que podes llegar a imaginar.
|
|
||||||
|
|
||||||
Atentí a esto ahora: tanto "a", como "b" y "c" son, dicen los
|
|
||||||
matemáticos, ¡tensores! "a" es un tensor 0-dimensional, "b" es un
|
|
||||||
tensor unidimensional y "c" es un tensor bi-dimensional. De modo que
|
|
||||||
con una computadora tensorial como la Výro podes calcular de todo, y
|
|
||||||
de una forma super-eficaz.
|
|
||||||
|
|
||||||
¿Todavía no comprendes porqué? Bueno, es fácil: la Výro tiene en su
|
|
||||||
memoria una suerte de representación-total del estado de la Biribiri a
|
|
||||||
cada momento. Con ayuda de una cantidad brutal de sensores le pone un
|
|
||||||
númerito a todo lo que acontece a cada instante. Si tomamos este
|
|
||||||
pedacito de espacio en el que estoy sentado, la Výro sabe qué
|
|
||||||
temperatura, qué presión, qué humedad, qué cantidad de luz, de
|
|
||||||
oxígeno, de nitrógeno, qué x, y, z, etc., "es" en este lugar. Es
|
|
||||||
decir, ¡exacto!, un tensor multidimensional de datos. Y lo mismo con
|
|
||||||
el pedacito de espacio a mi derecha, a mi izquierda, a mi arriba y
|
|
||||||
abajo, etc. Si algo anduviera mal tiene que operar unos cálculos
|
|
||||||
extremadamente complejos, en base a algoritmos open-source, para
|
|
||||||
decidir cual es la mejor manera de que los númeritos (por ejemplo la
|
|
||||||
cantidad de oxígeno) se mantengan al interior de ciertos parámetros
|
|
||||||
que nosotros le indicamos mantenga a toda costa. De allí que una
|
|
||||||
computadora tensorial sea la forma más adecuada de mantenernos a todos
|
|
||||||
con vida, mientras viajamos a Épsilon Eridani.
|
|
||||||
|
|
||||||
Así que ya sabes: si estás planeando fundar tu Utopía en alguna
|
|
||||||
estrella lejana ... mejor que te ocupes de tener una computadora a la
|
|
||||||
altura de la tarea.
|
|
||||||
|
|
||||||
¡Gracias por existir Výro chuco!
|
|
||||||
|
|
||||||
|
|
||||||
pd: El tensor unidimensional del día: 1123581321.
|
|
||||||
|
|
||||||
EOF
|
|
||||||
</pre>]]></description>
|
|
||||||
</item>
|
|
||||||
<item>
|
|
||||||
<title>Isla Ristol - Existen los androdides de ciencia... pero, los biribiris?</title>
|
|
||||||
<author>enteka@cosmic.voyage (enteka)</author>
|
|
||||||
<link>gopher://cosmic.voyage/0/Isla Ristol/b10.txt</link>
|
|
||||||
<guid>gopher://cosmic.voyage/0/Isla Ristol/b10.txt</guid>
|
|
||||||
<pubDate>Fri, 26 Mar 2021 21:46:44 GMT</pubDate>
|
|
||||||
<description><![CDATA[<pre>
|
|
||||||
Isla Ristol - Aventuras en Marte
|
|
||||||
|
|
||||||
Entrada 2x10
|
|
||||||
|
|
||||||
Papá me acaba de mandar un mensaje con dos partes. En
|
|
||||||
la primera parte me manda un resumen de los últimos
|
|
||||||
QECs. Es... interesante, sobre todo el último que
|
|
||||||
habla de un tal Maderita. Me suena.
|
|
||||||
|
|
||||||
Ay, mi tía.
|
|
||||||
|
|
||||||
Pues seguro que no se refieren a mí porque si se
|
|
||||||
refieren a mí pondrían que valor sigue a
|
|
||||||
|
|
||||||
11235813
|
|
||||||
|
|
||||||
(es una serie)
|
|
||||||
|
|
||||||
En la segunda parte me dice que mis hermanas quieren
|
|
||||||
volver a la nave. Vale... me entero antes de lo que
|
|
||||||
hacen unos ¿argentinos? en rumbo a Epsilon Eridani
|
|
||||||
que lo que quieren mis hermanas.
|
|
||||||
|
|
||||||
Esto...
|
|
||||||
|
|
||||||
La cosa es que es difícil volver porque es caro,
|
|
||||||
básicamente, (y supongo porque no quieren que molestemos
|
|
||||||
mientras hacen sus cosas de adultos).
|
|
||||||
|
|
||||||
Pero también me pregunta sí yo quiero volver.
|
|
||||||
|
|
||||||
Y es que quiero y no quiero, porque bueno, mis amigos que
|
|
||||||
acabo de conocer y yo estamos teniendo grandes aventuras
|
|
||||||
y eso. Y la próxima semana o antes íbamos a visitar
|
|
||||||
Base 1 en Arsia Mons, donde la cueva de lava, donde la
|
|
||||||
colonización humana empezó en Marte.
|
|
||||||
|
|
||||||
(Antes de que los marcianos se volvieran unos....
|
|
||||||
¡piiiiiip!)
|
|
||||||
|
|
||||||
Chispita es sorprendente, como dije la otra vez. Resulta
|
|
||||||
que conoce a un científico por nombre de Krek, que es un
|
|
||||||
poco androide. Y como es un poco androide y no tiene el
|
|
||||||
síndrome parental de pensar que los niños somos estúpidos
|
|
||||||
y atolondrados y todo eso, nos deja participar en sus
|
|
||||||
investigaciones. Es un trabajo sencillo, colocar sensores
|
|
||||||
para algo científico y recoger otros sensores. Y en la
|
|
||||||
noche podremos "acampar" en Base 1. (En realidad dentro
|
|
||||||
del Rover)
|
|
||||||
|
|
||||||
Espero que mis hermanas no me saboteen la expedición.
|
|
||||||
|
|
||||||
La vida de los niños es muy frustante, pero emocionante
|
|
||||||
también, porque nunca sabes qué te van a dejar a hacer.
|
|
||||||
|
|
||||||
Bueno, emocionante si vives en Marte y tienes una amiga
|
|
||||||
super-especial de Venus que conoce a un androide
|
|
||||||
científico, claro...
|
|
||||||
|
|
||||||
Todo muy normal.
|
|
||||||
(Es ironía)
|
|
||||||
|
|
||||||
Maderita, out.
|
|
||||||
|
|
||||||
~ Enteka (enteka_a_fastmail:::com)
|
|
||||||
Isla Ristol - Aventuras en Marte
|
|
||||||
|
|
||||||
</pre>]]></description>
|
|
||||||
</item>
|
|
||||||
<item>
|
|
||||||
<title>Biribiri - Lebedev1</title>
|
|
||||||
<author>amok@cosmic.voyage (amok)</author>
|
|
||||||
<link>gopher://cosmic.voyage/0/Biribiri/Lebedev1.txt</link>
|
|
||||||
<guid>gopher://cosmic.voyage/0/Biribiri/Lebedev1.txt</guid>
|
|
||||||
<pubDate>Thu, 25 Mar 2021 11:39:54 GMT</pubDate>
|
|
||||||
<description><![CDATA[<pre>
|
|
||||||
++++++++++++++++++++++++++++
|
|
||||||
Usuario: Ingeniero Lébedev
|
|
||||||
Software: Log Manager v1.6
|
|
||||||
Fecha: 25 de Marzo, 2262
|
|
||||||
Hora: 08:06
|
|
||||||
++++++++++++++++++++++++++++
|
|
||||||
|
|
||||||
Mi nombre es Sergio Lébedev y soy el administrador del sistema
|
|
||||||
computacional de la Biribiri, la "Výro chuco" —por "tonto elegante" en
|
|
||||||
guaraní—. Lukács me pidió que conecte el sistema QEC a la Výro para que
|
|
||||||
los intrépidos biribiris, es decir, nuestra querida tripulación, puedan
|
|
||||||
tener algo "extra" con lo que perder su preciado tiempo. ¡Como si los
|
|
||||||
millones de documentos en la Výro no fueran suficientes! ¡Tenemos exabytes
|
|
||||||
de información en nuestros servidores! ¡Exabytes! Pero, claro, todo eso es
|
|
||||||
historia ... a partir de ahora es improbable que nos enteremos de ninguna
|
|
||||||
novedad. Todo lo que que inventen y creen los humanos en cualquiera de los
|
|
||||||
mundos habitados nos va a ser para siempre desconocido, excepto que alguien
|
|
||||||
informe algo por la QEC, que ese alguien pertenezca a nuestro universo y
|
|
||||||
nuestro tiempo, etc., etc.
|
|
||||||
|
|
||||||
En principio el Capitán planeaba restringir el acceso a la QEC, pero la
|
|
||||||
última semana fue, me confesó, desafiante. Nuestros biribiris, a pesar de
|
|
||||||
que hace meses habían perdido la posibilidad de comunicarse "full duplex"
|
|
||||||
con sus afectos, aún podían mandar i-cartas y recibirlas, todavía se
|
|
||||||
sentían conectados con sus seres queridos por los mensajes que continuaban
|
|
||||||
llegando y enviando gracias a la Výro y la red de banda ancha del sistema
|
|
||||||
solar. Pero el 16 de marzo se terminó todo eso, y los biribiris se lo
|
|
||||||
tomaron peor de lo que nuestros altos mandos se esperaban. Yo mismo me dí
|
|
||||||
cuenta ... una cierta sensación de inseguridad y ansiedad flota por toda la
|
|
||||||
nave. Es comprensible, a partir de ahora estamos completamente solos y a
|
|
||||||
merced de lo que el destino nos depare. Quizá Épsilon Eridani nos espera
|
|
||||||
con los brazos abiertos ... tal vez no. La apuesta que hicimos hace años
|
|
||||||
cuando comenzamos a planear y prepararnos para este viaje se va empieza a
|
|
||||||
probar en serio.
|
|
||||||
|
|
||||||
Pensé en escribir un informe técnico acerca de como conecté la Výro chuco a
|
|
||||||
la red QEC, pero no creo que sea del interés de nadie que pueda llegar a
|
|
||||||
recibir esta comunicación. Por lo demás, y teniendo en cuenta lo que leí
|
|
||||||
hasta ahora, casi nadie usa este sistema para compartir información
|
|
||||||
científica. Tal vez tenga que ver con lo completamente aleatorio de los
|
|
||||||
pequeños archivos que un sistema QEC es capaz de recibir, la existencia de
|
|
||||||
sistemas más costosos —y que nosotros no pudimos costear— diseñados para
|
|
||||||
este fin, el hecho de que casi todas las transmisiones lleguen en un idioma
|
|
||||||
tan poco hablado hoy día como el inglés —por mucho que se siga
|
|
||||||
usando para expresiones informáticas entre los geeks—, o ... en fin, lo que
|
|
||||||
sea, verdaderamente no importa demasiado.
|
|
||||||
|
|
||||||
Espero que la corazonada de Lukács sea correcta y los biribiris se
|
|
||||||
entretengan unos días con la QEC. Yo encontré varias trasmisiones
|
|
||||||
interesantes. Encontré una que parece encriptada por una vieja máquina
|
|
||||||
usada en el siglo XX, la KG-84 ... ¡y las comunicaciones parecen provenir
|
|
||||||
de un camarada! El sistema es casi risible, los núcleos de tensores de
|
|
||||||
nuestra Výro serían capaces de decodificarlo en un picosegundo ... pero fue
|
|
||||||
interesante leer sobre esas viajes técnicas criptográficas. Pero creo que
|
|
||||||
lo que decidió a Lukács el acceso indiscriminado a nuestra red fue que
|
|
||||||
alguien recibió su primer mensaje. Un adolescente que la está pasando duro
|
|
||||||
en Marte, aunque la cosa parece haber mejorado con los días. Que los
|
|
||||||
biribiris sepan que nuestras aventuras están en la mente de alguien quizá
|
|
||||||
ayuda a mejorar los ánimos, sin importar a que mundo o tiempo pertenezca la
|
|
||||||
misma.
|
|
||||||
|
|
||||||
Esto me recuerda que tengo que citar a Celia a una partida de ajedrez para
|
|
||||||
discutir las implicaciones filosóficas del QEC.
|
|
||||||
|
|
||||||
Maderita, si esto te llega, espero que sepas que en los próximos días vas a
|
|
||||||
tener cientos de fans entre los biribiris en tránsito hacia Eridanus.
|
|
||||||
|
|
||||||
EOF.
|
|
||||||
</pre>]]></description>
|
|
||||||
</item>
|
|
||||||
<item>
|
|
||||||
<title>Isla Ristol - La gran esperanza de lluvia</title>
|
|
||||||
<author>enteka@cosmic.voyage (enteka)</author>
|
|
||||||
<link>gopher://cosmic.voyage/0/Isla Ristol/b9.txt</link>
|
|
||||||
<guid>gopher://cosmic.voyage/0/Isla Ristol/b9.txt</guid>
|
|
||||||
<pubDate>Thu, 25 Mar 2021 00:05:28 GMT</pubDate>
|
|
||||||
<description><![CDATA[<pre>
|
|
||||||
Isla Ristol - Aventuras en Marte
|
|
||||||
|
|
||||||
Entrada 2x9
|
|
||||||
|
|
||||||
Chispita es sorprendente. Nos consiguió un pase para el
|
|
||||||
exterior a los Amigos de Hierro, osea Hilito, Chispita,
|
|
||||||
Puercoespín, Alejandro Magno el Magnífio y yo (maderita). Nos
|
|
||||||
dejaron un rover automatizado y nos dirigimos directos a
|
|
||||||
Arsia Mons a disfrutar de la Gran Nube Gigante.
|
|
||||||
|
|
||||||
Dicho así parece una tontería si vienes de la Tierra (o de
|
|
||||||
Venus) pero es que Marte es un poco pobre de nubes y ésta
|
|
||||||
es gigantesca y nace (parece) del mismo volcán. Es como la
|
|
||||||
gran esperanza de lluvia en medio de la desolación del
|
|
||||||
desierto.
|
|
||||||
|
|
||||||
Y cuando lo ves saliendo de ese mega-hiper-gigante volcán
|
|
||||||
entre los Montes de Tharsis y el Olympus y todo eso no
|
|
||||||
puedes sino quedarte embobado. Nos dijeron que no
|
|
||||||
saliéramos del Rover y, si te lo crees, no lo hicimos
|
|
||||||
porque todo se veía perfectamente desde él.
|
|
||||||
|
|
||||||
Marte es genial
|
|
||||||
(Y yo soy contradictorio, pero es que ahora tengo amigos)
|
|
||||||
|
|
||||||
~ Enteka (enteka_a_fastmail:::com)
|
|
||||||
</pre>]]></description>
|
</pre>]]></description>
|
||||||
</item>
|
</item>
|
||||||
</channel>
|
</channel>
|
||||||
|
|
|
@ -0,0 +1 @@
|
||||||
|
/var/gopher/ships/ship/gophermap
|
Loading…
Reference in New Issue